+1Karmacomposer wrote:I own a few TubeOhm synths and love every one of them. I have every intention of buying it shortly. Demo sounds great!
Mike
Ditto.
+1Karmacomposer wrote:I own a few TubeOhm synths and love every one of them. I have every intention of buying it shortly. Demo sounds great!
Mike
I'm curious (since I don't speak German and can't make to much out of the online translators either): how does this code system works - exactly? Is it a code for being able to open the archives on the DVD, or is it the actual serial to unlock/register the plugin? I can't wrap my head around Beatdrive, Serial Center and the Zampler website...Numanoid wrote:Phasewave Mono is included on the cover disc of the new issue of Beat magazine (Jan 2014 issue).
Just requested my serials from the Beat Serial Center, looking forward to getting the mag in the mail
IIRC you need both: the archives from the DVD & the serial from the Beatdrive to open it. That's how it worked in the past.idfpower wrote:I'm curious (since I don't speak German and can't make to much out of the online translators either): how does this code system works - exactly? Is it a code for being able to open the archives on the DVD, or is it the actual serial to unlock/register the plugin? I can't wrap my head around Beatdrive, Serial Center and the Zampler website...Numanoid wrote:Phasewave Mono is included on the cover disc of the new issue of Beat magazine (Jan 2014 issue).
Just requested my serials from the Beat Serial Center, looking forward to getting the mag in the mail
Sterile I can understand, to an extent (referencing the CZ implementation of PD). The lack of modulation options make it hard to create lively sounds with lots of movement. To describe CZs as cold sounding is just bonkers though. They generate more chunky thump than any of yr cheap analogues. The solidest bass. In fact I find the dense lower midrange makes them totally overwhelming for pad sounds-they could really have benefited from notch/bandpass filters.Halma wrote:Not quite sure why some people say that the PD sound from the old CZ synths (or in general) sounds steril or cold.
I think one reason is that those synths don't come with a filter and people are so used to filters that they often forget (or even don't know) how to work without one.
Dang, I have heard some PD basses and Pads that put some other classic synths with some real analog oscillators and filters to shame.
Regards
Sebastian
Can you talk more about the hidden functions. I plan next an update and maybe i build it in. Where i can find more information about this ?theodore_whitmore wrote:Sterile I can understand, to an extent (referencing the CZ implementation of PD). The lack of modulation options make it hard to create lively sounds with lots of movement. To describe CZs as cold sounding is just bonkers though. They generate more chunky thump than any of yr cheap analogues. The solidest bass. In fact I find the dense lower midrange makes them totally overwhelming for pad sounds-they could really have benefited from notch/bandpass filters.Halma wrote:Not quite sure why some people say that the PD sound from the old CZ synths (or in general) sounds steril or cold.
I think one reason is that those synths don't come with a filter and people are so used to filters that they often forget (or even don't know) how to work without one.
Dang, I have heard some PD basses and Pads that put some other classic synths with some real analog oscillators and filters to shame.
Regards
Sebastian
Which points neatly to Phasewave. That's what we are here to talk about, right? I have tried the free, mono version linked earlier in the thread and it is a REALLY nice sounding synth. Looks great as well. It's a shame that the esoteric, hidden functions of PD aren't presented to the user as an option. That is something I would like to dig in to and would make me more likely to buy. The sound design is also offputtingly trance-centric to my ears. It's not that the presets are bad just that they aren't sounds I would use. Minor quibbles though. It is obvious that a lot of work has gone into making a coherent, well presented instrument and it deserves to be a success.
January in the Keys Magazine DVD and on a Delamar workshop.Tricky-Loops wrote:Isn't the mono version available any more, only in the Beat Magazine?
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