Looking for Access Virus emulations
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- KVRAF
- 1754 posts since 30 Jul, 2007
As an old virus owner, while I really like the tactile interface and layout of the virus, it’s actually fun to use, I honestly don’t believe so much of the subjective reviews about it not sounding as good as many VSTs. Sure some VSTs suck ass, but the Virus can also suck ass if someone makes a shitty sound.
For the sound different vs price difference, ease of recall, I think you can make just as beautiful sounds with software as with Virus software in a hardware package. I personally think the computer wins with its virtually limitless VST instances. Want a thicker sound? Layer in another plug-in. Stack 8 instances and make some hugely complex thing drenched in 5 different reverbs and delays. If you’re concerned about it not being “analog” because it’s in the box, well, run a physical audio cable out of your computer and back in. Wha lah you have analog.
Synthmaster, Dune, Viper, Tone2 Gladiator, Hive, Spire, you name it. They are all serious competition to the Virus and if you take the time to program them, same with the virus, I think you will be completely satisfied with the sounds you get. Hell, if your audio interface can handle it, run those synths at 192khz and enjoy.
Personally, I think the one thing the Virus has that VSTs don’t is the hardware interface and the lack of temptation to open up Google and start wasting your time going down rabbit holes vs learning your synth in front of you. The Virus is a hands on focused experience and VSTs are maybe a few assigned knobs and a million mouse clicks. The latter not being nearly as fun, IMO
YMMV
For the sound different vs price difference, ease of recall, I think you can make just as beautiful sounds with software as with Virus software in a hardware package. I personally think the computer wins with its virtually limitless VST instances. Want a thicker sound? Layer in another plug-in. Stack 8 instances and make some hugely complex thing drenched in 5 different reverbs and delays. If you’re concerned about it not being “analog” because it’s in the box, well, run a physical audio cable out of your computer and back in. Wha lah you have analog.
Synthmaster, Dune, Viper, Tone2 Gladiator, Hive, Spire, you name it. They are all serious competition to the Virus and if you take the time to program them, same with the virus, I think you will be completely satisfied with the sounds you get. Hell, if your audio interface can handle it, run those synths at 192khz and enjoy.
Personally, I think the one thing the Virus has that VSTs don’t is the hardware interface and the lack of temptation to open up Google and start wasting your time going down rabbit holes vs learning your synth in front of you. The Virus is a hands on focused experience and VSTs are maybe a few assigned knobs and a million mouse clicks. The latter not being nearly as fun, IMO
YMMV
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- KVRian
- 1171 posts since 29 Sep, 2004
Physical modelling is just a word, it means nothing really. The Virus is programmed just like any other VA synth. The only difference is that it runs assembly code in a motorola chip instead of VSTs running assembly code in AMD/Intel Chips.
Thats not true. The Virus is a digital synth and aliases as hell. Have you ever checked it on a spectrum analyzer? Even its distortion has crazy aliasing.
http://www.adamszabo.com/ - Synths, soundsets and music
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- KVRian
- 659 posts since 5 Jul, 2004
i replaced the C with twin and zebra .
many of the popular sounds from that time of nords and virus , many newer soft synth make them often worst than some older plugins..
i tried dune , it didn t remind me the C , same for spire , zebra is the closest i think or some reaktor stuff maybe, newer soft synth tend to not be dirty enought and sound to "processed" also what matter are stuff like env curve, filter behavior, unisson spread/ phase , osc ,fm ect all these thing which have nothing to do with the year the synth was made , in fact you have even more chance older plugs behave closer
the C had good depth/ phatness (like some of the ni and u he plugins) and was more dirty than the Ti i feel .. but not sure.. it s not the same dsp so they might have to recode everyhting? that would maybe explain some difference
many of the popular sounds from that time of nords and virus , many newer soft synth make them often worst than some older plugins..
i tried dune , it didn t remind me the C , same for spire , zebra is the closest i think or some reaktor stuff maybe, newer soft synth tend to not be dirty enought and sound to "processed" also what matter are stuff like env curve, filter behavior, unisson spread/ phase , osc ,fm ect all these thing which have nothing to do with the year the synth was made , in fact you have even more chance older plugs behave closer
the C had good depth/ phatness (like some of the ni and u he plugins) and was more dirty than the Ti i feel .. but not sure.. it s not the same dsp so they might have to recode everyhting? that would maybe explain some difference
Last edited by kobal on Sun Jan 02, 2022 2:14 pm, edited 4 times in total.
