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Diva replaces, well, everything...
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feeltheillinois
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PostPosted: Sun Feb 03, 2013 3:52 pm reply with quote
Having spent about 8 months with the Diva in the studio and on the run I love it. I have an assortment of analogues and I've come to the conclusion they are simply no longer needed. The tonal range on offer with the Diva is so wide and the sound quality is on par with every analogue I have. I actually even prefer it. Aside from the tempest the Diva can cover the rest. I'm rather pleased with it.

Any of you guys replaced your analogues with the Diva?
^ Joined: 21 Jul 2012  Member: #284631  Location: United Kingdom
ksandvik
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PostPosted: Sun Feb 03, 2013 4:03 pm reply with quote
I did miss my old Jupiter-6 until I got Diva.
^ Joined: 25 Aug 2005  Member: #79265  Location: North California
deastman
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PostPosted: Sun Feb 03, 2013 4:07 pm reply with quote
I never look at a new thing as replacing an old thing. Diva merely augments my analog synths. Damn fine synth though...
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Incomplete list of my gear: Microsoft Windows XP
^ Joined: 06 Aug 2003  Member: #8386  Location: San Francisco Bay Area
dalor
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PostPosted: Sun Feb 03, 2013 4:08 pm reply with quote
For sound design it still doesn't replace LuSH-101 with it's 8 layers. I own both and each have their place.
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pdxindy
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PostPosted: Sun Feb 03, 2013 4:14 pm reply with quote
dalor wrote:
For sound design it still doesn't replace LuSH-101 with it's 8 layers. I own both and each have their place.


I can layer any synths I want in Live and save it as a preset. So any synth has 8 layers if I want it to.
^ Joined: 02 Feb 2005  Member: #56776  Location: in the wilds
analoguesamples909
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PostPosted: Sun Feb 03, 2013 4:29 pm reply with quote
feeltheillinois wrote:
Having spent about 8 months with the Diva in the studio and on the run I love it. I have an assortment of analogues and I've come to the conclusion they are simply no longer needed. The tonal range on offer with the Diva is so wide and the sound quality is on par with every analogue I have. I actually even prefer it. Aside from the tempest the Diva can cover the rest. I'm rather pleased with it.

Any of you guys replaced your analogues with the Diva?


Im broke so I may sell my Moog Source, as on simple patches (which is all source can do anyway) Diva is very close. Its just a shame that with more filter closed sounds - it sounds a bit muted to me. I find with my analogue stuff even when you have the cutoff closed - there is air in the sound. Ive heard a few people say that also.

However I have an OB8 and Diva cannot replace it at all. In fact I am not really liking Diva for polyphonic sounds-because I dont think its Osc are ideal for the type of poly sounds I like (I prefer OB or P5 style for this). Plus I still find the high end a bit strident. I wish Urs would have introduced that muffle parameter he talked about...

Its good tho for sure. Not sure it could be my only 'analogue'...
^ Joined: 28 Dec 2007  Member: #169279  
djanthonyw
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PostPosted: Sun Feb 03, 2013 4:51 pm reply with quote
feeltheillinois wrote:
Having spent about 8 months with the Diva in the studio and on the run I love it. I have an assortment of analogues and I've come to the conclusion they are simply no longer needed. The tonal range on offer with the Diva is so wide and the sound quality is on par with every analogue I have. I actually even prefer it. Aside from the tempest the Diva can cover the rest. I'm rather pleased with it.

Any of you guys replaced your analogues with the Diva?


I had a Tetra and a Mopho at one point. I thought the sound was amazing, but I seriously hate working with hardware synths. No multiple instances unless you actually have more than one, no offline bouncing, keeping track of patches with your project...

I was thrilled when Diva came out and happily sold my hardware synths. The same thing happened for me with my digital hardware synths with Sylenth, although I am using z3ta instead now.

