mutools wrote:Be sure to checkout MuLab, see http://www.mutools.com/mulab-product.html
It's much deeper than one would expect at first sight!
And even more with the forthcoming MuLab 5!
any sneak peaks?
mutools wrote:Be sure to checkout MuLab, see http://www.mutools.com/mulab-product.html
It's much deeper than one would expect at first sight!
And even more with the forthcoming MuLab 5!
Almost a year ago I bought Usine Pro. What was I thinking? Well, I was hoping that once it was bought I would feel like really committing to learn it. And succeed. No way. And it's a shame, because I suspect that it can be a very interesting DAW... once we have a small idea about a good use for it. The current Manual is better than the previous but still far beyond cryptic.tanabarbier wrote:Well there is Usine ( http://www.sensomusic.com/usine ) that I use all the time and isn't that famous (hopefuly this will change).
I think that what is challenging at first with it is that you have to see it like something between a modular like max or PD, and a track based DAW. It has sequencer (timeline) too, so you can attack it both ways. To me it is a lot like reaper, reaper being on the "traditional DAW" side, but close to the edge, and Usine on the "modular DAW" side, but close to the edge too.
+1 here for Renoise also.decalogue wrote:+1Tehnik wrote:www.renoise.com
Renoise is IMO the most powerful DAW in the world in terms of "programming" music rather than "playing and recording" music. It's so cool and so addictive that I constantly have to ask myself why not more people (who like to program music) have discovered and come to enjoy this fantastic piece of software.
I guess it has to do with the programming paradigm itself, i.e. that Renoise uses a tracker interface while most people are alienated from that kind of workflow.
will do. thanks!mutools wrote:Normally early December.
PS: If you already know your way around in MuLab and you're an experienced beta tester and can handle+report the rough edges in a test version, email me
Another Rax'n'Trax fan here. It's free by the way. I use it as a sketchpad and then export the MIDI to my DAW.ENV1 wrote: Why? Because the concept Rax'N'Trax is based upon is pure ingenuity and somewhat of a dream-come-true for all who believe that the sequencer is the coolest invention of all times.
It has been while since I mucked around with it. The workflow is a little odd but I can work with it.Tricky-Loops wrote:Does anyone still know (or even work with) Macaw? It is (or was) a DAW with GREAT sounding plugins, but I never got used to the awkward workflow of this DAW itself...
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