Oh man! Are you in for some fun when you discover what a mix knob can do. Picture, if you can, a knob that allows the user to blend some musical 'greys' in between the two extremes of black (dry) and white (wet). It's not even like it's a fixed, middle setting, but sweepable, and allows the user to choose a setting that keeps just the right amount of dry as to be distinct, but not so much as to get lost in the wet mix. The mix knob can turn a delay feedback that seems just bolted onto the end of a dry signal, into an almost-organic tail to the original signal.resurrection wrote:That's how it's supposed to be, that's why it's called 'dry'.
Let us know if you ever get to try it
One of my main reasons for wanting to use inserts is to simply automation workflow, and to keep all control on one gui, rather than having to worry about separate send automation tracks etc. Your suggestion, while appreciated, just complicates things even furtherresurrection wrote:You could use parallel configuration with both echos set to wet only, one without feedback, other with as much as you want. And no 'dry'.
Thanks!
resurrection wrote:el-bo (formerly ebow) wrote:The dry signal never gets enveloped/swallowed into the loop
That's how it's supposed to be, that's why it's called 'dry'.
el-bo (formerly ebow) wrote:In the above scenario, the effect always sounds like it's just layered on top of the dry signal, which just remains too 'clean'.
You could use parallel configuration with both echos set to wet only, one without feedback, other with as much as you want. And no 'dry'.