Well, this all makes perfect sense, thanks!MeldaProduction wrote:Hehe ok, actually you unintentionally found the worst scenario. Anyway I looked a little closer to your screenshots, so here's your explanation :
You generated test-tone is at about 1kHz, but you placed the peak filter at 3kHz, thus in the area where the only existing signal is some kind of noise. MAutoDynamicEq tried to adapt to the signal in that band, but since it is basically empty, it was "jumping a lot" and the minimum release time in the plugin is 0ms, while TBFix has 10ms, so it is considerably slower. The distortion seems to take place at about 1ms, so well, there you have it.
If you place the band around 1k, no distortion takes place, because there actually IS a signal. Of course we could add some "slow" switch or something, but the test scenario you created almost never exists, since it doesn't make sense - you don't want to eq something that's not there. But we'll see...
I do note that he said when he drops the release time down to 1 msec in the TB plugin the curve is still nearly as clean as it is at 12 msec ... but if I understand the point to be that it is an observation with little to no applicability to real-world audio (i.e., there's no audio need to ever apply a cut to digital silence at the noise floor) ... then (though the post-processing curves may be different) it won't make any difference at all to anybody's project ... someone please correct me if I'm wrong!
I think I'd like to see what the two curves look like when the cut is at the frequency of the sine wave, with similar attack/release times (preferably at the Melda "auto" values)!
Thanks -