VST Effects | Windows

+binaural places a sound at a specific position around the listener's head. Use it with a reverb to create a virtual environment. When used with its LFO, +binaural can place various beats or parts of a loop in specific repeatable positions.... [more]

+chebyshev is a distortion unit which uses various low-order chebyshev polynomials to add even or odd harmonic distortion.... [more]

+compand is a combined compressor/expander plugin. It has a soft-knee control as well as a switchable RMS/peak level detector.... [more]

+decimate offers bit depth and sample rate reduction for added aliasing and decimation noise.... [more]

+decimate VST is a bit-depth and sample-rate reduction plug-in for adding aliasing and decimation noise.... [more]

+matrix is a mid-side to left-right encoder and decoder. For mid-side microphone arrays, but also useful when needing to apply effects to only the center or the sides of a stereo mix.... [more]

+morphfilter holds two filter shapes; these shapes are set by drawing, or by capturing the spectra from the incoming sound. You can morph between these two filters. +morphfilter's depth control can change the strength of filtering, or even invert the filter for an "anti-filtered" sound.... [more]

+phasescope is a standard studio tool for seeing the phase relation between your left and right channels.... [more]

+spectralcompand performs smooth timbral filtering. It can be used to tame resonant frequencies or for radical changes of tone. In expansion mode, +spectralcompand becomes a highly tunable broadband noise remover, capable of removing hiss, hum and machine noise, without damaging the original sound.... [more]

+spectralgate is a spectral version of the noise gate/ducker dynamics processor. It combines a noise gate/ducker and a multiband processor to give you a plugin that can be used both as a frequency dependent gate or as a level dependent filter.... [more]

Originally designed and built during the 1960s, the 1176LN was the first to use a Field Effect Transistor (FET) as a voltage-controlled variable resistor, and that innovation was the key to the product's unique character. An in-depth analysis of the 1176LN's "personality" allowed Universal Audio to methodically reproduce those results within a plug-in architecture, and now offer that same character to computer-based audio workstations. Features: Ultra-fast attack time. Unique, analog-friendly, "warm" characteristics. FET Gain Reduction Emulation. Supports the popular "... [more]

The 1970 Classic Console Compressor is part of The Classic Console Compressor Bundle, offering digital recreations of the the buss compressor/limiter of two famous British mixing consoles. The Bundle includes the 1970 Compressor and the 1980 Compressor with two versions each: Compressor/Limiter/Side Chain version and Compressor only version. The 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics. Smooth and warm. The 1980 Classic Console Compressor features digital recreation of the IC input and voltage co... [more]

1973 is a tribute to the Neve 1073, often considered to be one of the best large-format console channel modules ever made. Punchy, detailed...... [more]

1975 Classic Console Compressor digitally recreates a popular feed forward 1975 VCA Compressor ("Warm and Aggressive"). Two different URS 1975 Classic Compressor plug-ins are included: Compressor/Limiter/Side Chain version, with a modern "Brick Wall Limiter" that was not found on the vintage unit. Compressor Only version, which is 3x more DSP efficient. It will act as a Limiter when the ratio is set at 10:1 and above. The Compressor's Knee is fully adjustable from hard to soft. The Compressor/Limiter/Side Chain version has adjustable knee as well. This allows for: ... [more]

The 1980 Classic Console Compressor is part of The Classic Console Compressor Bundle, offering digital recreations of the the buss compressor/limiter of two famous British mixing consoles. The Bundle includes the 1970 Compressor and the 1980 Compressor with two versions each: Compressor/Limiter/Side Chain version and Compressor only version. The 1970 Classic Console Compressor features digital recreation of transformer input and diode bridge gain reduction amplifier characteristics. Smooth and warm. The 1980 Classic Console Compressor features digital recreation of the IC input and voltage co... [more]

2-2-SiX is a stereo to 5.1 surround upmixer. The 2-2-SiX recalculates existing room information from stereo tracks to 5.1 without adding reverb, delay or phase shifting. Features: Front calibration: sets the stereo base of the front channel from narrow to wide. Rear calibration: sets the stereo base of the rear channel from narrow to wide. Rear precision: "changes the routines of the rear channel stereo to 5.1-room-information-converter. Lower settings add more room unspecific signals and make the rear sounds warmer and indifferentiate". Output level for each 5.1 output (+/- 6 dB)... [more]

4-Band and 2-Band are 100% transparent Four/Two-Band Frequency Divider VST plug-ins for use in modular mixing environments. They split the audio into bands whilst keeping the audio integrity intact. This can be used for frequency dependent FX and mastering purposes. It uses subtractive phase techniques as opposed to minimal phase EQ. In other words the basic signal flow design framework won't change or color your audio (You can test this by double bussing & inverting the phase).... [more]

2-Band Distortion is a crossover frequency splitter followed by a distorting waveshaper in each band. Features: Customisable linkwitz-riley crossover filter (up to 192 dB/Oct). Smooth harmonic distortion. Mathematically optimised (using psychoacoustical evaluated approximation functions). Open Source (as part of Christian's Delphi ASIO & VST Project). Manual. ... [more]

