I'm sorry but you're really reading things into my review that simply aren't included in it. Let's read it together one more time:xoxos wrote: if you personally fail to recognise or elicit the difference between this audio engine and others, you could ask before stating it is valueless, or "a humble beginning from which to set your sights higher" - "emotional manipulation" you say, eat a bag of dog cockrings and eat them all day so you can catch up. how unkind of you to insinuate that this process is hardly developed.
"I couldn't get anything useful out of this that I couldn't get from other synths, but easier and better."
This sentence isn't an absolute statement of objective value, it implicitly restricts itself into the humble boundaries of my skills. Now you can interpret this:
a) the subject is fool and can't tell a synth from a horse, and has tons of really expensive synths with awesome presets and vomit songs with one keypress
b) the synth is hard to use
c) what does it mean if both a) and b) are false?
Yours is but one of the plugins I've posted about, and there's more to come.the audio engine was coded to achieve a specific function, its use as a rudimentary generalised synthesis platform was also availed. if you're unimpressed or can't discern advantage to the method, shucks, i'm unimpressed all day but the only time i post about it is when it's a very obvious attempt to subvert public perception.
The Papua aspect of your synth is commendable. The exploitation of Papua has been going on for decades, including armed conflicts between natives and western companies. This kind of shit is not really restricted to Papua, however, and the best way to fight it is imo minimising consumption. Free software has a role in this.for starters, the performance feature of velocity glide is found on... which other synths? if you can't find the application for it, i've given this for anyone to use, how is that a concern? don't vote for it.
obviously my intent to equip the commubnity with a novel process (don't just play note in the middle of the synth range if your only interest is timbral perception) and raise public awareness about a travesty of injustice is worth saying it is of no interest of value. thanks for your input
I don't care about your reputation in the eyes of others, it's not in my power, and it doesn't have anything to do with what I think about this synth. The synth didn't work for me.really you'll find i am often giving enough to indulge such persons in the time to post a reply, of course you ronly interest is in detracting from my public reception so all it is to you is an opportunity to write more bullshit about me and my dsp.
if you were astute you'd notice i have no pride in my public reputation as it was stripped from me years ago, before several "popular" forum members decided to lie and say i'd "threatened hovmod's children" (what i had said was, supporting mining was detracting from future generations, and, folks, that's what they did with it! now apparently i'm out to murder children because i'm environmentally concionable..)
this industry is all about making money, and how interested folks is in keeping things that way instead of eg., oh, educating the public, you can see right here. buy your synths.
If the DSP doesn't turn into something musically interesting via user interaction with the instrument, the DSP doesn't matter. Technical novelty isn't a value in itself for a musical instrument.all of this is evidenced in my description for this vst. i already knew i'd get slammed by the "cryptos" so why bother talking about the dsp or anything that matters? we're here to make money and subvert, who cares about west papua, who cares about xoxos, who cares about you. you'd have had to have been here for a long, long time to see the deeper part of some of these things, and we can count on that criteria not fitting a good portion of the readership.