Upgrade from RX 8 Standard 75% Off$199.00 $49.00Buy Now BUYING!X
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Academic License $199.50Buy Now BUYING!X
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The Complete Audio Repair Toolkit
Built on decades of iZotope research, RX 9 tackles emerging audio capture and production issues to restore damaged, noisy audio to pristine condition. The update includes major improvements to some of the most popular RX modules used in audio post production.
Designed specifically for the demanding needs of post production professionals, RX 9 allows for full control over your audio with even further updates.
In both the Standard and Advanced versions, the new Dynamic Mode in De-hum allows users to instantly remove any amount of hum and interference in one pass. View up to 30 undo steps in the new expandable History list, use the new Restore feature to roll back an audio selection to any previous step in your History list, or clean up unwanted sounds directly in Logic using the new Spectral Editor, built on the ARA plug-in extension.
For RX 9, we have revisited some of our most important processing tools and made them even better. We wanted to focus on the fact that dialogue is getting noisier and noisier: from location shoots to warehouse sets, to wireless interference on sound stages, to ADR that's being recorded remotely in cars and closets and kitchens instead of in studios. The industry is facing more and more noise, with less time to fix it. We're here to help.iZotope Principal Product Manager, Mike Rozett
What's New in RX 9 Standard:
First introduced in 2007, RX and the team behind it have been honored with two Engineering Emmy Awards and an Academy of Motion Picture Arts and Sciences' Scientific and Engineering Award. Over the years RX has evolved into the most innovative set of audio repair and enhancement tools available, making it the most trusted solution among top post production engineers to quickly and reliably deliver great sound.
Definitely worth the purchase. My favorite is the denoiser, which they've broken out the into two distinct modules, one dedicated to voice and the other for general background noise. It can be a resource hog if you use it in more than one incidence or on multiple tracks, (I edit in PPro CC). But it's well worth it for correcting takes from the field that were shot in noisy environments. It has a dynamic, or adaptive learning mode that has made quick work of long takes. I will sample and tweak in the edit, (and do this as a last step), then crank up the quality slider before rendering out.Read Review