Does the random generated waveform have parameters? If not the output would be just noise, I understand...

What about the precision of the algorithm? What is being used to approximate the equation? Are there options, like bitcrushing?

Is there an immediate interface for creating a waveform with just harmonics (instead of writing them as equations) like in absynth and in part fm8? (so with predefined faders)
Always in the argument "harmonics", does it have the possibility of using a specific waveform instead of the classic sinusoid? An example would be creating the saw and then the supersaw (where every harmonic is substituted with the collection of harmonics of the saw), and then the hypersaw (where every harmonic is substituted with the harmonic set of the supersaw).

I know these are two different things, but is this usable as a generator (output a wave form) and as an effect (like funcshaper, a shaper)?

2048 samples means 2048/44100=~21 Hz as lowest frequency (relatively to the plugin only)? Externally, does it depends on the audio frequency of the host? For example if I set the project to use 22KHz or 48Khz or 96KHz audio...
Is the note of the sample fixed? (like 4th octave C, say)

This project remebers me the old times with fasttracker 2...
Is the area in which one can draw the waveform only linear? Or logarithmic too?

It doesn't seem it's told anywhere (in the meantime I'm rapidly reading the thread): what are the functions supported? sin/cos/tan, I suppose, then the hyperbolic versions (tanh), then soft clip and hard clip (with parameters)? obviously +, -, *, and /, then powers (x^2), fractional powers (and so roots), powers with parameters (x^a), fast integral and derivative (do you know abox 2?) if they make sense, imaginary numbers -- if they make sense or not , "mod" (remainder of division, you know, for creating ramps), absolute value (e.g. for rectifying), and so on (someone else mentionend summation, you could put there production too)... What about piecewise functions?
Are there peculiarities in operators priorities?
Differential equations?
Constants? (like PI)
(What is 'frac', X-int(X)?) Judging from page 22, yes.

Oh, and obviously I expect that every parameter is coded in the vst so that it is exported and so in it being automatable because nobody would like a static, banal waveform with a project like this, true?

Another important question: undo levels. How many?

The fft part (drawing in the frequencies domain): options? Are frequencies and amplitudes limits selectable? (I mean, can I define the space where I'm going to draw? For example, if I want to draw something for a bass, I would want the window going from like 20 to say 500Hz) Are there brushes? Is it stereo? Surround (with different colors)? Can I draw or control the phase? Is the drawing area switchable between linear and logarithmic (and maybe others)? May I decide how much is big the fft? Like from 128 to 16K bins... You know, it changes the attack and the precision...
Are ultrasonic frequencies supported?

Last, I think: is there an asymmetric waveform like the saturation shape of the tube? (I don't want to make comparison, but as example I would use again funcshaper)
Sorry for the weird expressions sometimes, I'm not english.

Does the random generated waveform have parameters? If not the output would be just noise, I understand...

What about the precision of the algorithm? What is being used to approximate the equation? Are there options, like bitcrushing?

Is there an immediate interface for creating a waveform with just harmonics (instead of writing them as equations) like in absynth and in part fm8? (so with predefined faders)
Always in the argument "harmonics", does it have the possibility of using a specific waveform instead of the classic sinusoid? An example would be creating the saw and then the supersaw (where every harmonic is substituted with the collection of harmonics of the saw), and then the hypersaw (where every harmonic is substituted with the harmonic set of the supersaw).

I know these are two different things, but is this usable as a generator (output a wave form) and as an effect (like funcshaper, a shaper)?

2048 samples means 2048/44100=~21 Hz as lowest frequency (relatively to the plugin only)? Externally, does it depends on the audio frequency of the host? For example if I set the project to use 22KHz or 48Khz or 96KHz audio...
Is the note of the sample fixed? (like 4th octave C, say)

This project remebers me the old times with fasttracker 2...
Is the area in which one can draw the waveform only linear? Or logarithmic too?

It doesn't seem it's told anywhere (in the meantime I'm rapidly reading the thread): what are the functions supported?

Oh, and obviously I expect that every parameter is coded in the vst so that it is exported and so in it being automatable because nobody would like a static, banal waveform with a project like this, true?

Another important question: undo levels. How many?