Honestly I think if I were to really narrow things down to two synths, Diva covers all analog sounds and z3ta covers all digital. I like having a few options for different character though. Lush and U-No-LX are really nice too.
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^ Joined: 20 Jul 2004  Member: #33882  Location: Boston
dalor
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PostPosted: Sun Feb 03, 2013 6:01 pm reply with quote
pdxindy wrote:
dalor wrote:
For sound design it still doesn't replace LuSH-101 with it's 8 layers. I own both and each have their place.


I can layer any synths I want in Live and save it as a preset. So any synth has 8 layers if I want it to.
Thats nice that you have a workaround.
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^ Joined: 01 Dec 2004  Member: #50081  Location: Sydney, Australia
Guenon
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PostPosted: Wed Feb 06, 2013 1:05 pm reply with quote
dalor wrote:
pdxindy wrote:
dalor wrote:
For sound design it still doesn't replace LuSH-101 with it's 8 layers. I own both and each have their place.


I can layer any synths I want in Live and save it as a preset. So any synth has 8 layers if I want it to.
Thats nice that you have a workaround.


It's not a workaround, it's actually so convenient I usually prefer using it even if a synth itself has layers Razz (and I can also layer different synths/effects within the same structure, defining control macros and velocity splits etc, and simply drag the whole thing into my library to be reused somewhere else in an instant, that sort of thing).
^ Joined: 17 Jun 2005  Member: #72256  
pdxindy
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PostPosted: Wed Feb 06, 2013 1:52 pm reply with quote
Guenon wrote:
dalor wrote:
pdxindy wrote:
dalor wrote:
For sound design it still doesn't replace LuSH-101 with it's 8 layers. I own both and each have their place.


I can layer any synths I want in Live and save it as a preset. So any synth has 8 layers if I want it to.
Thats nice that you have a workaround.


It's not a workaround, it's actually so convenient I usually prefer using it even if a synth itself has layers Razz (and I can also layer different synths/effects within the same structure, defining control macros and velocity splits etc, and simply drag the whole thing into my library to be reused somewhere else in an instant, that sort of thing).


Exactly...
^ Joined: 02 Feb 2005  Member: #56776  Location: in the wilds
TomTwohy
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PostPosted: Wed Feb 06, 2013 4:25 pm reply with quote
Diva is next on my "Legit" list.

Sooo FAT and beefy.

Warm full Bass!!
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^ Joined: 12 Nov 2012  Member: #292006  Location: Northern California
V0RT3X
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PostPosted: Tue Feb 12, 2013 5:30 pm reply with quote
I sure would like to see a good arp in DIVA. Even something like Podolski has would be awesome!
^ Joined: 03 Jul 2012  Member: #283583  
Urs
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PostPosted: Tue Feb 12, 2013 7:07 pm reply with quote
V0RT3X wrote:
I sure would like to see a good arp in DIVA. Even something like Podolski has would be awesome!

We expect a reasonably powerful arpeggiator in April (Musikmesse). We also hope to have some other stuff till then (well, depends on how many issues are still found within the current public beta testing)
^ Joined: 07 Aug 2002  Member: #3542  Location: Berlin
pdxindy
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PostPosted: Tue Feb 12, 2013 7:10 pm reply with quote
V0RT3X wrote:
I sure would like to see a good arp in DIVA. Even something like Podolski has would be awesome!


http://www.youtube.com/watch?v=94kc7KLxqUM
^ Joined: 02 Feb 2005  Member: #56776  Location: in the wilds
V0RT3X
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PostPosted: Tue Feb 12, 2013 7:17 pm reply with quote
pdxindy wrote:
V0RT3X wrote:
I sure would like to see a good arp in DIVA. Even something like Podolski has would be awesome!


http://www.youtube.com/watch?v=94kc7KLxqUM



Thats ACE! *Pun Intended*

I don't normally use arps that much, but I am starting to really like them for modulation sources!

I am going to be re-buying all U-HE stuff back soon enough <3
^ Joined: 03 Jul 2012  Member: #283583  
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