How to find the key of drum samples??
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- KVRer
- 27 posts since 21 May, 2010
Hello everyone,
I always read from everybody, and i have to say that i understand that this has to be the right way, that you always have to tune your drum samples in the key of the track. The problem is, how to find the key of the sample??
For example i use Logic's tuner and it doesn't show me nothing??? Maybe if i use another tuner?? Any ideas???
I always read from everybody, and i have to say that i understand that this has to be the right way, that you always have to tune your drum samples in the key of the track. The problem is, how to find the key of the sample??
For example i use Logic's tuner and it doesn't show me nothing??? Maybe if i use another tuner?? Any ideas???
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- KVRist
- 433 posts since 26 Sep, 2004
Use a Spectrum Analyzer with notes, I know Ableton's EQ does this.
Find the loudest peak, at the lowest frequency. This should be the note, you can double check with a tuned note from a piano or guitar etc.
Monib
Find the loudest peak, at the lowest frequency. This should be the note, you can double check with a tuned note from a piano or guitar etc.
Monib
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- KVRist
- 475 posts since 4 Nov, 2011 from Tleat
most drums are inharmonic. i.e. they have no key, their harmonics aren't in the harmonic series. unless you're talking synthesized drums. but even then the pitch is often heavily modulated. only of the decay sounds like a 'note' can you find a 'key' of the synthesized drum using freq spectrum analyzer. if it's a live drum, then the harmonics are still complex and you have to trust your ears.
tl;dr tune by ear
tl;dr tune by ear
- KVRAF
- 16873 posts since 8 Mar, 2005 from Utrecht, Holland
This presumtion is false. Do you see any drummer playing in a band switching his kit because the next song is in a different key?njakrivos wrote:I always read from everybody, and i have to say that i understand that this has to be the right way, that you always have to tune your drum samples in the key of the track.
You only have to "fix" things if you can really hear it's wrong. Otherwise just don't bother. Just because you read others are doing it is not a valid argument to do it yourself.
We are the KVR collective. Resistance is futile. You will be assimilated. 
My MusicCalc is served over https!!
My MusicCalc is served over https!!
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- KVRAF
- 7120 posts since 22 Jan, 2005 from Sweden
Have a look with an EQ that has spectrum presentation.njakrivos wrote:Hello everyone,
I always read from everybody, and i have to say that i understand that this has to be the right way, that you always have to tune your drum samples in the key of the track. The problem is, how to find the key of the sample??
For example i use Logic's tuner and it doesn't show me nothing??? Maybe if i use another tuner?? Any ideas???
Lowest frequency that moves, is the fundamental frequency of that drum.
But read BertKoor's comment about usage.
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- KVRer
- 13 posts since 15 Sep, 2011 from United States
I see your point, but I'm not sure I fully agree. It depends on the type of music you're producing, and it depends on how well trained your ear is. If you've never paid much attention to tuning drums, you may never figure out when you should and shouldn't.BertKoor wrote:This presumtion is false. Do you see any drummer playing in a band switching his kit because the next song is in a different key?njakrivos wrote:I always read from everybody, and i have to say that i understand that this has to be the right way, that you always have to tune your drum samples in the key of the track.
You only have to "fix" things if you can really hear it's wrong. Otherwise just don't bother. Just because you read others are doing it is not a valid argument to do it yourself.
Going back and looking at my old tracks, before I started tuning my drums, it's almost grating to hear some of the drums clashing. At the time I thought it sounded just fine...
Now a lot of this has to do with my ear just getting better, period, but I'm not sure if my ear would have improved if I hadn't started tuning my drums (just because I read about it, I may add).
So in my personal experience, it's been good for me to use this drum tuning as a rule, and then learn how to break it rather than start off with no rules and just use my ear.
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- KVRian
- 750 posts since 30 Aug, 2011 from somewhere in universe
No. But I see engineers tuning drums the drummer plays when recording a band.BertKoor wrote:Do you see any drummer playing in a band switching his kit because the next song is in a different key?
Wonder whether my advice worth a penny? Check my music at Soundcloud and decide for yourself.
re:vibe and Loki Fuego @ Soundcloud
re:vibe and Loki Fuego @ Soundcloud
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- KVRist
- 65 posts since 9 Jan, 2011
Well I would not recommend tuning your drums like that.... Unless you want to make music without any key changes...... Because tuning drums to follow your note changes mid song will sound...well....just terrible (and unrealistic).
If you are working with drum samples you can try to retune them, if something isn't sounding right, but (as far as I know) there is no formula or program for that. Just use your ears.
If you are working with drum samples you can try to retune them, if something isn't sounding right, but (as far as I know) there is no formula or program for that. Just use your ears.
