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KVR Rank: 75 49 72 [30-Day: 47; 7-Day: 155; Yesterday: 150]
43 members are watching Symphonic Orchestra for news
Product Symphonic Orchestra
Developer EastWest
Primary Type Strings / Orchestral
Price (MSRP) $295 - $1295
Plug-in Formats
Instrument(s)VSTAudio UnitRTAS
Operating System Availability
Operating
System
Latest
Version
Download Is it
Available?
WindowsWindows 64 / x64 1.0.4 -Released
Mac OS XMac OS X Universal Binary64-Bit 1.0.4 -Released
Miscellaneous Information
Copy Protection Dongle (PACE iLok Smart Key)
Average User Rating Average rating - 8.875
User Installable
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Symphonic Orchestra

Recorded by 11-time Grammy nominated classical recording engineer Prof. Keith O. Johnson, the EastWest/Quantum Leap Symphonic Orchestra was recorded in a "state of the art" concert hall where orchestras mainly perform.

To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions, close, stage (conductor's position) and hall. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires. This eliminates the need for artificial reverb.

Four versions available:

  1. EWQLSO Platinum Complete Plus 24-Bit and 16-Bit (194GB).
  2. EWQLSO Platinum Complete 24-Bit (117GB).
  3. EWQLSO Gold Complete 16-Bit (33GB).
  4. EWQLSO Silver Complete 16-Bit (11GB).

Features:

  • 64-bit* with 32-bit compatibility PC (*see system specifications).
  • Full memory access MAC (requires 64-bit MAC).
  • Intuitive custom interface.
  • Intelligent Performance section including Portamento, Repetition, Legato, Round Robin Reset.
  • Improved articulation window and controls.
  • On screen mic position mixing (Platinum and Platinum Plus only).
  • Switch able 24-bit/16-bit depth (Platinum Plus only).
  • State of the art Convolution Reverb with pre-delay and additional Master control to route reverb to all instruments in an instance.
  • Convolution includes hall orchestra was recorded in for additional control of hall ambience.
  • Intelligent release trail engine that follows the note-on samples volume at all times, so release trails always match.
  • Release trails unaffected by mod-wheel cross-fade programs, radical mod-wheel movements do not degrade release trails.
  • Recall custom key-switches instantly.
  • Key-switch sizes now unlimited.
  • Improved sound quality with high-resolution audio engine.
  • Hi fidelity one pole filter for natural cross-fades.
  • Stereo image editing now possible using channel sourcing.
  • Licenses included to install each section on multiple computers (Platinum and Platinum Plus, ilok required for each computer).
  • Original and Pro XP expansion combined into "complete" PLAY version.
  • Silver to Gold to Platinum to Platinum Plus compatibility streamlined.
  • Completely re-programmed for PLAY from the original recordings.

RSS FeedAll KVR Audio news items relating to Symphonic Orchestra.

EastWest releases EWQL Symphonic Orchestra Free (Play Edition) 7th January 2010
EastWest updates EWQLSO Gold, Platinum and Platinum Plus to v1.0.4 28th September 2009
EastWest announces Composers Contest for 2009 24th September 2009
EastWest launches 'Buy One Get one Free' Worldwide Promotion of PLAY products 21st May 2009
EastWest updates EWQLSO Platinum to v1.0.1 and Symphonic Choirs to v1.0.1 21st April 2009
EastWest updates PLAY Software to v1.2.3 3rd April 2009
EastWest announces the EastWest/Quantum Leap Complete Composers Collection PLAY Edition 1st April 2009
EastWest updates PLAY Software to v1.2.0 13th March 2009
EastWest announces PLAY Pro (Formerly PLAY 2.0) 6th February 2009
EastWest updates PLAY (1) to v1.1.13 and QL Voices of Passion to v1.0.5 22nd January 2009
EastWest updates Symphonic Orchestra to v1.0.2 and Goliath to v1.0.6 18th December 2008
EastWest launches Super Holiday Sale 11th December 2008
EastWest updates PLAY to v1.1.6 9th December 2008
EastWest updates PLAY to v1.1.003 [!! UPDATE NO LONGER AVAILABLE !!] 18th November 2008
EastWest launches PLAY "Buy One Get one Free" Worldwide Promotion 12th September 2008
EastWest updates Play to v1.0.083 and EW/QL Symphonic Orchestra to v1.0.1 19th August 2008
EastWest updates PLAY to v1.0.080 31st July 2008
EastWest updates PLAY Software to v1.0.079 17th July 2008
EastWest/Quantum Leap Play-Powered Symphonic Orchestra to be released July 15th 25th June 2008
EastWest upgrades Quantum Leap Symphonic Orchestra with PLAY Sample Engine 17th January 2008
EastWest's Free* PLAY upgrades and current product discounts to end October 31 (+PLAY updates) 4th October 2007
EastWest offers discounts on EW/QL Symphonic Orchestra and Composer Bundles (Save up to 67%) 19th July 2007
East West Quantum Leap Symphonic Orchestra PRO XP Upgrades now 50% OFF 14th March 2007
East West / Quantum Leap Symphonic Orchestra Pro XP Upgrade Group Buy launched 21st February 2007
EWQLSO Pro XP (Silver, Gold & Platinum) Now Available on Receptor 19th December 2006
EastWest Sounds Online 18th Birthday Special Offers 8th March 2006
EWQLSO Silver/Platinum, RA & Symphonic Choirs now on Receptor 16th November 2005
EW/QL releases EWQLSO Professional XP (Expansions) 14th November 2005
EastWest / NI Kompakt v1.08 updates available 21st July 2005
EastWest launches Stormdrum Group Buy and EWQLSO half price promotion 22nd May 2005
EWQLSO Gold and Silver cross-grade offer (open to all) 7th April 2005
EW/QL announce Pro Upgrades for Symphonic Orchestra 21st January 2005
EastWest August 2004 Offers 16th August 2004
East West Kompakt instruments OS X v1.0.2 released 4th February 2004
Symphonic Orchestra Silver & Gold announced 7th November 2003

