That's insightful and helpful! My plan is to improve my harmony and structure, so the time for getting serious in depth is now!Sampleconstruct wrote:Very interesting textural composition, I like the thematic way you composed this, certain textures reappearing through the track, also some more consonant harmonic layering this time which I think is great. Good to witness how you're developing your music and taking much more attention to form and density.TwoToneshuzz wrote:New Track using the Cosmic soundset by Simon Stockhausen and 1 instance of Diva playing White Dwarf and Angel wings by Howard Scarr.
Arts Acoustic series compressor and 2C audios B2 on the Master buss
http://soundcloud.com/twotoneshuzz/what ... ve/s-Td2QO
Soundset Cosmic for Padshop Pro released on patchpool
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
waves break, but somehow it all makes sense.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Very haunting track, like shortly opening a window to another dimension...lxegs wrote:In this demo I used 2 track with each padshop
presets used are red dwarf & diversion synth presets
Reverb is Valhallareverb
Izotope Trash2
Phaser & Chorus by Meldaproduction
https://soundcloud.com/lxegs/cosmic
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- KVRist
- 180 posts since 28 Jan, 2011
An other demo using two patches from cosmic pro :
mars meditation split & fast triplet scanner
effects used : vintage valhalla reverb, loomer shit, eurydice
http://soundcloud.com/lxegs/cosmic-2
mars meditation split & fast triplet scanner
effects used : vintage valhalla reverb, loomer shit, eurydice
http://soundcloud.com/lxegs/cosmic-2
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
Nice to see others posting examples! Iegs, I listened to both your tracks. This last is very interesting like some beast trying to break out of it's entanglements, while softer elements try to placate...
Here's my recent work.
8 instances of Padshop Pro playing sounds from Cosmic.
I tried working percussion sounds/loop into the mix.
I used Uhbik T, trance gate, modulated the pattern sequence to get some variety. I used Lfo's with slower rate and fade in and out to vary pitch on some of the sounds.
I used one instance of Chromaphone playing a sound from ChromaZone, run through Uhbik F
2C B2 moudular reverb was used on the master bus and on a couple of the sounds. Master Compression/limiting by Arts Acoustic CL series.
http://soundcloud.com/twotoneshuzz/cosm ... ce/s-4ruxq
Here's my recent work.
8 instances of Padshop Pro playing sounds from Cosmic.
I tried working percussion sounds/loop into the mix.
I used Uhbik T, trance gate, modulated the pattern sequence to get some variety. I used Lfo's with slower rate and fade in and out to vary pitch on some of the sounds.
I used one instance of Chromaphone playing a sound from ChromaZone, run through Uhbik F
2C B2 moudular reverb was used on the master bus and on a couple of the sounds. Master Compression/limiting by Arts Acoustic CL series.
http://soundcloud.com/twotoneshuzz/cosm ... ce/s-4ruxq
waves break, but somehow it all makes sense.
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Sampleconstruct Sampleconstruct https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=191286
- KVRAF
- Topic Starter
- 16153 posts since 12 Oct, 2008 from Here and there
Listening as I write - glistening morning sun on a radioactive planet, some native inhabitants in the distance beating the drums for war...an alien soundtrack for a director on lysergic acidTwoToneshuzz wrote:Nice to see others posting examples! Iegs, I listened to both your tracks. This last is very interesting like some beast trying to break out of it's entanglements, while softer elements try to placate...
Here's my recent work.
8 instances of Padshop Pro playing sounds from Cosmic.
I tried working percussion sounds/loop into the mix.
I used Uhbik T, trance gate, modulated the pattern sequence to get some variety. I used Lfo's with slower rate and fade in and out to vary pitch on some of the sounds.
I used one instance of Chromaphone playing a sound from ChromaZone, run through Uhbik F
2C B2 moudular reverb was used on the master bus and on a couple of the sounds. Master Compression/limiting by Arts Acoustic CL series.
http://soundcloud.com/twotoneshuzz/cosm ... ce/s-4ruxq
I like the textural composition a lot and how the granular beats are strangely disconnected from the rest yet giving the whole track a good foundation.
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- KVRAF
- 1548 posts since 12 Jan, 2010 from Copenhagen
Thanks SimonSampleconstruct wrote:Listening as I write - glistening morning sun on a radioactive planet, some native inhabitants in the distance beating the drums for war...an alien soundtrack for a director on lysergic acidTwoToneshuzz wrote:Nice to see others posting examples! Iegs, I listened to both your tracks. This last is very interesting like some beast trying to break out of it's entanglements, while softer elements try to placate...
Here's my recent work.
8 instances of Padshop Pro playing sounds from Cosmic.
I tried working percussion sounds/loop into the mix.
I used Uhbik T, trance gate, modulated the pattern sequence to get some variety. I used Lfo's with slower rate and fade in and out to vary pitch on some of the sounds.
I used one instance of Chromaphone playing a sound from ChromaZone, run through Uhbik F
2C B2 moudular reverb was used on the master bus and on a couple of the sounds. Master Compression/limiting by Arts Acoustic CL series.
http://soundcloud.com/twotoneshuzz/cosm ... ce/s-4ruxq
I like the textural composition a lot and how the granular beats are strangely disconnected from the rest yet giving the whole track a good foundation.
I'm glad I don't need lysergic acid to come to new and strange worlds. I just load up a few Patchpool sounds and I'm well on my way!
waves break, but somehow it all makes sense.