Jump on in the cauldron. It's boiling over. Maybe I should have stirred it more vigorously.gmstudio wrote:Oh, and my middle name is Robert, can I join the "Rob's making electronica" club, too?
Cheers,
Rob
Jump on in the cauldron. It's boiling over. Maybe I should have stirred it more vigorously.gmstudio wrote:Oh, and my middle name is Robert, can I join the "Rob's making electronica" club, too?
Hey there Drez,drez wrote:Actually, everyone does. That's the way it comes. You have the same copy as everyone else and they have the exact same modules as you do. If people can't make good music with it, then the fault is with the owner.quincy wrote: People don't buy Reason for its "out of the box sound" thats for bloody sure.
I guess we'll just have to disagree on that. I have Orion, and I don't think they are that great, plus you can't do any complex routing with them. With Spiders in Reason, you can make one synth sound pretty incredible.quincy wrote: The generators in orion sound a shite load better on there own than the ones in Reason.
Actually, I have. Remix Mag had an interview a couple of months ago with The Crystal Method and they talked about how they loved the Subtractor and used it through out Legion of Boom.quincy wrote: "ooh, these subtractor patches sound really fat". Anyone ever here that? Nope, me neither.
But that's not the only synth in Reason, is it. The Malstrom is awesome and its filters are killer. Plus you can run anything you want THROUGH those filters, create crazy loops, etc. I've only seen one song where the guy made every single sound with a Subtractor and it sounded great because he knew how to use the program.
I think you misunderstood my statement. I was stating that those artists can use pretty much whatever they want but they choose to use Reason AS WELL. If it sounds so bad, then why do they use it?quincy wrote: And as for the signed artists argument, take it elsewhere son. We've been over this, and you can pick nearly any piece of music software and find a famous artist using it. It doesn't mean shit.
Exactly. And that's why its modules sound great.quincy wrote: Reason does have its unique routing, and THAT is the selling point.
But that's just it...they DON'T have the routing flexibility, and that is what makes the Reason modules sound great. If they sound so bad, why are so many artists using Reason?quincy wrote: ... but the sound?! I think not. Let me put it this way, the built-in synths in most host are fatter and more "immediate" to use than reason, but without the routing flexibility.
Good luck with that.quincy wrote: And as for this crap about creating sounds that can't be done in other packages?! Now you're really taking the piss my friend. There is no sound in any host that can't be re-created in any other host.
I agree, the Wasp does not sound amazing. But what the Reason modules have going for them is the "amazing routing" capabilites that take them to the next level. The Wasp doesn't.quincy wrote: I just can't beleive people really think that their software of choice is in some way "magical" and can do wonderous sounds that can't be imitated. Snap out of it man. Next we'll have bones here trying to tell us all that Orion is the only host that can have this "amazing sound" because of the WaspXT. And i'll tell him to shut it too.
On the flip side, Reason doesn't have z3ta, Rhino, or Vertigo. But neither does Orion. Orion has the benefit of being able to USE those synths and that's great. Reason doesn't, but it doesn't need to. It does what it does extremely well. Now, with Live4 approaching, I would see no reason to use anything other than Live4+Reason with whatever VSTi's you want and let each do what they do best. Live4 looks like it will be the sequencer of choice and Reason will be able to use its strengths right along side rewired in. Best of both worlds.
No harm done Rob (it is Rob, isn't it ). It seemed out of character for you to respond like that, so I write it off as a one-offquincy wrote: Hey there Drez,
First off i must apologise for my rudeness. I was in a bit of a bad mood last night, so i may have put my point across badly!
I agree, you can definitely get a better sound "out of the bag" with the others. That's definitely a draw. I sent a "subtractor patch" to lucille that I use sometimes, but it consisted of something like 4 screams, a phaser, a Malstrom for filters, delay, a few spiders, reverbs, unisons, etc all into 5 or so channels on mixer. That's exactly what I like about it! Its still the sound of one subtractor, but its processed through alot of modules. Lucille might not like that patch, but I do. And all those modules didn't make my CPU meter move at all. Is it digital sounding? Definitely...but I like that soundquincy wrote: I guess what i was trying to say is that people DO buy Orion for the sounds, as they do with FLStudio and others. It is ultimately a matter of taste, but i do still believe that it takes some considerable work to get decent sounds out of Reason, and that may be its strong point as it teaches users how to use FX, layer sounds and use a complete line-up to make tracks.
And i still believe that many other hosts are much easier for just "dialing-up" a fat resonant bass patch or something simple like that. When i bought reason, it took ages to get a trance beat/fat bass combo going, whereas in Orion and FLSAtudio it took minutes, because i didn't need FX or layering to do it.
I agree I can't wait to be able to use VSTi's in Live4! The whole way they have implemented it is exciting. I was just telling my buddy the other day "if they would only have VSTi clips, then I would be estatic". Well, they delivered and THEN some. They're routing and bussing changes look thrilling.quincy wrote: Each to their own i guess, variety is good. Now lets get back to getting excited by Live 4!!
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