User Reviews by KVR Members for Symphonic Orchestra.

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By alargechicken
On 22nd March 2007
Version: 1.0.8

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alargechicken


2 of 2 people found
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Having your very own "orchestra" at such a low price is quite amazing; the realism of many orchestral libraries have improved, and probably will not slow down due to excellent sound engineers and recorders such as the ones that put together EWQL Symphonic Orchestra. The sound of this thing is quite shocking, especially for how inexpensive it is.

This library is amazing, no doubt. Though, the producers claim that it is "easy to use". I beg to differ. It holds many secrets that require some investigation to find, so it doesn't exactly sound great "out of the box". You've got to learn how to use it optimally, and spend some time getting the right ammount of realism. You will find yourself tweaking the instrument patches quite abit (at least I did), and the programming glitches are no fun. For example, the 6 French Horns Sustain Legato gets a nasty squeek every time you load up a song for the first time. I'm not sure if it's just because of FL Studio, but this problem is not a big deal, as it can be fixed simply by re-loading the instrument. There are also some problems like certain velocities of some notes (tremelo cellos and piano) not on tune, but these are VERY rare and will be fixed with updates.

The interface isn't the most modern and sleek-looking interface I've ever seen, but it is quite efficient and easy on the eyes. I feel that the colors work very well with the overall tone of Symphonic Orchestra (colors can invoke subconcious emotions, therefore color is quite important).

You are given 8 midi channels, to house 8 instruments/articulations. I feel this is just the right number to keep things substantial, and not overcomplicated. You are able to change many perameters, such as the individual mixer outputs, midi channels and, max polyphony; you can also tweak not only the entire instrument's panning, levels, envelopes, and lfo's, but the insrument's "groups", like for a DXF (Dynamic Cross Fade, used for expressive crecendos and decrecendos) instrument's 'piano (soft) sustain' group. This extreme customizability makes up for the library's limited articulations.

The instruments you are given and the quality of them are perfect for epic, full, emotional, and lush orchestral pieces. Though, the lacking articulations and instruments makes this thing suffer horribly when it comes to dry sounds and solo instruments. I have to say that other than being a supportive sound, the solo instruments are quite horrendous (mainly the string instruments). But the essembles are quite amazing. With the sustain legato feature (whenever the sustain pedal is on, the instrument goes into legato mode) and it's 3 keyswitch settings (normal, quick, and accented) your orchestra can sound quite amazing, with some time and effort. Because of it's rich and full sound, this library is perfect for film and video game scores. The lack of articulations, however, can be fixed by purchasing the XP Pro version, which includes the many 'lost' instruments and sounds that the regular version is lacking, and better yet you can buy the two in a bundle and save 150 bucks!

The quality of the recording of the instruments is quite incredible. The instruments were recorded in a real symphony hall, so they sound completely natural, with a little bit of reverb to hide the abrupt note endings (which is fixed by release samples in the Gold and Planium versions). No real panning is required, and rarely do I have to adjust the levels of the instruments. They sit very well in the mix; the stereo image is outstanding, but not rediculous.