- KVRist
- 494 posts since 9 Feb, 2019
You have the ability to make simple truths of comlex topics. That is the only statement I don't doubt about. The rest is history that can be heard as well as read.adamtrance wrote: ↑Sun Jan 02, 2022 9:19 amPhysical modelling is just a word, it means nothing really. The Virus is programmed just like any other VA synth. The only difference is that it runs assembly code in a motorola chip instead of VSTs running assembly code in AMD/Intel Chips.
Thats not true. The Virus is a digital synth and aliases as hell. Have you ever checked it on a spectrum analyzer? Even its distortion has crazy aliasing.
And sry, but I didn't speak of aliasing that you have to measure. I meant that strange noise VSTs generate when the CPU reaches its limits and the coders "workaround".
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- KVRian
- 1171 posts since 29 Sep, 2004
I dont really know what noise you mean VSTs generate, maybe you can provide an example. The motorola chips in the Virus have limits as well, thats why they couldnt create totally alias free oscillators/distortions, they had to use workarounds too. Modern VSTs are much more capable than the Virus, and sound way better technically, I guess its up to the "artist" to make it sound better or worse
http://www.adamszabo.com/ - Synths, soundsets and music
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- KVRian
- 595 posts since 10 Oct, 2018
It’s not, to begin with. It’s a VA, and doesn’t resort to modeling resonators and strings.
Weapons of choice (subject to change):
Godin Redline, Kuassa, Fuse Audio, Audiority, Roland A-500pro, Dune, Dagger, TAL, Reaper for Rock & Synthwave pleasures; Viper and FL Studio for guilty EDM pleasures
Godin Redline, Kuassa, Fuse Audio, Audiority, Roland A-500pro, Dune, Dagger, TAL, Reaper for Rock & Synthwave pleasures; Viper and FL Studio for guilty EDM pleasures
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VELLTONE MUSIC VELLTONE MUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=404834
- KVRAF
- 2081 posts since 19 Sep, 2017 from The Future
To my taste Synth1 gives me that hardware feeling some vst synths try to emulate and you can use as layer everywhere.
Recently explore Vital and Icarus unique features and sonic signature.
I like combination like Sylenth1+Synthmaster2+Synth1 = Analogish sound.
Also like Viper+V-station+T-Force Alpha= Classic Trance.
Air Hybrid3+Vacuum = Retro Dance/EDM
Combinations are more interesting than one synth.
Recently explore Vital and Icarus unique features and sonic signature.
I like combination like Sylenth1+Synthmaster2+Synth1 = Analogish sound.
Also like Viper+V-station+T-Force Alpha= Classic Trance.
Air Hybrid3+Vacuum = Retro Dance/EDM
Combinations are more interesting than one synth.
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- KVRian
- 659 posts since 5 Jul, 2004
many give that hardware feeling, for Va some plugins that alias it seems sound closer.
imo it often enhance the sound when not too much or in sweet spot and it tend to sound more natural to me ,maybe the phase get less screwed or stuff like that by not using very steep filter or technics to remove aliasing no idea if it s related but if you alreayd compare oversampling and rate reducer it can affect a lot the sound , the transients , the top end so the way it s implemented probably matter a lot on synth. not much aliasing dosen t mean it sound good or better than a synth with more.
was listetning to this when writing that , and before i was listening big tone z3ta soundset , it alias it s hearable but something in the sound is less screwed to me, it sound more "real " , i played with synth1 some days ago made a few patch and something remind me the nl4 in the caractere it can sound in same family i forgot how good it can be.. it was acutaly better than some of my recent plugs for the patchs i made
https://www.youtube.com/watch?v=G4aFhXWq244
imo it often enhance the sound when not too much or in sweet spot and it tend to sound more natural to me ,maybe the phase get less screwed or stuff like that by not using very steep filter or technics to remove aliasing no idea if it s related but if you alreayd compare oversampling and rate reducer it can affect a lot the sound , the transients , the top end so the way it s implemented probably matter a lot on synth. not much aliasing dosen t mean it sound good or better than a synth with more.