The fft part (drawing in the frequencies domain): options? Are frequencies and amplitudes limits selectable? (I mean, can I define the space where I'm going to draw? For example, if I want to draw something for a bass, I would want the window going from like 20 to say 500Hz) Are there brushes? Is it stereo? Surround (with different colors)? Can I draw or control the phase? Is the drawing area switchable between linear and logarithmic (and maybe others)? May I decide how much is big the fft? Like from 128 to 16K bins... You know, it changes the attack and the precision...
Are ultrasonic frequencies supported?

Last, I think: is there an asymmetric waveform like the saturation shape of the tube? (I don't want to make comparison, but as example I would use again funcshaper)
Sorry for the weird expressions sometimes, I'm not english.

What about the precision of the algorithm? What is being used to approximate the equation? Are there options, like bitcrushing?

Bitcrushing may be added in the future, but it will be added as an effect, not exported with the waveform, just for use within the audio host.

Is there an immediate interface for creating a waveform with just harmonics (instead of writing them as equations) like in absynth and in part fm8? (so with predefined faders)
Always in the argument "harmonics", does it have the possibility of using a specific waveform instead of the classic sinusoid? An example would be creating the saw and then the supersaw (where every harmonic is substituted with the collection of harmonics of the saw), and then the hypersaw (where every harmonic is substituted with the harmonic set of the supersaw).

Currently we are working on adding in a node editing interface, which will allow you to create waveforms by hand, without needing to write math formulas. Partial editing is something that has been requested, but it isn't very high up on the list. I really want to get freeform and node editing added first, and then multisample export, random waveform exporting and such features.

This project remebers me the old times with fasttracker 2...
Is the area in which one can draw the waveform only linear? Or logarithmic too?

Not sure what you're actually asking here - when the additional editing features are finished, you'll be able to create waveforms however you want to.

Oh, and obviously I expect that every parameter is coded in the vst so that it is exported and so in it being automatable because nobody would like a static, banal waveform with a project like this, true?

Not sure what you're asking here. Will the VST be automatable? Yes.

The fft part (drawing in the frequencies domain): options? Are frequencies and amplitudes limits selectable? (I mean, can I define the space where I'm going to draw? For example, if I want to draw something for a bass, I would want the window going from like 20 to say 500Hz) Are there brushes? Is it stereo? Surround (with different colors)? Can I draw or control the phase? Is the drawing area switchable between linear and logarithmic (and maybe others)? May I decide how much is big the fft? Like from 128 to 16K bins... You know, it changes the attack and the precision...
Are ultrasonic frequencies supported?

We haven't gotten this far yet. The node editor is only just now being added. I'll let you know when we get there

Last, I think: is there an asymmetric waveform like the saturation shape of the tube? (I don't want to make comparison, but as example I would use again funcshaper)
Sorry for the weird expressions sometimes, I'm not english.

Currently this is only to create individual waveforms for use inside other synthesizers, but we will explore the possibility of creating an effect version. And no worries about the English, you're doing fine

And the quality of the generated waveform from the equation? Aliasing, that stuff?

Ok. So partial editing with arbitrary waveforms?

Yes, I wrote something weird... I meant if the space where you draw the waveform is only linear or logarithmic too (in amplitude).
Like the left one:

-Will the parameters of the equation be automatable too?

-Will partial editing be automatable?

Well, I just saw the metasynth 5 thread, probably that's now your nemesis...

I dunno that it's even possible to automate a math formula.

Well, not really. Metasynth is a completely different beast with a different purpose. This is a single-cycle waveform creation utility to allow you to create waveforms and export them to different synthesizer formats. I'm not overly familiar with Metasynth, but I'm fairly sure it's can't do anything that Wave Designer does.

Just some numeric variables. If my equation is, for example, y=sin((sin(x)/a), the parameter a would be one of the hardcoded knobs that the user can adjust. If this knob is automatable then the equation is automatable (in that sense).

You could use Excel's math functionality to create tables of wavedata that you could then import into the Wave Designer. Excel supports nested functions giving the WD user the ability to be able to create successive waves for wave sequencing. Waveform data in table form can also be plotted/graphed/etc. in Excel for visual confirmation of specific characteristics.

If you put in there some assignable LFOs too then it'll practically become a synth...

Should be available in the next week or two, max.