can you hop around which scale youre in based on your chord?
Chords, scales, harmony, melody, etc.
Moderator: KVR Moderators (Main)
can you hop around which scale youre in based on your chord?
2014-10-23T06:54:06+00:00
So I was just told on a video that "If youre using the C major 7th chord you use the c major scale for your melody, then if your next chord is an F Major 7th chord, you use the F Major scale to create the melody over that chord, etc, etc.."
Does this mean I am switching my scale every time I switch my chord? Or is this where Modes start coming into play? Im new to theory but I have a good understanding of the fundamentals so I might already know the answer to this question without realizing it.
My CURRENT understanding is that If I were to be in C major, I could use any one of the diatonic chords belonging to the C Major scale. BUT I would stay using C major diatonic notes as my melody, regardless of which chord I am playing below it in the progression. So for example, right now I could be playing the G major 7th chord in C Major but I would still be using C major diatonic notes to construct the melody. But the video is telling me since I am playing a G major 7th it would be more suitable to use G major notes above that chord rather than C major.
Is this making sense how I'm asking it?
DBK
https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=339932
- KVRAF
- 25053 posts since 20 Oct, 2007 from gonesville
Well the point I wanted to clarify is that in a chord progression where all of the chords are in the one key a mere chord change does not through itself warrant ascribing a mode to it, there is no use to that. Jazz people do spread this one around, but it is only extraneous mental activity. If, on the other hand you introduce such as G7b13 in the midst of, or ostensibly in C major, here is Eb, outside the key and you'd want to be prepared to deal with it. Or you may want something to force complexity onto the G7 and employ a scalar device to achieve it. All of what he typed there is all white keys, and he was only ever talking C major.
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