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Pro-C
by FabFilter
?
KVR Rank: 1655 839 1594 [30-Day: 1540; 7-Day: 1584; Yesterday: 1267]
21 members are watching Pro-C for news
Product Pro-C
Developer FabFilter
Primary Type Dynamics (Compressor / Limiter)
Price (MSRP) $199
Plug-in Formats
Effect(s)VSTVST3Audio UnitRTAS
Operating System Availability
Operating
System
Latest
Version
Download Is it
Available?
Windows 1.12 Demo / TrialReleased
Mac OS XMac OS X Universal Binary 1.12 Demo / TrialReleased
Miscellaneous Information
Copy Protection Serial Number
Average User Rating Average rating - 10.000
Compatibility Unknown
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Pro-C

Pro-C is a compressor plug-in offering high-quality sound, flexible routing and side-chain options, and various program dependent compression styles with an innovative user interface and animated level display making compression easy to grasp for everyone.

Suitable for a wide range of compression purposes, Pro-C offers three compressor styles: Clean, Classic and Opto. Each style uses different custom algorithms, knee curves and compressor topologies (feedback or feed-forward), all carefully selected and fine-tuned after thorough research and development. All styles use 64-bit internal processing and guarantee zero latency throughput.

Pro-C is capable of very fast attack times and both the attack and release times are highly program dependent. Each compressor style features different forms and levels of program dependency.

Apart from its sound and character, Pro-C also offers very flexible routing options. You can choose between left/right or mid/side processing with completely customizable channel linking and routing. External side chain input is available and the detection signal can be filtered with steep 48 dB/octave low-pass and high-pass filters. Both stereo and mono versions of the plug-in are available.

Pro-C has an innovative, easy-to-use, interface. The animated level display, the active transfer curve display and the accurate input, output and gain change meters all work together to give you great insight in when, why and how compression is applied to the audio signal.

By default, the plug-in starts in non-Expert mode, which only offers the most essential compression functions. In Expert mode, the animated level display slides underneath the transfer curve display to reveal all advanced side chain options.

Like all FabFilter plug-ins, FabFilter Pro-C also offers large, fine-tuned knobs that offer quick and precise control in both vertical and circular drag modes, interactive MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample accurate automation, AltiVec and SSE optimization and much more.

Feature summary:

  • Three different compressor styles.
  • Program dependent attack and release curves.
  • Very fast attack times.
  • Soft- and hard-knee option.
  • Zero latency, click-free 64-bit internal processing.
  • Auto Gain option.
  • Auto Release option.
  • Large input, output, and gain change meters with different scale settings.
  • Animated compression level display with customizable curves.
  • Active transfer function display.
  • External side chain.
  • 48 dB/oct HP and LP side chain filtering.
  • Mid/Side processing.
  • Flexible channel linking and routing.
  • Stereo and mono plug-ins available.
  • MIDI Learn.
  • Smart Parameter Interpolation.
  • Sample-accurate automation of all parameters.
  • Extensive help file with interactive help hints.

User Reviews by KVR Members for Pro-C.

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By bduffy
On 2nd March 2008
Version: 1.10

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bduffy


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I'm quite surprised there aren't more reviews of this yet; I'm a little honoured to be the first, as I feel this is arguably one of the best software compressors available right now.

I have to say I was pleasantly surprised when FabFilter announced they had released a compressor. Now at this point I already had my fair share of compressors, but I was curious to see what a company with a reputation for ultra-high quality plug-ins would put out, so I downloaded the demo and got to it.

First, the GUI is striking both in its beauty and simplicity (much like their other offerings!): the colour choices complement each other and provide plenty of contrast, and the over-sized dials beckon to be tweaked. But what is really interesting here is the variety of ways the user can witness realtime feedback of the compression transfer curve, peak reduction and sidechaining. While we've all seen the transfer curve before, and I can think of one or two older plugins that attempt to show the effect on the peaks via a waveform display, I had never seen a display that shows the compressor "dipping down" over the peaks, showing you when and how it's compressing; you will see little dips on the top flatline when gain reduction occurs, and if you increase the attack, you can see how the GR happens more slowly, i.e. the dip indents to the right. This makes it valuable both for experienced tweakers and beginners, who may benefit from the extra visual representation (compression is often one of the hardest concepts to learn!).

Next I noticed an "Expert" button; click this, and amazingly the whole waveform display animates and slides "underneath" the transfer curve, revealing sidechaining options and sliders for the pass filter. Again: clear and clever graphical representation, with plenty of options, which we'll get back to.

The larger knobs above are all familiar paramaters: Attack; Release; Threshold; Ration, etc; plus a soft/hard knee switch, three types of compression characteristics and even a dry/wet knob, which I love. With all these options, I couldn't wait to hear it, so let's go!

Even with the default setting, I notice a pleasing response on my drum loop; the transients are punching through, the decay has been extended a bit and the peaks are under control. The more I experiment with more dramatic ratios and settings, the more I like it; this unit reaks of quality, and I know I'm getting hooked by the second! I try the different characteristics, and I can hear differences between them ("Classic" seems to have a softer attack, for instance), but I can't decide which I like best! Everyone wins!

And with the Dry/Wet knob, you can smash the hell out of the signal, but use the mix knob to dial the dry signal back in, New York-style! I found driving the input wasn't that great for this, relying on the threshold and ratio gave better crushed results. ;)

(Another great note about the interface: when you pause over any element, a rather adorable little word ballon will appear and explain the object in question; again, extremely useful, especially for beginners and people looking for further explanation of the Pro-C ethos.)

I then poked around with the presets, of which there are many - categorized by style (nice!) - and I even noticed "bM" after most of the presets; I wondered: is that our "bManic"!?! Sure enough, it was. He was a beta-tester and preset-maker, and could explain why this plugin felt like it was made for the KVR crowd; I really felt like someone was listening to me (like that time you were at the AC/DC show, and you felt like they were playing for YOU..yeah, you KNOW what I'm talkin' about!), and that's reflected in Pro-C; it's made by a discerning small company for the discerning few (although I think everyone should have one, of course!). My point is: the presets are excellent starting points, and very useful for slobs like me who don't spend a lot of time with things like M/S processing; and the presets help demonstrate the strengths of FabFilter's design.

The Help file is perfectly well-written and laid out, I'm glad they used a cfm-style Help, I prefer that to launching a page. Not that I've had to use the Help File much, if at all; the interface is all there, and having direct access to bManic and the developers makes it almost uncessary. But it's there for those who need it.

Support has been friendly and excellent. I submitted a request for A/B, and not only was it met with enthusiasm, it's there now in the 1.1 release, along with (!) Undo/Redo. Amazing.

Now, this compressor is not cheap. At $199, it's near the top of VST compressors, but I must be clear that it's near the top in terms of sound, quality, GUI & support. This is a full package, the "real deal"; and I did not hesitate to pull out my credit card for this. I would warn anyone who is serious about compressors to check this out immediately; one my proudest purchases. :D
 
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