for further laughs please watch the following:
https://www.youtube.com/watch?v=67HTCHb5_Vc
The one and ONLY Bad Hair Detective at it again!
Baby Audio Transit - Ultimate Transition Designer in collabration w/ Andrew Huang
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Yadrichik_Chaya Yadrichik_Chaya https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=531824 - KVRian
- 690 posts since 5 Oct, 2021
The reverb module in Transit really ”cracks” me up,
for further laughs please watch the following:
https://www.youtube.com/watch?v=67HTCHb5_Vc
The one and ONLY Bad Hair Detective at it again!
for further laughs please watch the following:
https://www.youtube.com/watch?v=67HTCHb5_Vc
The one and ONLY Bad Hair Detective at it again!
Fusion
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- KVRAF
- 1644 posts since 8 Feb, 2013 from Switzerland
Who is Bad Hair Detective? Pointing finger with a mask on towards people at least showing their faces is lame. 
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Yadrichik_Chaya Yadrichik_Chaya https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=531824
- KVRian
- 690 posts since 5 Oct, 2021
The greatest threat there ever was to all the corrupt/fake/greedy/dishonest music production Youtubers AND plugin developers out there, very funny too!
Ouch! This exact same argument as yours was used by Youtuber Lonely Rocker against Dan Worrall in Lonely Rocker's now deleted video where he invited Harrison Consoles. In it they admitted everything Dan Worrall said about their product was 100% true yet the main gripe Lonely Rocker had despite all of this was: ”Hey, Dan Worrall is not showing his face!” ”Buddy got a lot of nerve saying all that and not showing his face” This went on for 30 minutes…Etienne1973 wrote: ↑Sun Sep 03, 2023 6:14 pm Pointing finger with a mask on towards people at least showing their faces is lame.
Fusion
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- KVRAF
- 4382 posts since 15 Feb, 2020
He may well have a valid point but I couldn't tolerate watching more than a few short chunks of the video. I'm sure it's my fault for not 'getting' it.
Not seeing his face was neither here nor there.
Dan Worrall is great, face or no face.
Not seeing his face was neither here nor there.
Dan Worrall is great, face or no face.
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I lost my heart in Taumatawhakatangihangakoauauotamateaturipukakapikimaungahoronukupokaiwhenuakitanatahu
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- KVRAF
- 1904 posts since 8 Jan, 2005
I don't really know why I like it...Yadrichik_Chaya wrote: ↑Sun Sep 03, 2023 5:53 pm The reverb module in Transit really ”cracks” me up,
The one and ONLY Bad Hair Detective at it again!
subscribed
MacMini M2 Pro . 32GB . 2TB . . Renoise……Reason 12……Live 12 Push 2
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- KVRist
- 89 posts since 6 Oct, 2022
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- KVRian
- 636 posts since 15 Feb, 2005
most people seem like they're upset that this can be done a ton of other ways with a ton of other plugins...but he is using comedy to drive home the point i made a couple pages ago....the much more egregious notion is that a "transition" and "keeping the listener interested", in most music genres can be achieved with a gimmicky multi-fx sweep...tells you a lot about the state of modern musicYadrichik_Chaya wrote: ↑Sun Sep 03, 2023 5:53 pm The reverb module in Transit really ”cracks” me up,
for further laughs please watch the following:
https://www.youtube.com/watch?v=67HTCHb5_Vc
The one and ONLY Bad Hair Detective at it again!
Music had a one night stand with sound design.....And the condom broke
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- KVRian
- Topic Starter
- 508 posts since 15 Jun, 2018
Sounds like a crossover between Morris Szyslak and Nardwuar - I like his approach and attitude. But a schtick like this can easily get old.Yadrichik_Chaya wrote: ↑Sun Sep 03, 2023 5:53 pm The reverb module in Transit really ”cracks” me up,
for further laughs please watch the following:
https://www.youtube.com/watch?v=67HTCHb5_Vc
The one and ONLY Bad Hair Detective at it again!
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- KVRist
- 85 posts since 13 Sep, 2022
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- KVRist
- 109 posts since 22 Jan, 2022
Like many here, I have hundreds if not thousands of plugins. The last couple of years I've been narrowing the number of plugins I use and only purchase maybe one or two new plugins a year.
I bought this plugin.
I find building risers, drops, and transitions to be a tedious part of music production that I don't enjoy. I would rather spend my time writing, arranging, or doing sound design for the core song parts. So in the workflow sense, I really like what Transit brings to the table - a fast way to create FX transitions at the track or buss level.
Yes you can reduplicate what this plugin does in Bitwig using the built-in or 3rd party FX, or just use any DAW to automate FX. But it's incredibly fast in Transit to just run through some presets, find something close to what you want, tweak the internals to taste, and automate the primary knob to match the timing of your transition. If I want something specific, I'd probably use Bitwig's modulation/automation capabilities on 3rd party plugins, but often I just want some kind of transition without having anything particular in mind without burning 1/2 hour trying out different plugins and parameter automations just to build a 10 second transition. Transit solves that problem elegantly.
I also own and frequently use The Riser, IMO Transit is a great complement to what that plugin does. Way more usable than Stutter Edit. Faster than manually automating plugins in a DAW. I think this plugin will make it into my stable of commonly-used workflow enhancement tools like Spaced Out, Shaperbox, Infiltrator, Trackspacer, Fuse Compressor, Kick 2, Spectre, etc... plugins that offer huge gains in workflow speed more so than the novelty of the effect itself. Big thumbs up on this one.
So far as Andrew Huang goes, I'm apathetic. I don't watch his videos. A good plugin is a good plugin and this one is really useful for my workflow, so if Huang gets a healthy cut of the profits, I'm totally ok with that. I feel like the introductory price is a good deal, maybe not so much at full price.
As always YMMV.
I bought this plugin.
I find building risers, drops, and transitions to be a tedious part of music production that I don't enjoy. I would rather spend my time writing, arranging, or doing sound design for the core song parts. So in the workflow sense, I really like what Transit brings to the table - a fast way to create FX transitions at the track or buss level.
Yes you can reduplicate what this plugin does in Bitwig using the built-in or 3rd party FX, or just use any DAW to automate FX. But it's incredibly fast in Transit to just run through some presets, find something close to what you want, tweak the internals to taste, and automate the primary knob to match the timing of your transition. If I want something specific, I'd probably use Bitwig's modulation/automation capabilities on 3rd party plugins, but often I just want some kind of transition without having anything particular in mind without burning 1/2 hour trying out different plugins and parameter automations just to build a 10 second transition. Transit solves that problem elegantly.
I also own and frequently use The Riser, IMO Transit is a great complement to what that plugin does. Way more usable than Stutter Edit. Faster than manually automating plugins in a DAW. I think this plugin will make it into my stable of commonly-used workflow enhancement tools like Spaced Out, Shaperbox, Infiltrator, Trackspacer, Fuse Compressor, Kick 2, Spectre, etc... plugins that offer huge gains in workflow speed more so than the novelty of the effect itself. Big thumbs up on this one.
So far as Andrew Huang goes, I'm apathetic. I don't watch his videos. A good plugin is a good plugin and this one is really useful for my workflow, so if Huang gets a healthy cut of the profits, I'm totally ok with that. I feel like the introductory price is a good deal, maybe not so much at full price.
As always YMMV.
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- KVRist
- 89 posts since 6 Oct, 2022
