MAutoVolume released with a riddiculous introductory price!
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MeldaProduction MeldaProduction https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=176122
- KVRAF
- Topic Starter
- 14019 posts since 15 Mar, 2008 from Czech republic
Hi folks,
so here it is - MAutoVolume - free for MTotalBundle users, for everyone else it is available for a riddiculous 20 EUR as usual.
Cheers!
so here it is - MAutoVolume - free for MTotalBundle users, for everyone else it is available for a riddiculous 20 EUR as usual.
Cheers!
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MeldaProduction MeldaProduction https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=176122
- KVRAF
- Topic Starter
- 14019 posts since 15 Mar, 2008 from Czech republic
Yes! There is a major update now .heffus wrote:Will the rest of your plugs be getting knobs also?
- KVRAF
- 1855 posts since 21 Sep, 2004 from Musician, Recording Engineer, Producer
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- KVRian
- 527 posts since 7 Apr, 2010
Does this record & follow midi events like Waves Rider too?bitman wrote:I got mine!!
Thanks for making this. No other plug of this type worked with Sonar, this one does and does it well. Thanks also for the nice price on it too.
- KVRist
- 92 posts since 26 Apr, 2005 from usa
I got it as well Thanks for pricing it so inexpensive.
- KVRAF
- 2134 posts since 11 Oct, 2007 from Almanya
Looks nice, will try it out as soon as I finish work.
Just one question: does this follow the Peak or RMS level of the signal?
Just one question: does this follow the Peak or RMS level of the signal?
I don't work here, I just feed the trolls.
My sales thread @ Market Place
My website with lots of free stuff:
Sampled drums and instruments | Clipping plugin | Shure SRH840 EQ correction presets | SFZ syntax mode for Coda2
My sales thread @ Market Place
My website with lots of free stuff:
Sampled drums and instruments | Clipping plugin | Shure SRH840 EQ correction presets | SFZ syntax mode for Coda2
- KVRAF
- 16395 posts since 22 Nov, 2000 from Southern California
Is there a reason to use M/S, minimum/linear phase, and up sampling or are they only there to be consistent with your other plug-ins?
- KVRAF
- 2134 posts since 11 Oct, 2007 from Almanya
The M/S aspect makes sense.
After all, volume automation is something like a more flexible compression method: make the quiet parts louder and make the loud parts more quiet, but with variable attack/release times.
And where M/S compression is used, M/S volume leveling might also come in handy.
Take a recorded mono Bass signal that's fattened up by two room mics, both panned L and R. The bass doesn't "need" the Side signal for presence, it's just for fattening, so it's going to be mixed-in relatively quiet anyway, and no one will care (if notice at all) if it drops or rises the odd RMS dB every now and then.
The main "sound" of the Bass OTOH is in the Middle, so it would profit from a consistent leveling.
With Drums it might be the other way round, put the plugin on the bus and let the mono Middle (Kick, Snare) keep the dynamics it needs, but push the Overheads and Toms in the Side signal down whenever they get too loud.
Upsampling, as usual, is there for smoother volume adjustments, I guess.
Whether it really makes a difference... dunno.
After all, volume automation is something like a more flexible compression method: make the quiet parts louder and make the loud parts more quiet, but with variable attack/release times.
And where M/S compression is used, M/S volume leveling might also come in handy.
Take a recorded mono Bass signal that's fattened up by two room mics, both panned L and R. The bass doesn't "need" the Side signal for presence, it's just for fattening, so it's going to be mixed-in relatively quiet anyway, and no one will care (if notice at all) if it drops or rises the odd RMS dB every now and then.
The main "sound" of the Bass OTOH is in the Middle, so it would profit from a consistent leveling.
With Drums it might be the other way round, put the plugin on the bus and let the mono Middle (Kick, Snare) keep the dynamics it needs, but push the Overheads and Toms in the Side signal down whenever they get too loud.
Upsampling, as usual, is there for smoother volume adjustments, I guess.
Whether it really makes a difference... dunno.
I don't work here, I just feed the trolls.
My sales thread @ Market Place
My website with lots of free stuff:
Sampled drums and instruments | Clipping plugin | Shure SRH840 EQ correction presets | SFZ syntax mode for Coda2
My sales thread @ Market Place
My website with lots of free stuff:
Sampled drums and instruments | Clipping plugin | Shure SRH840 EQ correction presets | SFZ syntax mode for Coda2
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- KVRAF
- 4867 posts since 18 Dec, 2000
another question.
does this read and write automation and sidechain the audio with Ableton Live? Vocal Rider does not.
Thanks,
dw
does this read and write automation and sidechain the audio with Ableton Live? Vocal Rider does not.
Thanks,
dw
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- Banned
- 395 posts since 21 Dec, 2010 from Vermont, USA
it's there to minimize aliasing...chokehold wrote:...Upsampling, as usual, is there for smoother volume adjustments, I guess.
Whether it really makes a difference... dunno.
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- KVRAF
- 14658 posts since 19 Oct, 2003 from Berlin, Germany
This might come in handy. If it's like the LAWO Automatic Gain Control (just sans the pretty GUI with comp and expander courves), I'm pretty much sold.
Have to test it first though... it's a special application that doesn't work for every recording.
Have to test it first though... it's a special application that doesn't work for every recording.