Hey friends
Love future bass and I wanted to make some supersaws chords which are pitched / glided / with legato slide
i don't know how to explain you ^-^''
here some examples :
- https://www.youtube.com/watch?v=PnRLRr03ycM : at 0:48
- https://www.youtube.com/watch?v=s9iiLuSf8vg at 1:02
How to make that please ?
Thanks
<3
Need help for supersaws and pitched supersaws (future bass) :)
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- KVRer
- Topic Starter
- 4 posts since 1 Sep, 2017
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- KVRian
- 853 posts since 13 Mar, 2012
Search for "big room" tutorials
This is how such tunes have been called until everything became future (future bass, future trap, future house, future lol )
https://www.youtube.com/results?search_ ... +room+lead
many ways to create it, pick your favorite one
This is how such tunes have been called until everything became future (future bass, future trap, future house, future lol )
https://www.youtube.com/results?search_ ... +room+lead
many ways to create it, pick your favorite one
~~ ॐ http://soundcloud.com/mfr ॐ ~~
- KVRer
- 28 posts since 29 Jun, 2018
Forgive me if i'm wrong but there are multiple sounds playing at once with each sound covering a certain voicing of the stacked chord. The intro glide to the sound is most likely the supersaw playing a lower note to start, then instantly moving up in pitch to the home tone which gives it that slide (also include a delayed attack and some sidechain to taste).
For the synths playing you have a simple sustained sine/square wave, with distortion, then low-passed, to create that fat underlying sub.
You have the gliding supersaw i mentioned earlier playing the bulk of the melodic energy of the sound and maybe some smoothed out white noise with a little saturation in a separate layer outlining this bulk making it cover a larger part of your frequency spectrum. Give it some reverb to create more space; this should give you enough energy for the bassline. You can even add a light synth lead to play a counter-melody alongside this to fill it even more. Be heavy on your EQ'ing where its needed.
Hopefully this helps - good luck!
For the synths playing you have a simple sustained sine/square wave, with distortion, then low-passed, to create that fat underlying sub.
You have the gliding supersaw i mentioned earlier playing the bulk of the melodic energy of the sound and maybe some smoothed out white noise with a little saturation in a separate layer outlining this bulk making it cover a larger part of your frequency spectrum. Give it some reverb to create more space; this should give you enough energy for the bassline. You can even add a light synth lead to play a counter-melody alongside this to fill it even more. Be heavy on your EQ'ing where its needed.
Hopefully this helps - good luck!