By funkychickendance
On 18th October 2005 Version: 5.0c Read all reviews by funkychickendance
3 of 3 people found this review helpful.
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Isn't it odd? Only one review, and that of an expired version. Let me try to redress that problem.
I have taken a very odd path into recording and composition on a PC. I started out with Power Tracks Pro (now in version 10) and Band In A Box (a sequencer based on families of musical styles from PG Software, which can output to MIDI or WAV). The results were/are muzakish or karaoke, and a lot of tweaking is needed to get any funk out of them.
Which is where I discovered ACID, looking for, e.g. ways to reverse guitar parts, or to handily play back drum WAV loops (I tend to write from the bottom up, and MIDI drums drove me nuts!). ACID isn't the perfect medium by any means, but it will do a helluva lot more than people give it credit for...
GUI: Very clean and clear, largely unchanged from Sonic Foundry days. You get an 'infinite' number of tracks into which you can put WAV or MIDI: either loops, one-shots, pre-recorded, or live. There plenty of processing (Fx, Volume, Pan, etc) at the track level, as well as on assignable buses for mixes.
One major improvement in v.5 Pro is that you can cluster parts in a folder (very handy for saving screen footprint when building complex rhythm parts). The Pro version comes with the XPress versions of Native Instruments' Hammond B4, FM7 and P53 ($117 worth, free). It'll host pretty much any VST I have tried, and multiple instances also work. I have a huge family of VSTs (free and purchased) and it's never complained or failed once. ACID is also rigged for ReWire and hosts DXi plug-ins, too.
There are plenty of Sony's own Fx built in, but nothing stops you adding more in VST plug-in form.
What can't you do? A common beef is that you can't assign envelopes to MIDI tracks in the same way you can to WAVs. This is a feature I hope will be added in the next full or partial upgrade.
The program takes a while to load -- all those VSTs, FX and my vast (100GB+) loop library being a cause, I'm sure.
Whether it's a great studio product or not, I can't really tell you. It works for me: I tend to use a lot of loops as shortcuts, and add MIDI or real audio at a later stage (or, when I find myself saying: 'this is where the M-Tron plug-in fits in,' or 'there's a better pad in Crystal,' or 'I'm going to work exclusively with Wusikstation today')
I also make my own loops at times -- you can do it from ACID Pro, but I prefer to use Sound Forge.
I'm conscious sometimes that I'm building my workflow around some of its quirks, but ACID seems like a good 'songwriter' product, capable of commercial-quality demos, and even commercial product. But I'm quirky, too. Sometimes a song will start out in the 'real' world, on my Tascam hard disk recorder with click track, guitar(s), bass, drum machine, vocals, migrate briefly into PTP for Helicon twiddling of vocals, then pop up in Sony as a package of WAV tracks. Then, loops get matched to it, and MIDI appears, via VSTs. Other times, the ingredients will be mixed another way.
So, ACID Pro works for me right now, and probably will for a while. It'll either grow to rival products like Cakewalk, or set itself some more modest boundaries. Only Sony can tell you about that, and they don't talk. It's conceivable that I might adopt some other product in the future, but I haven't got a clue what it might be: the alternatives all look rather over-priced and equally idiosyncratic, to be honest.
BTW, the program only costs $299, direct from Sony. And you can convince yourelf whether you want it from the 'home' version, which is around $70.
Edit: In April '06, Sony updated ACID to v.6. An upgrade from one 'Pro' version to the next was $130, for a short time. I've only used the demo of ACID Pro 6, but it seems to resolve a lot of the reservations expressed about handling of VSTis, and of MIDI tracks. While it still lacks one or two features of regular big-name hosts, it can outperform them in many other ways, if you're a loop user. My workflow is now increasingly 'all ACID' or 'all FL Studio Producer Edition,' depending on the type of project. |
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