"I see the future"

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I just recorded a demo for these guys: Bracken Hill (only 2 songs finished so far) I rather like the music actually, so I thought I would post it up here...

Decent quality ogg versions of those two tracks are temporarliy up here: Future and My Little Sister

Comments on the production are welcome (my first laptop recording: 4 inputs for the whole band!) or on the music (I'll pass them on!)

:D

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Bump!

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Nice toms!
Great recording man, I'm listening to Future. It is quite reminiscent of the clash, but with sweeter vocals. Perhaps the kick is a bit too loud during the verses, but that's stretching to find something wrong with it. ;)
Anti-aliasing is for "synthmonk%ys".

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freeztar wrote:Nice toms!
Cheers! I only used 4 mics for the whole kit: kick, snare and 2 overheads in "Recorderman" configuration. Sounds better than I expected it to really :D

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Nice recording and some quality tunes (this kind of thing is very big wiv ver kids at the moment so I'm told) Reckon you could back off the reverb quite a bit though - would sound even better if it was more 'in yer face'.

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What did you use for the overheads?
Anti-aliasing is for "synthmonk%ys".

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A pair of Rode NT5s. AKG D12 on kick (yes, thats D12 not D112) and a rather unusual Sennheiser MD515 "Stick Grenade" on the snare.

Donks: you mean the overall reverb or the vocal FX? Most of the reverb on the band is from the room (I had a pair of ambient mics up) but I recorded everything except kick and snare as a stereo mix so can't adjust the level of the room mics now. (I had to judge it on headphones on the day!)

I added some snare verb though, and the vocals were overdubbed, so maybe I will have a go at a drier mix! On the other hand, it does have a kind of ToeRag Studios vibe to it that I quite like...

It was only meant to be a rough demo anyway: thats why I took the laptop instead of the full DAW with 16 inputs! I'm planning to do some proper recording with them soon, this was just a kind of pre-production session (plus they really needed a decent demo!)

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IIRs wrote:
Donks: you mean the overall reverb or the vocal FX? Most of the reverb on the band is from the room (I had a pair of ambient mics up) but I recorded everything except kick and snare as a stereo mix so can't adjust the level of the room mics now. (I had to judge it on headphones on the day!)
Ahh, I meant sort of overall. Best off leaving it as it is then. Still sounds good anyhow.

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I'm not familiar with the NT5's so that gives me something to think about.
Absolutely great mic placement imho. The natural reverb is great and this works well as a demo.

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freeztar wrote: Absolutely great mic placement imho.
I used the RecorderMan technique ;)

I prefer more traditional coincidental or ORTF setups when I close mic all the drums as I feel it captures a better stereo image of the cymbals, but Recorderman works well for minimal setups as it picks up the floor tom much better...

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Nice link! :)
The snare came out quite nice, I guess due to the SM7, which is defintely an unusual choice. ;)

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Who said I used an SM7 ?? I might have done if I owned one, though frankly the guitars would have had first dibs on it!

The snare mic was a vintage Sennheiser MD515 (thankyou ebay!), nicknamed the Stick Grenade after its unusual shape. Apparently it uses the same capsule as the famous MD421... it has a nice big open sound anyway, with lots of bass and a bit of a dip in the low mids (I often use it for kick drums live, as I refuse to use my D12 on stage!)

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Aye, my bad. :oops:...no SM7. :oops: (don't know where I got that from).
I correct myself and say the rodes sound nice on the snare!

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