New algorithmic reverb from SKnote - "Stagespace" - Available NOW - New presets

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Oh, I didn't mean "we don't need realistic spaces" :)
This one can do realistic spaces, and nice rooms, too.
I was just wondering while we are talking about it.
Realistic or not, delay based reverbs have a special flavor, opposite to convolution or other techs. This is why this one exists. We'll see how useful its sound can be.
I have to say I've got quite great feedback from testers :wink:

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quintosardo wrote:Oh, I didn't mean "we don't need realistic spaces" :)
This one can do realistic spaces, and nice rooms, too.
I was just wondering while we are talking about it.
Realistic or not, delay based reverbs have a special flavor, opposite to convolution or other techs. This is why this one exists. We'll see how useful its sound can be.
I have to say I've got quite great feedback from testers :wink:
Nothing to defend, right? It's just taste. I like to talk about things every now and then. And I think it's refreshing every now and then to not just talk about things I like. Sometimes these things are fruitful, too. But not always. :wink:

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"Defend"? No!
Critics are what helps!

I thought we were discussing a bit about kinds of reverbs. I'm a bit confused, because we have gone so much forward thanks to convolution that we are looking for realistic spaces but in an old artificial mode :lol:

The fun part is that it makes really sense...

Then, while looking for realistic from artificial, we happen to look for non-realistic results in a traditional way, because that's what we are used to with a lot of music and we are used to hear and we often like.

This is a new palette, now collecting feedback!

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when we did this the artist wanted to be the main view point all we wanted to do was and a little clean ambiance to complement his playing :)

with all that said this reverb can really do nice rooms iv just never been a fan of overdoing something lots of classical Guitar CD's don't try to give you a scene of space Angel Romero's Cd's tend to sound low in volume so that the his is not heard and is a very clean signal people love that and some have over hyped reverb that sounds kind of muddy we where trying to find a balance between the two but lean more towards the players playing not a rooms view.
Segovia didn't try to make you think he was in a nice room ether its all to taste :D


besides that not all rooms sound the same :)

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Any progress report for StageSpace ?

So far I'm liking the sound of it. Do you think it'll be released soon ?

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We have just mixed a pop/dance song to show it in action (uploaded soon). Reverb to be released in a few days with its first algorithm... 8)

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Really?? All the examples :-o

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Here is a song I just mixed with Stagespace only for the reverbs :)

Hot Jeans
(thank you Sonny!)


Three instances of Stagespace:

- very long for background instruments and sound effects
split stereo mode, left and right channels are reverberated separately
- huge room for the choir, highly detuned
- dedicated instance for the voice, long with long pre-delay to add a "tail". Automated send level, of course

(GTS-39 on bass, drums, voice and choir
StripBus as a console, with lots of "proxy" filter use
Roundtone and Cuttertone on the master
New for me: an instance of Strip on the master, "console D"
Internal Cubase filters and nothing more)

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Hi Quinto !

I would like to know when will this reverb be released ?
Will it be possible to get your three reverbs as a bundle ?

Thank you for your great work !

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Hi, thanks!
May come out during the first days of next week...
Yes, bundled with the other two in the grey series

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Sooo, Hmmm???

I see its being offered in the charity sale thing.

This has been in the pipeline forever ! ! !

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It is alive and coming.
A few days and it will be released... :)

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and that new compressor...? :) is there any hope of sidechaining a la strip's ducking? It would be soooo convenient!! And unique!
:hug:

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Yes, of course.
It has an internal sidechain unit but an external sidechain input, too ;)

Really punchy device, audio samples coming.

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