Free simple upright piano

Sampler and Sampling discussion (techniques, tips and tricks, etc.)
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Vospi wrote:Skerratt London Piano VST by bigcat Instruments

Is that the same, but wrapped in a VSTi?
People do complain on a latency problem, though (which is not uncommon for free pianos, unfortunately...)
I just checked in MuLab and it is reporting 0 (zero) latency. :shrug:
Sound C loud
Band C amp
Clicks and pops is all I get

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It won't matter at all if samples have silence not trimmed properly. That's what I meant.
https://soundcloud.com/vospi
I love music, worked with a number of music/rhythm/dance games like Pump It Up, In The Groove, Cytus and Deemo, and teach music production.

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Vospi wrote:It won't matter at all if samples have silence not trimmed properly. That's what I meant.
Got it. As you were :)
Sound C loud
Band C amp
Clicks and pops is all I get

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Ask and you shall receive (sometimes when I'm feeling energetic anyway). Here are some tighter versions of this cool upright for Kontakt and Maize stand alone VSTis.
http://bigcatinstruments.blogspot.com/2 ... ianos.html
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Oh, so the City Piano also came from you. I did the cutting there, too, if you remember :)

Thank you for your work!
https://soundcloud.com/vospi
I love music, worked with a number of music/rhythm/dance games like Pump It Up, In The Groove, Cytus and Deemo, and teach music production.

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Yup you cut the clean version version for me. Thanks so much! Less noise more tightly (or something).
I also cut the Iowa Piano myself, so that should be low latency.
So at least three free pianos that are fairly tightly cut.
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bigcat1969 wrote:Ask and you shall receive (sometimes when I'm feeling energetic anyway). Here are some tighter versions of this cool upright for Kontakt and Maize stand alone VSTis.
http://bigcatinstruments.blogspot.com/2 ... ianos.html
Thank you very much, Kung Krille and bigcat1969, for your work with the Skerratt piano!

It may only have one velocity layer, but it's got oodles of character that you don't get with the perfectionist commercial libraries and with Pianoteq, for example.

Great fun and inspiring to play, and in blues, stride and boogie the lack of p and pp layers are not that critical. ;-)

Thanks again!

/Joachim
If it were easy, anybody could do it!

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If anybody else is looking for a free piano, the best one I've ever found is CVPiano, which is a VST and standalone, and as of today, is still available from Tascam, even though I believe they went out of the software business several years ago:

http://www.ftptascam.com/media/downloads/CVPiano.zip

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+1 to CVPiano. Even with Pianoteq and a highly-scripted homebrewed sfz of the "Splendid Piano," I keep turning back to this gem. Check out the tweak guide here.
Wait... loot _then_ burn? D'oh!

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andrew732 wrote:If anybody else is looking for a free piano, the best one I've ever found is CVPiano, which is a VST and standalone, and as of today, is still available from Tascam, even though I believe they went out of the software business several years ago:

http://www.ftptascam.com/media/downloads/CVPiano.zip
Only for PC, it seems. No Kontakt version?

/Joachim
If it were easy, anybody could do it!

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Spitfire31 wrote:
andrew732 wrote:If anybody else is looking for a free piano, the best one I've ever found is CVPiano, which is a VST and standalone, and as of today, is still available from Tascam, even though I believe they went out of the software business several years ago:

http://www.ftptascam.com/media/downloads/CVPiano.zip
Only for PC, it seems. No Kontakt version?

/Joachim
Yes. No. (Laconic, eh?)

CVPiano works by "spectral morphing" a single velocity layer. I don't know the exact details, but you can get much the same effect by modulating filter and envelope parameters (especially cutoff frequency and release time) by velocity. This gives you a great deal of expressiveness (loud and soft sound different) while avoiding velocity layer transitions (since there aren't any). It's remarkably easy in sfz; no clue about Kontakt (and given its cost, I doubt I ever will).
Wait... loot _then_ burn? D'oh!

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