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Reverb Plugin by Audio Damage

Eos has an average user rating of 4.25 from 4 reviews

Rate & Review Eos

User Reviews by KVR Members for Eos

Reviewed By pascual [read all by] on 11th September 2012
Version reviewed: 10.6 on Mac
2 of 8 people found this review helpful.
Was it helpful to you? Yes No

Believe me. I want to love this plugin. Love the Gui, and the easy controls. I like most things that AD does, and they are a big part of my tool box.

Eos is always too heavy though. I find that I need to have the wet/dry knob at about 98% dry all the time, regardless of the settings elsewhere, or else everything sounds like if you where a bat in a cave. Maybe I'm missing something?

I do play around with the size and time settings, and the diffusion and those others, but i can never find some nice subtle sound. I love dubby echos, and space, but this is too hot to handle...

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Comments & Discussion for Audio Damage Eos

Discussion: Active
original flipper
original flipper
14 September 2012 at 6:07pm

Are you using Eos as an 'insert' effect on an individual track - this wouls possibly make balancing a lttle harder (but not to the degree that you seem to be describing).

If using a 'send' you should have a mix/send level which would give you more control.

I have EOS and have not had an issue 'balancng' the right amount of signal to it.

16 September 2012 at 1:15pm

You're definitely doing it wrong.

22 September 2012 at 6:22pm

No, he's right. You have to use ridiculously low values when EOS is added as an insert effect. It behaves as expected on send though

5 July 2013 at 9:14pm

I have noticed Eos produces some constant low-level noise even when no sound is feeded into it. With just one instance the noise level seems to average somewhere around -105 dBFS, which of course is completely inaudible. In larger projects, though, with multiple instances, the noise level builds up and can easily mess up dithering and may even come audible at some point. So I recommend using noise gate with Eos.

By the way, I tried stacking 10 instances with big and long reverb settings on one channel and the noise came clearly audible. I bounced and normalized a clip, and I must say the result sounds really creepy. If there are any drone/dark ambient producers out there, you might make use of this noise leakage. ;).

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