907A Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer's 907A module, and it creates a variety of tonal effects by passing its input signal through eight band-pass filters, one low-pass filter and one high-pass filter. The 907A is a subtle effect, capable of adding rich luster to pads, and giving percussive and lead synth sounds a vocal quality. It is simple to use yet capable of complex and unique timbres. Features: 24db Low-pass and high-pass filters. Eight fixed-frequency band-pass filters. True stereo operation. Low CPU usage. Full MIDI learn mode, for MIDI CC con... [more]

914 Fixed Filter Bank is a major upgrade to the discontinued 907A plugin, and is a recreation of the Moog 914 module. It creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter. The 914 is a subtle effect, capable of adding rich luster to pads, and giving percussive and lead synth sounds a vocal quality. A tool for the sound designer's palette, it is simple to use yet capable of complex and unique timbres. Improvements over the original 907A include a bandwidth control, separate level adjustments for wet and dry signal, ... [more]

Automaton is a unique look at buffer effects, allowing you to experiment with artificial life within your DAW. With four separate effects (Stutter, Modulate, Bitcrush, and Replicate) driven by a cellular automata sequencer, Automaton is capable of adding subtle seemingly random fills and "humanizing" effects, but, if you like, you can crank the sequencer up to eleven and watch as your DAW becomes a petri dish while Automaton makes complete hay of the track you've inserted it to. Features: Cellular automata sequencer with host tempo-sync, five different musically useful rulesets (in... [more]

BigSeq is a tempo-based gating and filter effect, perfect for modern music's syncopated rhythms. Heavily informed by old-school analog sequencers, BigSeq is capable of both subtle stereo tremolo effects and hardcore signal manipulation, and everything in between. BigSeq has gate sequencers for both the left and right channels, and a "step-filter" type sequencer to control the multi-mode filter. BigSeq can run off host sync, or use its own internal clock, and is capable of pretty much any musically useful meter, and some not-so-useful, for bizarre polyrhythms and extreme chopping effe... [more]

Unapologetically in your face, Crush is a compressor which celebrates compression artifacts. Crush makes your drum loops pump and breath like never before, and flattens and boosts your vocals to relentless levels. Crush comes in two flavors tailored to mono and stereo applications.... [more]

Deverb is a dark digital reverberator. It features twin filters for extreme shaping of the reverb tail, and unique MIDI controls allowing rhythmic "playing" of the effect. Described as "a reverb built specifically for electronic music".... [more]

Discord is a model of the first mass-produced pitch-shifter, which was a studio standard found in control rooms the world over. Discord has all the features you know and love from the original, along with added controls to take advantage of the modern DAW environment and is suitable for everything from subtle vocal doubling and "stereo-izing" to extreme sound effects.... [more]

Dr. Device is two hi-octane analog-style effects in one. First in the chain is a multi-mode filter, featuring Audio Damage's own private reserve 4-pole lowpass, along with 5 other tasty musical modes. Then, your audio takes a trip through the true-stereo analog delay. Couple these effects with a two-node XYZ pad, motion recording, and kinetics and you've got an effect well-suited for both live performance and studio tweaking. Features: Multi-mode filter (4PLP, 3PLP, 2PLP, 4PHP, 2PHP, and 4PBP modes). The 4PLP self-oscillates at high resonance without audio input, allowing Dr. Device to be us... [more]

DubStation is a delay plug-in modeled on the "bucket-brigade" style of vintage delay units. Features: 4ms to 2000ms delay time.Accurate delay model that changes the pitch of the signal when the time is changed.Sync-to-host capable.Full MIDI learn mode, for MIDI CC control of every control (VST only; handled by host in AU version).Loop and reverse features.Low-cut filter controllable for extra dubby feedback.... [more]

Combining DSP models of analog filters and saturation distortion, Filterpod is a low-pass filter with bite. Its aggressive resonance is enhanced by an adjustable distortion stage, and an internal oscillator provides wide and deep frequency sweeps. Filterpod transforms mild-mannered soft synths into shrieking monsters.... [more]

Fluid is an analog-modeled chorus capable of subtle phasey widening to full-on modulation mayhem. From giving pads a wide stereo stage to livening up stiff and static guitar parts, Fluid makes chorus a useful effect again. Features: True stereo analog-modeled chorus effect. Feedback control for extreme special effects. Optimized for low CPU usage. Full MIDI learn on every parameter for hardware control (VST version only). ... [more]

The FuzzPlus plug-in is a model of a famous vintage fuzz pedal, and features an algorithm used in several of the Mayhem plug-ins. There are three controls: Fuzz knob: This controls exactly how much fuzz is applied to the signal. Output knob: This is the output volume of the device, when it is active. Bypass button: This works just like the switch on a stomp box. When the blue light is lit, you're money. When it's not, the input is passed directly to the output. This can be automated for a slightly different vibe than automating the effect bypass of your host. ... [more]

From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat is a complete toolbox of sonic warfare. With seven different options in each of the three distortion engines (plus pass-through), Kombinat is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild saturation to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps in series? This is your box. Kombinat's signal structure allows for a fairly broad palette of sounds, as each segment of the overall effect i... [more]

Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for "stereo-izing" monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings. Features: True through-zero... [more]

A one-stop shop for all of your distortion needs, Master Destrukto combines wave warping, asymmetric clipping, sample-rate and bit-depth reduction, and overdrive (based on a model of a vintage guitar pedal) into one destructive plug-in. Each of these effects can be used independently or together.... [more]

Phase Two is a digital recreation of the Mutron Bi-Phase, one of the most sought-after vintage phaser units, highly prized for its liquid and subtle stereo phasing abilities. Phase Two features two separately controllable 6-stage phasers, and like the original unit, these two phasers can be routed in series or parallel, for everything from subtle stereo washes to full-blown alien attack. Using the extra CC feature, which takes the place of the "Opti-Pedal" in the original unit, you can manually sweep the phaser frequencies with a MIDI controller, such as a mod wheel or aftertouch. Th... [more]

Pulse Modulator is a tremolo/distortion pedal, loosely based on the extremely rare Electro-Harmonix guitar pedal of the same name. Three separate LFOs drive a VCA, resulting in strange and unique tremolo shapes. Pulse Modulator also has a modeled distortion stage, for extra oomph. Features: Three independent LFOs, syncable to host tempo, driving three VCAs. Continuously variable LFO shape. "Boost" vintage distortion stage. Standard Audio Damage MIDI Learn mode for VSTs (handled by host in AU). ... [more]

Ratshack Electronic Reverb is a detailed model of the Realistic Electronic Reverb, which was actually an analog delay. Audio Damage have done their best to exactly replicate the sound and quirks of the original including modeling the distortion that occurs by running a line signal in to the mic inputs.... [more]

Replicant is a tempo-based beat looping/repeating plugin. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today's modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. Features: Tempo-based delay and looping effects, from 1/128th note to an entire measure. Six independent randomization controls, for subtle changes or extreme aleatoric madness, including a global randomize button. Unique &quo... [more]

Reverence is a digital plate reverb simulator, heavily inspired by vintage digital hardware, and recreates the thick sonic character and easy-to-use interface of those early units, while providing the low noise floor and big headroom inherent in modern software-based reverb. Ideal for synths, vocals, and guitar, Reverence is also capable of creating the unusual effects that are typical of vintage hardware units. Featuring a "sophisticated and well-tuned" reverb algorithm, Reverence has a much lower CPU load than convolution reverbs, and can be used as either a send or insert effect. ... [more]

Ricochet is a sophisticated, yet easy-to-use multi-tap delay, with the signature Audio Damage sound. Featuring a 16-step grid for programming tap time, Ricochet is right at home in modern electronic music production, designed specifically for that context, and is much quicker to program than the run-of-the-mill multi-tap. Features: Five independently controllable taps with individual multi-mode filter, panning, level, sync, mute, solo, and time. Unique dual-filter model for overall tone control. Two feedback modes (master and tap). A specially designed chorus that affects only the taps, ... [more]

Ronin is a multi-effects plug-in featuring two delays, two multi-mode filters, two tube saturation stages, and two LFOs, with a fully routable signal path, is a total solution for analog-style effects. With "bucket-brigade" modeled delays, Ronin is capable of tape-style delays, true analog chorus effects, and flanging in to the stratosphere, for everything from basic subtle synced delays to complete audio destruction. Delay Modules: Modeled after traditional analog bucket-brigade style delays, the delays in Ronin pitch the signal when the time is changed, enabling pitch bombs, choru... [more]

Rough Rider is a modern compressor with a bit of "vintage"-style bite and a uniquely warm sound. Perfect for adding compression effects to your drum buss, it also sounds great with synth bass, clean guitar, and backing vocals. Definitely not an all-purpose compressor, Rough Rider is at its best when used to add pump to rhythmic tracks. Of course, you can use it however you'd like. The Compressor Police aren't gonna come to your house and give you a citation. Slap it on a track and crank some knobs. The front panel layout is done the same as many hardware compressors, so it will be im... [more]

Something old, something new, TimeFnk is a delay plug-in with tempo-synchronized delay times. To emulate the delightful grunge of digital delays of yesteryear, TimeFnk incorporates an adjustable resonant filter and sample-rate reduction. A tempo-synchronized low-frequency oscillator modulates the filter frequency and panning position of the delayed signal. Switchable feedback routing lets you choose between repeats that decay cleanly or disintegrate into sonic murk.... [more]

Vapor is a diffusion chorus plug-in. Vapor is a hybrid effect, a relative of both chorus and reverb. Vapor adds high-end shine and animation to synthesizers, strings, and guitar, giving them more presence in the mix. Vapor can also smear out and soften audio, making instruments sound distant and less distinct. At Vapor's core is a network of diffusers, delay-based filters that soften and smear audio passing through them. Each diffuser is modulated by a low-frequency oscillator (LFO). This modulation prevents the filters from resonating at any specific frequency but can also be used to create u... [more]