It's just me. I don't like if there's rules and while a challenge is running the rules are not followed consequently. If you have rules and then declare a quick vote where 5 people of 22 participants say I don't care go for it and the rest... I need a reliable mode of operation. Anything else is just bollocks and opend doors for useless discussions. If somebody is late with the submission then it's simply the persons fault - making music has something to do with being organized. Among the Challenges of a producer is to deliver in time. Because on the other side there were people rushing to get their tracks finished and that means they may have made compromised quality. But why they compromised quality? They just were silly enough to believe the rules/deadline have to be followed...A real life Modus operandi that will work for me would be:Zero Ring wrote:Wait, why don't you like the rules?? I think it gives people entering the contest a good challenge to help them grow as producers and to make us think outside the box.] Peter:H [ wrote:I'm not taking part this month because the rule making - or the rule obeying mode - of OSC is something I don't like (see OSC #97 thread). So this is actually my farewell after a short period of OSC, the track I've started to throw together by the begining of April, but more abandoned than finished...
https://soundcloud.com/p-e-t-e-r-h/the- ... n-expected
MPowerSynths and a lot of other Melda stuff. To lazy to write all...
1.) Have a set of rules and apply them. No discussion. Any other challenge works that way. Say like you have hundrets of participants like for instance hofa mixing challenges and every now and then somebody is comming late...funny approach that would be.
2.) If you find out that the rules need to be adjusted. Do so for the next challenge, but not for the running challenge.
3.) If your late - accept it or submit unfinished.
But that's not the way OSC is operating so it's consequent not to take part and find an environment that is more suiting my needs.
Update: No need to discuss this elsewhere. I'm not going to discuss this anyway anymore. That was a few final words because sbdy asked.
)
) knowing that this time we again will see + hear some real masterpieces. Anyway, I always wanted to go back to my roots and do some melancholic spacey minimal oldschool electronica stuff like this, almost as if I were sitting in front of my old Fostex 160 late at night with crappy analogish gear, headphones on, and a head full of dreams.