- KVRAF
- 5223 posts since 20 Jul, 2010
Adjust the pitch until it sounds good.
Sometimes having the drums sound vaguely like they're playing on the fifth or seventh can be a cool effect. Bonus points if you have a key change and the drums tuning is relevant to both keys.
But, as has been said, in a lot of situations, the tuning isn't important, and obviously, the more towards "noise" a drum is on the continuum of pure tone to noise, the less important (or downright impossible) tuning becomes.
Sometimes having the drums sound vaguely like they're playing on the fifth or seventh can be a cool effect. Bonus points if you have a key change and the drums tuning is relevant to both keys.
But, as has been said, in a lot of situations, the tuning isn't important, and obviously, the more towards "noise" a drum is on the continuum of pure tone to noise, the less important (or downright impossible) tuning becomes.
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- KVRer
- 5 posts since 17 May, 2013 from Portugal
You should be able to do it by ear, if you can't do by ear probably shouldn't be doing it. That's how i feel.
Some Pitch correction software show the key of what going through them.
Some Pitch correction software show the key of what going through them.
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- KVRian
- 607 posts since 20 Oct, 2005
I am no expert but I think it very much depends on the genre and the type of Kick selected.
I tune the Kick to either the root or 5th of the Scale/Key which is pretty safe.
If a key change occurs I look for a common frequency/pitch between the two and use that as the default.
These days I create my own Kicks from a bass wave and change its dynamics as the track develops and use a variety of tools to get it to sound just right. I usually merge it with various other sound sources but I like to keep the bass wave and its fundamental frequency more or less intact.
If the Kick is pitch modulated (lets say by 36 st's) it'll smudge or hide the underlying fundamental from view but don't let that deceive you just because the analyzer makes it look like the Kick has a wide range of possible fundamentals.
If the Kick in question is quite bass heavy with little or no modulation its definitely worth tuning it away from the worst case scenario which is the Bass and Kick playing a minor 2nd. (16:15)
On big club systems that can sound quite dissonant even though it can sometimes work more often than not it sounds horrible, well at least to my ears.
I still can't think of a good reason not to spend the extra effort to tune a Kick to a track.
I tune the Kick to either the root or 5th of the Scale/Key which is pretty safe.
If a key change occurs I look for a common frequency/pitch between the two and use that as the default.
These days I create my own Kicks from a bass wave and change its dynamics as the track develops and use a variety of tools to get it to sound just right. I usually merge it with various other sound sources but I like to keep the bass wave and its fundamental frequency more or less intact.
If the Kick is pitch modulated (lets say by 36 st's) it'll smudge or hide the underlying fundamental from view but don't let that deceive you just because the analyzer makes it look like the Kick has a wide range of possible fundamentals.
If the Kick in question is quite bass heavy with little or no modulation its definitely worth tuning it away from the worst case scenario which is the Bass and Kick playing a minor 2nd. (16:15)
On big club systems that can sound quite dissonant even though it can sometimes work more often than not it sounds horrible, well at least to my ears.
I still can't think of a good reason not to spend the extra effort to tune a Kick to a track.
- KVRAF
- 1577 posts since 20 May, 2002 from Cambridge, UK
when it comes to synthetic kicks I usually just play them several octaves higher, then you can hear quite clearly what the note actually is - and adjust the tuning accordingly to fit the rest of the track, though I usually don't find it necessary with any other kind of drum hits
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- KVRer
- 1 posts since 6 Nov, 2017
The way I get around tuning is just load a load of kicks or snares into a drum machine and switch between kicks and snares until you find a kick and snare that perfectly fit then even once the bassline is written you can switch them up and down until they sound spot on
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- KVRAF
- 1895 posts since 9 Jul, 2014 from UK
I've never understood why people tune kick (bass) drums. A kick is a kick is a kick. Just choose one that sounds good, that fits the track. I'm more concerned with attack, release and boominess (or not).
Spend your time doing something more worthwhile.
Spend your time doing something more worthwhile.
I wonder what happens if I press this button...
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- KVRAF
- 2644 posts since 17 Apr, 2004
The kick may have a note. A key is a collection of notes. Drums therefore don't have a key. You may however want your kick tuned to the root of your key.
Personally I think the obsession over tuning drums is nonsense. If you think your kick has a problem fitting in with the other sounds, you will want to change it, and pitching is one option. So if you notice that the pitch is an issue, by all means fix it. You don't need to fix things that ain't broke though.
Personally I think the obsession over tuning drums is nonsense. If you think your kick has a problem fitting in with the other sounds, you will want to change it, and pitching is one option. So if you notice that the pitch is an issue, by all means fix it. You don't need to fix things that ain't broke though.
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