2RuleFilter is a self-resonant moog type filter that allows the filter cut-off frequency to be controlled manually, by LFO, or by an envelope follower. It has a interesting feature called "scrambler" that plays filtered signal randomly depending on the selected beat. The "mix" knob mixes wet and dry signals, The "volume" knob is for setting the output volume level. The"Bit Crusher" produces hard sound. Using its scramble feature you can maintain the rhythmic, choppy, buffered and tempo sync output. Features: High Pass, Low Pass, Band Pass filter. Modula... [more]

2WarpDelay pairs two warped-lattice IIR filters with a pair of delay lines and a bitmap which it scans to extract filter coefficients. A stereo signal is fed through two delay lines followed by a warped IIR lattice filter. The lattice filter can be of any order from 1 to 80 and uses reflection coefficients extracted from an image. This output is fed through a saturation stage and a ducking / limiting stage before being fed back, again, into the delay lines. The lattice filter is warped, and by adjusting the warping parameter its frequency response can be easily adjusted. Resonance controls ... [more]

3DChorus is a digital multi-tap dimensional space modulated delay processor. It provide six independent modulated stereo delay lines that can be freely positioned in 3D sound field using SpinAudio's 3D Positional Audio engine.3DChorus is a complementary product to 3DDelays. They share the same concept of independent positioning of delay taps in 3D sound field. 3DChorus is designed for creating delay modulation effects like chorus and flanger with short delay times while 3DDelays covers long delay effects like echoes.Main features:Six modulated stereo delay lines. Independent feedback and LFO w... [more]

3DDelays is a digital multi-tap dimensional space delay processor.Main features: Six 2 second stereo delay lines with independent feedback. Highly optimised and expandable 3D Positional Audio engine that supports multiple installable HRTF Sets, HRTF subsets, distance simulation and two near field effects for positioning taps in 3D soundfield. Free and tempo synced settings of delays including VST master tempo sync option. Filter for each tap: Seven filter types and four filter routing schemes are available.... [more]

3DPanner Motion Effects allows you to freely place sound in a 3D sound field and automate 3D position to create incredible motion effects.The plugin shares the same 3D positioning concept as complimentary 3DPanner Studio plugin. Using binaural panning technique based of Hrtf functions it allows to place sound in a 3D soundfield using conventional stereo output. While 3DPanner Studio supports only static positioning, 3DPanner Motion Effects implements motion 3D engine that allows to continuously change 3D position without introducing any sound artifacts to processing signal. Main Features:Motio... [more]

3DPanner Studio features a powerful 3D Positional Audio engine, so that you will be able to place your audio tracks in a 3D space around your head and arrange them within a single window.Features:Highly optimised and expandable 3D Positional Audio engine that supports multiple installable HRTF Sets, HRTF subsets, distance simulation and two near field effects. Single window for arranging all plugin inserts. Arrangements. Saving and loading 3D arrangement in a file. View Sets to ease working with different track insert groups. Alternative character sets support for naming tracks in a native lan... [more]

4Front Auxiter is a high frequency refresher exciter plugin. It brings clarity to the high end by regenerating high frequency harmonics. Primary design goals: Vocal enhancer. Per/track enhancer. Master track restoration/refreshment. Old tracks restoration. ... [more]

4Front Contour Max is designed to change the basic frequency contour of a track, or the overall frequency balance of a master. Primary design goals: Master processing. Per-track processing for balancing low and high end. Track restoration. ... [more]

4Front Sand Brush completely regenerates high frequencies, basing on the existing partials. It can be used on hihats and other percussive sounds with high frequency content, and also on other tracks to add "sand". Depending on the settings, it can also be used to emulate the vintage vinyl sound. Primary design goals: Sand for vocal and solo tracks. Bring life back to sampled strings. Track restoration (including MP3). Vintage effect (to create vintage sound). ... [more]

4Front XLimiter is a gentle and soft brickwall limiter processor. Primary design goals: Master track brickwall compression Vocal track compression Solo track compression A special multistage algorithm provides a very soft transition envelope, thus rapid level changes at extreme Threshold level will not pump or distort as much as with the other processors. The limiter employs best properties of a single band processor, whereas additional techniques are used to provide advantages of "continuous multi-band" processing. ... [more]

Features:In/Thresh/Ceiling - the same as in XLimiter or other limiters. Clip - allows to do clipping - for crazy guys who want to make louder at the cost of digital clipping. Release - release time. SoftClip - use soft clipper for Clip mode. ... [more]

4ormulator Vocoder Extreme offers a multitude of different effects: Pitch-Augmentation, Sympathetic Drones, Re-synthesis Effects, Formant Effects, Voice Disguisers, Multi-Band Ring Modulation, Vocoder Effects, Sub-harmonic Bass Generation, Robot Voices, Talking Instruments, Sci-Fi Effects, Ambient Generators... Up to 520 'analog' bandpass filters and a unique architecture that includes stereo harmonic effects in addition to resonance control, spectral envelope generators, internal carrier options, LFO modulators, glide effects, and more. Features: Resonance Control. Harmonic Stereo Effects. ... [more]