cool!
i dont know bela gliss...
and still dont have a tempi, although i do keep thinking i should.
cool!
I have a friend who does noise, too much noise. I'm not really a fan, but, you have to love the aesthetic and the component choices. A bit like something lofi MakeNoise.elxsound wrote: ↑Sun Apr 14, 2024 7:51 pmAnother great noise source
Tassel
https://youtu.be/ubnbtWqyweA?si=r99tAekFCOAEjfBa
I like the idea of adding noise sources that normally would require the appliances in Heinbach’s room!ghettosynth wrote: ↑Fri Apr 19, 2024 8:48 pmI have a friend who does noise, too much noise. I'm not really a fan, but, you have to love the aesthetic and the component choices. A bit like something lofi MakeNoise.elxsound wrote: ↑Sun Apr 14, 2024 7:51 pmAnother great noise source
Tassel
https://youtu.be/ubnbtWqyweA?si=r99tAekFCOAEjfBa
I've tried to convince myself so many times that I'd like a Hydrasynth, but then I listen to demos and it does absolutely nothing for me. It either sounds completely boring/lifeless or just flat out bad to me. My Blofeld OTOH sounds amazing. I was a very late convert to the Blofeld club, having finally bought one a couple of years ago when a local seller had a mint desktop unit at a no-brainer price. Now, I'm kicking myself for not having bought one when it was released 16 years ago. I always thought it would overlap too much with my Virus, Nord, etc., but it really doesn't. It's a modern classic that still sells for many very good reasons.Korg Supporter wrote: ↑Sat Apr 20, 2024 2:17 am I am torn on whether to get a Hydrasynth Explorer as a standalone instrument, considering that it is on sale until the end of the month. I had it once but found it frustrating to make it sound good. Now I think it would be a great partner for my Liven 8bit Warps. I could get something cheaper like a Reface DX, but that is not as good for sound design. There is also the Blofeld, but it can't be battery-powered. Or I could use my iPad Air 3, but its playing field isn't as wide as the Hydra's. Ofc, there is Sweetwater's 30-day return policy.
The demos from Jexus and a few others have convinced me. I tried the MiniFreak plugin, and I was not impressed except for a few oscillators. Again, I want something that is expressive and battery-powered. I ordered it anyway, but if I don't like it, I can return it within 30 days. Thanks for the advice. I would love to have a Blofeld, but the Modwave might be a better choice.cryophonik wrote: ↑Mon Apr 22, 2024 3:17 pmI've tried to convince myself so many times that I'd like a Hydrasynth, but then I listen to demos and it does absolutely nothing for me. It either sounds completely boring/lifeless or just flat out bad to me. My Blofeld OTOH sounds amazing. I was a very late convert to the Blofeld club, having finally bought one a couple of years ago when a local seller had a mint desktop unit at a no-brainer price. Now, I'm kicking myself for not having bought one when it was released 16 years ago. I always thought it would overlap too much with my Virus, Nord, etc., but it really doesn't. It's a modern classic that still sells for many very good reasons.Korg Supporter wrote: ↑Sat Apr 20, 2024 2:17 am I am torn on whether to get a Hydrasynth Explorer as a standalone instrument, considering that it is on sale until the end of the month. I had it once but found it frustrating to make it sound good. Now I think it would be a great partner for my Liven 8bit Warps. I could get something cheaper like a Reface DX, but that is not as good for sound design. There is also the Blofeld, but it can't be battery-powered. Or I could use my iPad Air 3, but its playing field isn't as wide as the Hydra's. Ofc, there is Sweetwater's 30-day return policy.
Have you considered a MiniFreak? It absolutely destroys the Hydrasynth Explorer in terms of sound (IMO, of course).
The TR Editor from Roland Cloud really helps open up the power of the unit, so I recommend getting that if you do get the unit.cryophonik wrote: ↑Tue Apr 23, 2024 3:59 pm I got a nice little profit-sharing windfall from work and I'm tempted to use some of it for a little reward for myself, but there's nothing music-related that I really need right now. That said, I'm debating about buying a secondhand MPC One or possibly giving a Roland TR-8S a go. I've owned and sold the TR-6S twice - love the sound, but hated that Roland doesn't believe in song mode or ability to trigger patterns via MIDI, so it didn't really work for me, but maybe the TR-8S will change my mind,...for some reason. My other option is that I'm considering selling my photo studio lighting and switching it to a different system, but that's a pretty big commitment. Decisions, decisions...
I think I tried that when I had my second TR-6S, but I mostly used the 6S for making beats on the couch and it was actually pretty good for that with the compact size and battery operation.egbert101 wrote: ↑Tue Apr 23, 2024 4:11 pmThe TR Editor from Roland Cloud really helps open up the power of the unit, so I recommend getting that if you do get the unit.cryophonik wrote: ↑Tue Apr 23, 2024 3:59 pm I got a nice little profit-sharing windfall from work and I'm tempted to use some of it for a little reward for myself, but there's nothing music-related that I really need right now. That said, I'm debating about buying a secondhand MPC One or possibly giving a Roland TR-8S a go. I've owned and sold the TR-6S twice - love the sound, but hated that Roland doesn't believe in song mode or ability to trigger patterns via MIDI, so it didn't really work for me, but maybe the TR-8S will change my mind,...for some reason. My other option is that I'm considering selling my photo studio lighting and switching it to a different system, but that's a pretty big commitment. Decisions, decisions...
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