U-HE Hive
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hyperconnectedspace hyperconnectedspace https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=339285
- KVRist
- 67 posts since 8 Oct, 2014
i second this! please mr. heckmann!
Lenovo IdeaPad U330p Win8.1 Pro x64 | Ableton Suite 9.1.5 x32 | Some Synths
- u-he
- 28065 posts since 8 Aug, 2002 from Berlin
Almost there, almost there…
The architecture is very simple, almost obscenely average:
2 osc, 2 subosc, 2 multimode filters, 4 envelopes, 2 lfos, 8 effects
Every parameter is accessible on a single page. No tabbing. In comparison to, say, the S-synths, we have stripped down two of the four oscillators to suboscillators. These are however essentially as capable as the normal oscillators, but they inherit settings from their master oscillator. This allows us to reduce the number of knobs dramatically while keeping the sonic flexibility pretty much on par with the usual suspects.
Need to know more?
The architecture is very simple, almost obscenely average:
2 osc, 2 subosc, 2 multimode filters, 4 envelopes, 2 lfos, 8 effects
Every parameter is accessible on a single page. No tabbing. In comparison to, say, the S-synths, we have stripped down two of the four oscillators to suboscillators. These are however essentially as capable as the normal oscillators, but they inherit settings from their master oscillator. This allows us to reduce the number of knobs dramatically while keeping the sonic flexibility pretty much on par with the usual suspects.
Need to know more?
- KVRAF
- 4014 posts since 29 Jun, 2011 from USA
Yes. Sorry if you've covered this before but:Urs wrote:Almost there, almost there…
The architecture is very simple, almost obscenely average:
2 osc, 2 subosc, 2 multimode filters, 4 envelopes, 2 lfos, 8 effects
Every parameter is accessible on a single page. No tabbing. In comparison to, say, the S-synths, we have stripped down two of the four oscillators to suboscillators. These are however essentially as capable as the normal oscillators, but they inherit settings from their master oscillator. This allows us to reduce the number of knobs dramatically while keeping the sonic flexibility pretty much on par with the usual suspects.
Need to know more?
Size of mod matrix?
Effects as mod destinations?
Stacking & Unison?
Effect chain re-order-able? sorry
Envelopes as punchy/fast as Sylenth1?
Envelope curve changeable?
Lastly an important feature request. What ever the analog button in presswork is doing, put it on this synth. Extra points for a strength knob to multiply it's effect even further.
This is a popular sound for dance guys and not everyone knows how to achieve it. It will be good to have it directly on the synth
Aiynzahev-sounds
Sound Designer - Soundsets for Pigments, Repro, Diva, Virus TI, Nord Lead 4, Serum, DUNE2, Spire, and others
Sound Designer - Soundsets for Pigments, Repro, Diva, Virus TI, Nord Lead 4, Serum, DUNE2, Spire, and others
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- KVRist
- 264 posts since 4 Sep, 2005
Release date? Number of presets? Price? Can the $25 coupon be used to purchase?Urs wrote:Almost there, almost there…
The architecture is very simple, almost obscenely average:
2 osc, 2 subosc, 2 multimode filters, 4 envelopes, 2 lfos, 8 effects
Every parameter is accessible on a single page. No tabbing. In comparison to, say, the S-synths, we have stripped down two of the four oscillators to suboscillators. These are however essentially as capable as the normal oscillators, but they inherit settings from their master oscillator. This allows us to reduce the number of knobs dramatically while keeping the sonic flexibility pretty much on par with the usual suspects.
Need to know more?
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- Banned
- 511 posts since 5 Jul, 2014
I believe Urs is aiming for December for release/beta. I also believe Urs said he would find a way to accommodate people who wanted to use the $25 voucher on Hive should it not be available for purchase in time, feel free to correct me if I'm wrong.cwig wrote:Release date? Number of presets? Price? Can the $25 coupon be used to purchase?Urs wrote:Almost there, almost there…
The architecture is very simple, almost obscenely average:
2 osc, 2 subosc, 2 multimode filters, 4 envelopes, 2 lfos, 8 effects
Every parameter is accessible on a single page. No tabbing. In comparison to, say, the S-synths, we have stripped down two of the four oscillators to suboscillators. These are however essentially as capable as the normal oscillators, but they inherit settings from their master oscillator. This allows us to reduce the number of knobs dramatically while keeping the sonic flexibility pretty much on par with the usual suspects.
