More Pressure Mastering Compressor uses a technique called upward compression; it increases the level of quiet portions in a mix without reducing the level of attack transients like a traditional compressor. It includes the 3 parameters found in its freeware sibling, Pressure Mastering Compressor - Amount of compression, look-ahead, and gain control - plus it adds a "Tweak" section with Ratio, Attack, Release, Threshold and Soften controls.... [more]

Preparation P features a collection of 61 "prepared piano" samples. These were recorded by Tom Gersic on a baby-grand piano, and include a variety of strummed strings, plucked strings, and many other sounds of various objects lodged in the strings. Each sample can be tuned individually, and you can also adjust the attack, decay, sustain, and release characteristics of the sound by using the envelope controls.... [more]

Pressure Mastering Compressor uses a technique called upward compression; it increases the level of quiet portions in a mix without reducing the level of attack transients like a traditional compressor. There are just 3 parameters: Amount of compression, look-ahead, and gain control.... [more]

Tom BandPass is a simple band pass filter. All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. ... [more]

Tom HiPass is a simple resonant hipass filter. All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. ... [more]

Tom LowPass is a simple resonant low pass filter. All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. ... [more]

Tom Notch is a simple notch (band reject) filter. All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. ... [more]

Tom Pong is a ping pong delay plugin. A ping pong delay is a delay which alternates from one speaker to another. If the balance is set to 0.5, a stereo signal will invert itself each time the delay buffer is played back. If the balance is set to either side of 0.5, the signal bounces back and forth between the speakers. Tom Pong can be synced to the host sequencer, or delay times can be set by sample count. Feedback and output level are also adjustable.... [more]