Fast and... err... thick
While working on Yoshimi, I have to keep checking that improvements haven't changed the sound at. This is really critical to me. If the sound were to change, well, it wouldn't be Yoshimi anymore. At the same time, I need to test new features and the extra sounds they make possible. This can be quite tedious, but has an upside - I end up with a handful of new voice patches.
Recently, I was off work and decided to forget all the things I was supposed to do and just futz around (that's a technical term). So, two keyboards into two channels of Yoshimi with two new voices, then just hit record and play
Here it is, warts and all, including hesitations when I was thinking "Help! Where next?".
The background pad I call Ghost Ensemble, and the lead is Angel Harp.
Improv
I may do more with this. Dunno yet
Thick and fast.
- KVRAF
- Topic Starter
- 5530 posts since 5 Aug, 2006 from UK - The Mudway Towns
It wasn't me! (well, actually, it probably was) - apparently now an 'elderly' so maybe I forgot!
- KVRAF
- 11506 posts since 13 Mar, 2009 from UK
The harp is very nice. with a brittle, icy sound. Perfect for the hibernal season that is now most certainly upon us in the UK. The pad is wonderful, with lots of movement and variation. This piece seems to continue where "Out There" left off.
Good work
Good work
- KVRAF
- Topic Starter
- 5530 posts since 5 Aug, 2006 from UK - The Mudway Towns
Ta muchly.
I hadn't thought of this in terms of "Out There" but I can see it does sort of follow on.
I hadn't thought of this in terms of "Out There" but I can see it does sort of follow on.
It wasn't me! (well, actually, it probably was) - apparently now an 'elderly' so maybe I forgot!