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Pipa - Expressive Vocal Synthesizer

Vocal Synthesis Plugin by Klevgränd Produktion
$ $49.99
Pipa - Expressive Vocal Synthesizer
Pipa - Expressive Vocal Synthesizer by Klevgränd Produktion is a Virtual Instrument Audio Plugin and a Mobile Audio App for macOS, Windows and iOS. It functions as an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
System Requirements
Windows 7 SP1 or later
System Requirements
macOS 10.9 or later
System Requirements
iPad Air 2 or better (iPad only)
Copy Protection
Serial Number
Important Note
Pipa is quite CPU intensive, so downloading and testing the demo before purchase is recommended.
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This virtual instrument is a crossover between a wavetable synthesizer and a granulating sample player specialized in generating vocal sounds. Pipa simulates the sound of human voices in a new way; instead of using ordinary samples or processing oscillators with formant filters, Pipa uses a large database of wavetables extracted from real vocal samples. The benefit of this technique is that it's possible to seamlessly morph between those wavetables with proper phase alignment. This technique enables Pipa to continuously make transitions between pitch, formants and dynamics, which is very useful in a musical context.


• Male and female voices.

• Continuous morphing between formants, dynamics and pitch.

• Separate envelopes (with linked release time) and LFOs for formant, dynamics, gain and pitch.

• Plenty of factory presets.

• Two MIDI Assignable controllers (Ctrl1 and Ctrl2) for controlling formants, dynamics, pitch and gain.

• Legato mode with control over both pitch glide time and velocity glide time.

• Voice spatialization.

• Room simulation (5 different rooms to choose from).

• Reverb (6 different algorithms to choose from).

Full documentation, audio examples and video demos available at https://klevgrand.se/products/pipa

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Comments & Discussion for Klevgränd Produktion Pipa - Expressive Vocal Synthesizer

Discussion: Active
18 December 2020 at 4:48am

You guys make incredible plugins.

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