a short and sweet remix of a quite well known electronica piece (skewed beyond any possibility of recognition):
www.rachmiel.org/deva.mp3
4/4 groovesters should probably just say no and move on. ;-)
remix
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- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
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- KVRian
- 1103 posts since 28 Mar, 2002 from Iceland
A litle too experimental for me....glitch heaven
Simple and repetive are my middle names
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- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
> glitch heaven
yes. it's where i live. :-)
yes. it's where i live. :-)
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- KVRist
- 137 posts since 29 Feb, 2004 from France
Been listening to too much Richard Devine have you 
That's cool, maybe doesn't stand too well on its own but with a couple other similar short tracks would be great.
ps : I'm quite fond of 4/4 beats but not only!
That's cool, maybe doesn't stand too well on its own but with a couple other similar short tracks would be great.
ps : I'm quite fond of 4/4 beats but not only!
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- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
> Richard Devine
you got me pegged! ;-)
and i agree, it's not so much a standalone piece as a "palate cleanser" between more substantial tracks.
you got me pegged! ;-)
and i agree, it's not so much a standalone piece as a "palate cleanser" between more substantial tracks.
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- KVRAF
- 10234 posts since 17 Sep, 2004 from Austin, TX
< Richard Devine
well, the mp3's ID2 tag does actually say "devine remix"
Is the person that makes the Devine Machine Lucifer?
I still need to get that thing someday.
rick, now that I have actual speakers and I can listen to your spagnum opae quite loud I appreciate their childlike sense of imponderable playtime even more.
A werewolf, a harmonica, a Bogomil.
well, the mp3's ID2 tag does actually say "devine remix"
Is the person that makes the Devine Machine Lucifer?
I still need to get that thing someday.
rick, now that I have actual speakers and I can listen to your spagnum opae quite loud I appreciate their childlike sense of imponderable playtime even more.
A werewolf, a harmonica, a Bogomil.
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- KVRist
- 134 posts since 5 Jan, 2006 from Norfolk, VA, USA
Sounds like you dropped a record on the floor, swept up the shattered pieces, then made a sandwich.
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- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
> Sounds like you dropped a record on the floor, swept up the shattered pieces, then made a sandwich
brilliant! :-) it's the "shatter and reassemble" approach.
all the king's horses and all the king's men
couldn't put humpty together again.
(but that didn't stop them from trying.)
brilliant! :-) it's the "shatter and reassemble" approach.
all the king's horses and all the king's men
couldn't put humpty together again.
(but that didn't stop them from trying.)
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- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
> rick, now that I have actual speakers and I can listen to your spagnum opae quite loud I appreciate their childlike sense of imponderable playtime even more
as usual, you are very insightful: these pieces are huge and very deep fun for me to make. rather than imposing my will on them, i collaborate with them ... and never know where i will end up.
as usual, you are very insightful: these pieces are huge and very deep fun for me to make. rather than imposing my will on them, i collaborate with them ... and never know where i will end up.
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- KVRAF
- 1585 posts since 13 Nov, 2005 from St. Paul
this is more coherent than these comments lead me to believe. there are phrases, damn it, and i can't abide that commercialism!
my verdict: not experimental enough...
the use of silence is a challenge for me; i can never just let pieces breathe. you're more comfortable with that. i (and a lot of other electronic types) could learning a lot from emulating the occasional pause.
my verdict: not experimental enough...
the use of silence is a challenge for me; i can never just let pieces breathe. you're more comfortable with that. i (and a lot of other electronic types) could learning a lot from emulating the occasional pause.
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- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
phrases = commercialism ... ! if so / i am / guilty / as charged. ;-)
yes i definitely built a lot of breathing into this one. that's how a piece becomes organic for me.
what would make it more experimental?
:-)
yes i definitely built a lot of breathing into this one. that's how a piece becomes organic for me.
what would make it more experimental?
:-)
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- KVRAF
- 1585 posts since 13 Nov, 2005 from St. Paul
it would be more experimental if it was unlistenable, of course...
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- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
> it would be more experimental if it was unlistenable
;-)
;-)
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- KVRAF
- 10234 posts since 17 Sep, 2004 from Austin, TX
I am equally guilty of not using space in my experimental compositions. It's even worse when you hand me a woodwind, though, which is improbable because with a horn you heave to breathe sooner or later.jmeier wrote:this is more coherent than these comments lead me to believe. there are phrases, damn it, and i can't abide that commercialism!
my verdict: not experimental enough...
the use of silence is a challenge for me; i can never just let pieces breathe. you're more comfortable with that. i (and a lot of other electronic types) could learning a lot from emulating the occasional pause.
& the ending of this rachmiel tune... who else would have the cojones to do that?
Granted, I've been listening to rachmiel songs for the majority of the last 12 hours.
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- KVRAF
- Topic Starter
- 3724 posts since 30 Jan, 2005 from rochester, ny
> I've been listening to rachmiel songs for the majority of the last 12 hours
my condolences.
my condolences.