was listetning to this when writing that , and before i was listening big tone z3ta soundset , it alias it s hearable but something in the sound is less screwed to me, it sound more "real " , i played with synth1 some days ago made a few patch and something remind me the nl4 in the caractere it can sound in same family i forgot how good it can be.. it was acutaly better than some of my recent plugs for the patchs i made
https://www.youtube.com/watch?v=G4aFhXWq244
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VELLTONE MUSIC VELLTONE MUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=404834
- KVRAF
- 2081 posts since 19 Sep, 2017 from The Future
The synth is as good as designers can squeeze it
Some day will make my dream bank for s1:)
https://www.youtube.com/watch?v=Vccfs4gwwAs
Some day will make my dream bank for s1:)
https://www.youtube.com/watch?v=Vccfs4gwwAs
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- KVRian
- 659 posts since 5 Jul, 2004
imo at what it does good it will beat the virus.. virus dosen t have good top details usually , often it dosen t give a nice detailed attack "impact " and precise quality sound for me , i like a fine balance, some waldorf tend to be too much bright, but nords strike good balance to me except the 3, i don t know it but i checked measurment and it start to cut at 10K not the older not the 4 , so the 3 probably sound bad for many sounds were the 2 was great
Last edited by kobal on Sun Jan 02, 2022 11:07 pm, edited 4 times in total.
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- KVRAF
- 5664 posts since 7 Feb, 2013
Just for the fun of it
Two tracks, oldschool psytrance style. One was made with Viper and other plugin synths, 100% ITB, another one was made almost entirely with Virus TI, only the drums , the bassline and some occasional background pads are not it.
Can you guess which is which?
https://soundcloud.com/recursion-loop/safe-travels
https://soundcloud.com/recursion-loop/a ... ebula-2021
Two tracks, oldschool psytrance style. One was made with Viper and other plugin synths, 100% ITB, another one was made almost entirely with Virus TI, only the drums , the bassline and some occasional background pads are not it.
Can you guess which is which?
https://soundcloud.com/recursion-loop/safe-travels
https://soundcloud.com/recursion-loop/a ... ebula-2021
You may think you can fly ... but you better not try
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- KVRian
- 659 posts since 5 Jul, 2004
nice one man i like the first track but sonically/ synth timbre it s less intresting than second one, i mean the synth on the second has a more distinctive sound maybe it s how you processed?
first sound 2d and like "everyone and their dog" second one i have more chance to reconize you when i hear a track ,could be the processing but definelty i pick 2 as favorite but the mix would need a bit of work
first sound 2d and like "everyone and their dog" second one i have more chance to reconize you when i hear a track ,could be the processing but definelty i pick 2 as favorite but the mix would need a bit of work
Last edited by kobal on Sun Jan 02, 2022 9:30 pm, edited 1 time in total.
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- KVRAF
- 5664 posts since 7 Feb, 2013
And which one you think is the Virus?kobal wrote: ↑Sun Jan 02, 2022 9:23 pm nice one man i like the first track but sonically/ synth timbre it s less intresting than second one, i mean the synth on the second has a more distinctive sound maybe it s how you processed?
first sound 2d and like "everyone and their dog" second one i have more chance to reconize you when i hear a track ,could be the processing
You may think you can fly ... but you better not try
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- KVRian
- 659 posts since 5 Jul, 2004
i m not sure , i sold my virus years ago after a artist i was sure was using it told me he use only pluginsrecursive one wrote: ↑Sun Jan 02, 2022 9:29 pmAnd which one you think is the Virus?kobal wrote: ↑Sun Jan 02, 2022 9:23 pm nice one man i like the first track but sonically/ synth timbre it s less intresting than second one, i mean the synth on the second has a more distinctive sound maybe it s how you processed?
first sound 2d and like "everyone and their dog" second one i have more chance to reconize you when i hear a track ,could be the processing
but i would say it s the second with fliping a coin .. i like more the second anyway , not the mix but the overall synth sound so maybe it s that? i get easily first one sound with plugins also.. not second one i feel.. but could be the mix how it s balanced that change the perception of the synths.
with fx and in a mix it should not be possible to tell? but here both track sound different.
Last edited by kobal on Sun Jan 02, 2022 9:35 pm, edited 2 times in total.