ambient-ish piece
- KVRAF
- 3726 posts since 30 Jan, 2005 from rochester, ny
- KVRAF
- 5715 posts since 5 Aug, 2006 from UK - The Mudway Towns
'bout time we had more of your stuff here 
Very nice and floaty sort of ethereal sounds, sort of half-heard dream conversations.
Very nice and floaty sort of ethereal sounds, sort of half-heard dream conversations.
It wasn't me! (well, actually, it probably was) - apparently no longer an 'elderly', now a 'senior'! Is that promotion?
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- KVRian
- 1030 posts since 14 May, 2008 from Tralfamadore
- KVRAF
- 2327 posts since 22 Aug, 2006
Nice.
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- KVRAF
- 12167 posts since 13 Mar, 2009 from UK
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- KVRAF
- 8099 posts since 12 Dec, 2003 from Canada
Ahoy there Rick!
Good times, lovely to hear your manipulations both subtle and stark once again. Top stuff matey!
Good times, lovely to hear your manipulations both subtle and stark once again. Top stuff matey!
- KVRAF
- 7274 posts since 4 Apr, 2005 from here and there
A fine production, this was the right moment for me and being in right mood I enjoyed this one so much
Cheers
Cheers
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- KVRist
- 159 posts since 15 Mar, 2011 from Canada
Hey rachmiel, nice sounds...I was wondering how you go about creating the atmosphere though...
I'm new to creating this type of music and would like to broaden my understanding of the fundamental elements needed in creating a living, breathing, pad-like atmosphere, such as the one you have so perfectly created here..
It is as the others have stated, and very dream-like....almost like spirits are whispering to me while Im travelling through a condensed state of unconscious harmony, and at times even a bit of delerium...
anyways I was wondering If you had any age-old techniques you could share with me so I may also some day be able to structure my ambient atmospheres so sophisticatedly as to spark an awe in those who choose to listen...
Thanks !! and good stuff...I look forward to hearing more from you !!
Timothee!!
I'm new to creating this type of music and would like to broaden my understanding of the fundamental elements needed in creating a living, breathing, pad-like atmosphere, such as the one you have so perfectly created here..
It is as the others have stated, and very dream-like....almost like spirits are whispering to me while Im travelling through a condensed state of unconscious harmony, and at times even a bit of delerium...
anyways I was wondering If you had any age-old techniques you could share with me so I may also some day be able to structure my ambient atmospheres so sophisticatedly as to spark an awe in those who choose to listen...
Thanks !! and good stuff...I look forward to hearing more from you !!
Timothee!!
- KVRAF
- 2645 posts since 21 Jul, 2004
really good stuff. nice lush sounds with an ever so slightly dark undercurrent.
great
neil.
great
neil.
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Bronto Scorpio Bronto Scorpio https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=98170
- KVRAF
- 5546 posts since 13 Feb, 2006 from Wiesmoor, Germany
Really beautiful in a very special way 
Well done!
Cheers
Dennis
Well done!
Cheers
Dennis
- KVRAF
- Topic Starter
- 3726 posts since 30 Jan, 2005 from rochester, ny
thanks for listening, everyone.
Timothee: i did quite a bit to get this kind of sound. details to follow later today. :-)
Timothee: i did quite a bit to get this kind of sound. details to follow later today. :-)
- KVRAF
- Topic Starter
- 3726 posts since 30 Jan, 2005 from rochester, ny
so here, in broad strokes, is what i did:
- acquired the theme music to the original Gilligan's Island tv show (1:35)
- played it at .1 to .5 times its original speed in grains from 1 to 1000 ms long
- added gobs of resonance and delay/reverb to this
- mixed panned forward and backward versions of this
- did minimal mastering (no compression, just a tad of EQing)
it all went quite quickly, which was refreshing, because it usually takes a TON of time before i end up in a place where i feel a piece is "done."
- acquired the theme music to the original Gilligan's Island tv show (1:35)
- played it at .1 to .5 times its original speed in grains from 1 to 1000 ms long
- added gobs of resonance and delay/reverb to this
- mixed panned forward and backward versions of this
- did minimal mastering (no compression, just a tad of EQing)
it all went quite quickly, which was refreshing, because it usually takes a TON of time before i end up in a place where i feel a piece is "done."
- KVRAF
- 26033 posts since 20 Oct, 2007 from gonesville
aaaaaaaaaaaaaaaaaaaaaaaaaaaaathhhhhhhrrrrrrrrrrrrrrreeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeehoooooooooooooooooooouuuuuuuuuuuuuuuuuuuuuuuurrrrrrrrrrrrrrrrrrrrrrrrrrrtooooooooooooooooooooourrrrrrrrrrrrrrrrrrrrrrrrrrrrr.......................
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- KVRian
- 736 posts since 30 Apr, 2008