There are some serious performance issues if you are running on a computer with 512 MB of ram or less (I am running on 512 MB). This plugin requires alot of virtual memory, and that can be filled up very quickly if you have low ram. That's when the horrible things happen. Once virtual memory is overloaded, your instruments begin cutting out and popping. Not even rendering your song will stop it, in fact it only makes the matter worse. The only way I find it possible to render a song is to play and record it in real-time with an effect plugin like Voxengo Recorder. And of course you can render instruments seperately to reduce popping. But if you have more than 1.5 GB of ram, you really don't have anything to worry about.

The documentation is pretty good, it comes with an in-depth manual and a supportive forum with a helpful community and staff. I've not found any problems that I can't fix by doing a little bit of researching and reading.

Overall, if you are learning about how orchestral music is composed, and are looking for something more than free soundfonts and cheap synth immitations, this is the library to beat. And of course if the Silver version is too limiting, you can always upgrade to Gold or Platnium. The value is incredible, espeically when taking advantage of sales and bundles, which occur often at soundsonline.com.
 
Last edited by alargechicken on 22nd March 2007    Report

By x_bruce
On 31st May 2004
Version: 1.x

Read all reviews by
x_bruce


2 of 3 people found
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If you are looking for a realistic sounding orchestra you've found it. Dr. Johnson has a flair for recording orchestras and you get to play with a truncated version of his vision. Truncated is an important word here as you get less of everything and you will notice it. If you want to do quartets look elsewhere, there are no solo Viola timbres.

While short on articulations the reason for purchasing the Silver library is because of it's taste of the symphony orchestra. You get Native Instrument's Kompakt synth. For most situations you probably won't need it or want it. The oarcestra is set in the stereo width and depth fields. It is a stunning sound if you want a hall sound as part of the orchestral instruments. Look elsewhere if you want dry sounds.

In genereal the lack of articulations may send you to the synth parameters to fake some perfomance articulations. Still there is a charm to this library and in part it is the recording and that hall, the beautiful hall that just screams play it fff or for the rest of us, play it loud! Good for film and punchy enough for rock, electronic and dance.

Weaknesses, several important articulations missing, some instruments missing. No single instrument pizz. Still, if you are writing for orchestra you can get your sound. This is a great learner's set and is affordable. It is big sounding and for the positives, gorgeous sound. The expressive instrument naming convention is true. Heartbreaking violas that can run though all types of expressive instrumnets. Sections include 10 and 18 first and second chair violins. 10 violas, 10 cellos and 9 conrabass strings. Winds feature 3 clarinets, 3 oboes and 3 flutes. Each of these have varying playing styles with the strings more articulated. Solo instruments include Alto Flute, Bassoon, Bass Clarinet, Clarinet, Conra Bassoon, English Horn, French Horn, Concert Flute, Piccalo Flue, Oboe, Trumpet, Trombone and Tuba. Some with varations and different articulations. Solo strings include Violin, Cello and full Orchestra pizz, a disappointment, not to have individual pizz instruments ar stacatto. There are work arounds but it's a work around! More instruments though, concert Organ, several Choir sounds that are quite impressive. a great sounding Steinway B piano, a large battery of percussion and Harp.

As you can see, this isn't exactly light on sounds, but it is far from generous. Thankfully the quality is uniformly excellent. For personal work Silver does the job but does miss some timbres that I would gladly have lost the Organ, Harp and even the great choirs. They do contribute however so it's a hard call. And that is problaby exactly what East West had to deal with. What can the "budget" orchestra do without. Keep in mind there is a Gold and Platinum library that get more complex and detailed. You can upgrade for the price you paid for sliver, still, it's $700 upward to Gold and $3000 for platinum.

All said, a great set of instruments for a very reasonable price.
 
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Product: Vapor
Developer: EastWest
Type: Sound Module
Price: $129.95
OS: WindowsMac OS X
Formats: VSTAudio UnitDirectXRTAS
Sound Library plugin based on Native Instruments' Kompakt. Read more about the engine here.The stunning synth sounds in Vapor vary from instruments to noise beds, but stick with the theme of technology and futurism. Vapor is the ultimate "idea tool" to add some flavor to any track. All waveforms are "original material", and not some "knocked off" samples from the latest keyboard to hit the stores. Various methods such as vocoding, phase vocoding, granular synthesis, convolution, waveshaping, spectral resynthesis, and other traditional synthesis methods were employed to create the Vapor waveset... [more]

 
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