FINAL PIANOS DEBATE: Imperfect Samples Steinway v. Galaxy Vintage D v. Sampletekk Black Grand
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- KVRist
- 317 posts since 5 Jul, 2002 from Sydney
Here's another contender from Spitfire which doesn't break the bank.
http://www.spitfireaudio.com/orchestral ... piano.html
http://www.spitfireaudio.com/orchestral ... piano.html
- KVRAF
- 3604 posts since 8 Dec, 2008 from Global Cowboy
The best grand piano I have played is the Italian Grand by Ivory..
It is simply stunning...
I've tried a most of them and this is the only piano that I really need...
In fact I have 2 copies and I bought a couple of iLoks just to run them...
Life's too short to fart around with the rubbish - so buy the Italian Grand...
You'll be mighty glad that you did
It is simply stunning...
I've tried a most of them and this is the only piano that I really need...
In fact I have 2 copies and I bought a couple of iLoks just to run them...
Life's too short to fart around with the rubbish - so buy the Italian Grand...
You'll be mighty glad that you did
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- KVRist
- 70 posts since 30 Aug, 2002
Sampled pianos are like crisps in the way that there are many flavours of chips because people have different taste.
We have about 25 different pianos at our site, and with our production company, (SampleTekk Production), we have produced about 30 more for companies like Nord, Steinberg, Toontracks, XLN and Propellerheads.
When doing this, we always we always try to have a certain goal for the sound. The goal is never to make "the ultimate piano", since in my mind, I think it's impossible. When recording a piano, the choise of michrophones, instrument, recording venue and mic placement always gives a certain sound.
So, rather then going for the best piano sample ever, I think you should look around for all the different flavours of sounds that's around, often at a very good price.
Just my 2 cents....
We have about 25 different pianos at our site, and with our production company, (SampleTekk Production), we have produced about 30 more for companies like Nord, Steinberg, Toontracks, XLN and Propellerheads.
When doing this, we always we always try to have a certain goal for the sound. The goal is never to make "the ultimate piano", since in my mind, I think it's impossible. When recording a piano, the choise of michrophones, instrument, recording venue and mic placement always gives a certain sound.
So, rather then going for the best piano sample ever, I think you should look around for all the different flavours of sounds that's around, often at a very good price.
Just my 2 cents....
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- KVRist
- 131 posts since 4 Jul, 2007 from Tilburg, Netherlands
Remorse because of the (partial) opinion of one person somewhere in the world? . The Internet is a strange place. What's your opinion about it now you own it?synchronizer wrote:Well, it's a bit too late; I already settled on the Vintage D...now I guess buyer's remorse for the millionth time? I wanted something realistic, in fact, I can't play the piano at all, so what use is that? I can't afford the imperfect anymore, at least not for a long time.
I have had vintage D as my go-to piano sample for few years now and I still like and use it a lot. For everything from solo recording (jazz/classical/vocal accomp) to mixing in pop/rock. And I can play
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- KVRer
- 12 posts since 4 Oct, 2013
IS SteinwayPiano is really perfect but Vintage-D has a warm sound! Well it all depend on the way you want to use either for recording or live playing!
Out of topic maybe??
But have a look here:
8dio 1928 LEGACY STEINWAY
http://8dio.com/instrument/1928-steinway/
I use 8dio 1928 LS for my live jazz gigs, but I will soon switch to IS SteinwayPiano.
Out of topic maybe??
But have a look here:
8dio 1928 LEGACY STEINWAY
http://8dio.com/instrument/1928-steinway/
I use 8dio 1928 LS for my live jazz gigs, but I will soon switch to IS SteinwayPiano.