Need to know more?
- KVRAF
- 2138 posts since 8 Feb, 2007
Why do we treat "simple" as to reproach ?Urs wrote:The architecture is very simple, almost obscenely average
SIMPLE IS THE NEW SOPHISTICATED
Ok everybody... TAKE (p)HIVE ! (before release)
Professional technicians are assessed by the abilities they possess.
Amateur technicians are assessed by the tools they possess - and the amount of those tools, with an obvious preference to the latest hyped ones.
(Gabe Dumbbell)
Amateur technicians are assessed by the tools they possess - and the amount of those tools, with an obvious preference to the latest hyped ones.
(Gabe Dumbbell)
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- KVRian
- 522 posts since 11 Sep, 2004 from inne Büchs
Will there be quality settings similar to DIVA ?Urs wrote:Almost there, almost there…
The architecture is very simple, almost obscenely average:
2 osc, 2 subosc, 2 multimode filters, 4 envelopes, 2 lfos, 8 effects
Every parameter is accessible on a single page. No tabbing. In comparison to, say, the S-synths, we have stripped down two of the four oscillators to suboscillators. These are however essentially as capable as the normal oscillators, but they inherit settings from their master oscillator. This allows us to reduce the number of knobs dramatically while keeping the sonic flexibility pretty much on par with the usual suspects.
Need to know more?
Andy is a support ninja.
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- Pick Me Pick me!
- 9684 posts since 12 Mar, 2002 from a state of confusion
Or, those with slightly beefier machines, could potentially stack/layer a ton of instances instead.
Prepare to be assimilated into the Hive!
Prepare to be assimilated into the Hive!
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- KVRAF
- 3817 posts since 8 Mar, 2006
It's not really necessary to implement "all" of what's inside the analog function within Presswerk but I do agree that the effect is important and should be implemented.Aiynzahev wrote:Lastly an important feature request. What ever the analog button in presswork is doing, put it on this synth. Extra points for a strength knob to multiply it's effect even further.
This is a popular sound for dance guys and not everyone knows how to achieve it. It will be good to have it directly on the synth
For achieving the effect try this:
- open a phaser (I use Uhbik-P in 28 or 42 mode for this) with many notches (the more notches the intense the effect)
- set modulation depth to 0 so it will be static
- set dry/wet to 100% wet
- feedback to minimum or neutral
- center frequency to max and slowly bring it down to "center" the effect and Voila! that "farty" bass or smudged/blured transients
- KVRAF
- 4014 posts since 29 Jun, 2011 from USA
Yeah it could be done with just a phaser like some other synths. But that result varies and it's not always what I'm after. It all depends on how it sounds. But again if it's a button more people are likely to find it. That phaser trick is not something everyone knows.3ee wrote:It's not really necessary to implement "all" of what's inside the analog function within Presswerk but I do agree that the effect is important and should be implemented.Aiynzahev wrote:Lastly an important feature request. What ever the analog button in presswork is doing, put it on this synth. Extra points for a strength knob to multiply it's effect even further.
This is a popular sound for dance guys and not everyone knows how to achieve it. It will be good to have it directly on the synth
For achieving the effect try this:
- open a phaser (I use Uhbik-P in 28 or 42 mode for this) with many notches (the more notches the intense the effect)
- set modulation depth to 0 so it will be static
- set dry/wet to 100% wet
- feedback to minimum or neutral
- center frequency to max and slowly bring it down to "center" the effect and Voila! that "farty" bass or smudged/blured transients
Aiynzahev-sounds
Sound Designer - Soundsets for Pigments, Repro, Diva, Virus TI, Nord Lead 4, Serum, DUNE2, Spire, and others
Sound Designer - Soundsets for Pigments, Repro, Diva, Virus TI, Nord Lead 4, Serum, DUNE2, Spire, and others
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- KVRist
- 406 posts since 27 Feb, 2014 from France
use a allpass filter at right freq
Analog electronic drum samples (Free demo pack)
http://www.syntheticwav.com
http://www.syntheticwav.com
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- KVRian
- 522 posts since 11 Sep, 2004 from inne Büchs
To get a divine mode.chk071 wrote:For what?
Andy is a support ninja.