Sonatine
- KVRAF
- 37531 posts since 14 Sep, 2002 from In teh net
Sonatine for Piano and Spektral Delay
Sorry about the length (again).
Just played as it is - no messing (as usual).
Sorry about the length (again).
Just played as it is - no messing (as usual).
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experimental.crow experimental.crow https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=6258
- KVRAF
- 6895 posts since 9 Mar, 2003 from the bridge of sighs
working now ...
and well worth a listen ...
melancholy ...
the stir of echoes created w/ SD adds depth to a well played comp ...
goes down well with the grey and rainy day i'm enveloped in ...
and well worth a listen ...
melancholy ...
the stir of echoes created w/ SD adds depth to a well played comp ...
goes down well with the grey and rainy day i'm enveloped in ...

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- KVRAF
- 12235 posts since 18 Aug, 2003
An interesting piano piece. But I differ with normal, I found the delay to be more of a distraction from the music. Since the composition is fairly straightforward piano playing, the delay as is feels to me more like a shortcut, a means of getting more notes in without playing.
I would much rather hear the delay played like a second voice (or in the case of Spektral Delay, a series of other voices). Perhaps space out the composition a bit more and reduce the amount of feedback, so that you are playing with the delay.
Overall, a nice evocation of mood with the melody.
A question about your apology on length: is 4 minutes considered long usually? Didn't seem long to me at all, and the download wasn't large.
Cheers,
Steve
I would much rather hear the delay played like a second voice (or in the case of Spektral Delay, a series of other voices). Perhaps space out the composition a bit more and reduce the amount of feedback, so that you are playing with the delay.
Overall, a nice evocation of mood with the melody.
A question about your apology on length: is 4 minutes considered long usually? Didn't seem long to me at all, and the download wasn't large.
Cheers,
Steve
- KVRAF
- Topic Starter
- 37531 posts since 14 Sep, 2002 from In teh net
The delay is just another voice for the piano to interact with - sort of a dialogue. Adding it later wouldn't have worked for me - it had to be real time because its played "from the heart" - not planned. And if the delay hadn't been there I wouldn't have felt inspired to play that way - so it's necessary you see.
- KVRAF
- Topic Starter
- 37531 posts since 14 Sep, 2002 from In teh net
Thanks. I'm just getting into playing keyboards now I can't play guitar anymore. It's simple but felt.normal wrote:working now ...
and well worth a listen ...
melancholy ...
the stir of echoes created w/ SD adds depth to a well played comp ...
goes down well with the grey and rainy day i'm enveloped in ...
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- KVRAF
- 12235 posts since 18 Aug, 2003
Sorry if I was vague, but I wasn't suggesting removing the delay, but rather making the dialogue between the two more explicit by giving both your playing and the delay more of their own space in the composition.aMUSEd wrote:The delay is just another voice for the piano to interact with - sort of a dialogue. Adding it later wouldn't have worked for me - it had to be real time because its played "from the heart" - not planned. And if the delay hadn't been there I wouldn't have felt inspired to play that way - so it's necessary you see.
Cheers,
Steve
- KVRAF
- Topic Starter
- 37531 posts since 14 Sep, 2002 from In teh net
I know. No problem. It's just it wasn't really thought out that way. I just played what I felt and recorded it straight off. Just a sort of spontaneous thing but one I kept instead of binning for onceshamann wrote:Sorry if I was vague, but I wasn't suggesting removing the delay, but rather making the dialogue between the two more explicit by giving both your playing and the delay more of their own space in the composition.aMUSEd wrote:The delay is just another voice for the piano to interact with - sort of a dialogue. Adding it later wouldn't have worked for me - it had to be real time because its played "from the heart" - not planned. And if the delay hadn't been there I wouldn't have felt inspired to play that way - so it's necessary you see.
Cheers,
Steve
- KVRAF
- 3266 posts since 22 Sep, 2003 from under the sun
beautiful piece, right my alley.
what piano did you use for this one? sounds very goooooood.
i like the delays but i agree that you could try to give more space to the sounds (stereo panning ?)
thanks for sharing
what piano did you use for this one? sounds very goooooood.
i like the delays but i agree that you could try to give more space to the sounds (stereo panning ?)
thanks for sharing
- KVRAF
- Topic Starter
- 37531 posts since 14 Sep, 2002 from In teh net
Thanks.Wopelka wrote:beautiful piece, right my alley.
what piano did you use for this one? sounds very goooooood.
The piano is just one of the piano's in my Korg N364 (Stereo Keys) - amazingly it sounds better to me than almost any other sampled piano I've tried (even big ones like the Maestro).
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- KVRAF
- 7672 posts since 9 Nov, 2003 from Netherlands
I'm just glad you didn't bin this 
Nuff said about the delay, and I think this has quite the sensitivity tracks such as this need.
Nuff said about the delay, and I think this has quite the sensitivity tracks such as this need.
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- KVRian
- 945 posts since 8 Jan, 2004 from California
Liked the track alot! Correct me if I'm wrong, the higher notes were triggering the delay, while the lower ones were not. I heard NI guitar rig could do this, but it didn't occur to me that Spek cuold do this, but it makes sense (me not thinking that is). I got to read the manual on that one.
The armchair is more than the sum of the bastards
