TheoM wrote:I'm all about the 24. Its modulation and hall sound rich and wonderful. The 48 just isn't as nice (but still nice) and then you try the relab one and realise how awesome a real 480 is, and that softube didn't nail it quite as well as I first thought. I don't even know if the 24 is accurate, but I absolutely LOVE it. I pitted everything I had against it for a large moving hall, but not huge,just nice and big (ie not eos or warmverb type), and it was the absolute dogs bollocks for me (for our USA friends that means friggin awesomely sick as )antithesist wrote:hibidy: Are you liking one better than the other? [24 or 48]
I'm still holding out for half-price. I don't know enough about NI sale trends to predict when (and if) that might be. Maybe early summer? I think they did their last 50% off sale a couple months after releasing one of the native effects bundles.
I'm trying to spread it out these days and have enough NI/Softube. I don't want to get any more invested with most of the developers I already have, but these are at the top of my list for Native Instruments. In fact, they're the only thing(s) on that list.
Stay thirsty, Locutus.
I can't recommend it enough, the 24 that is, and I think anyone could benefit from having it in their reverb toolbox, and yes, even people who own v room, cause that's totally diff
ESPECIALLY for people that use 2caudio stuff, this will give you a completely different flavour to complement it
Relab is definitely phenomenal, but I can't justify the cost right now - even though Tony currently has it on sale. Another option might be to just get the RHall and upgrade later.
2cAudio... also incredible. I especially love B2, but they are all good.
I'm okay with the 24/48's not being 100% accurate as long as the mojo is there. For $99 for both I would probably just get the bundle (I think the current price for the individual ones is about $72 each).
I'm kind of like you, Theo, except that I'm a "shithead" especially for reverbs.
I love how sometimes a reverb can totally alter your sound and make it into something else. Imo, a reverb can be more important than even the sound source that you feed into it. Meaning... that sometimes a "crappy" sound source is exactly what's needed just because of how it lights up the verb (in a way that a slick and polished source might not be able to accomplish). I've also been experimenting with cascading different combinations of verbs. Sometimes a particular verb might not be the "best on the block" by itself, but it might be very useful in how it interacts with another verb in sequence. So, in a way, it's all good... just more tools to play around with!