Alloy provides key sound shaping effects for your tracks and busses, bringing them to life with six processors designed to give character to every element of your mix: Dynamics: new Vintage mode, sidechaining, more. Transient Shaper: enhance percussive sounds. De-Esser: tame vocal sibilance. Exciter: with Harmonic Scaling XY pad. Limiter: zero latency, advanced phase tools. Equalizer: exceptional sonic quality, precise controls. MacroPresets: over 150 presets. Equalizer Alloy's powerful 8-band EQ offers precise controls and a large spectrum overlay to give you good visual feedback: Enter E... [more]

Features: iDrum can have any number of channels. Load any AIFF or WAV file smaller than 2MB. Quickly scroll through the samples in a folder while iDrum plays them back. Quickly jump to any sample in a folder. Drag and drop samples into iDrum's window to create new channels. 'Part Presets' - save channel parts as .cpart files. Full sync when running within Logic and Garageband. Bounce to AIFF -- you can save the current pattern as an AIFF... you also have the option to have iDrum bounce *each channel* to a separate AIFF in one go. Save as MIDI -- You can export part data as a single MIDI file ... [more]

Ozone is a mastering system of 64-bit DSP algorithms, complemented with enhanced visual meter displays, and integrated in an interface that makes it easy to get good masters. Features: Multiband Dynamics: Up to four bands of multiband dynamics that carefully emulate the response of analog circuitry, providing natural-sounding compression, expansion, and limiting Paragraphic EQ: Shape the tone with eight nodes of bell, highpass, lowpass, high-shelf or low-shelf filters overlaid on an ultra fast spectrum display. Multiband Harmonic Exciter: Up to four bands of multiband excitation for addin... [more]

Load and slice any WAV or AIFF on the fly (Like Recycle)Support ACIDized WAV'sPreview in time (i.e tempo synched sample preview)Per-slice editing:- Reverse in place- Replace slices withother samples- Individual slice Amplitude envelope- Process individual slices with VST FX destructivelyExports groove MIDI file6 outputs... [more]

RX is a complete audio restoration product - a standalone application designed from the ground up to combat a range of audio problems. It is ideal for audio restoration and archiving, recording and mastering, broadcasting and podcasting, video production, forensics, and any application that demands spotless results and a complete range of restoration tools. Standalone or in Your DAW RX's standalone application gives you an ideal environment for audio restoration tasks. But for those times when you want the power of RX in your favorite audio sequencer or editor, the RX plug-ins are just what t... [more]

Features include: Morph module for vocoder-style spectral morphing with frequency-selective amount control Spectral-based delay with independent delay and feedback control for each frequency band Spectral-based stereo panning Filter module for frequency-selective attenuation Smear module including four independent delay lines with flanger-style LFO for smoothing the output of the Spectron Engine Innovative interface allows for virtually unlimited sweeping and triggering options, includes advanced LFO settings with amplitude, frequency and pulse-width modulation. ... [more]

Trash is a 64-bit spice rack of distortion. For guitarists recording direct, Trash provides over 85 box, cabinet and speaker models -- ranging from standard amp classics to stacks to experimental designs. Combined with 45 overdrive and distortion models -- 12AX7 tubes, 6L6 tubes, transistors, fuzz, rectifiers, and more -- you can make Trash sound as good, bad, real or unreal as you want. Trash goes beyond a typical "guitar amp simulator" effect, though. With multiband distortion, sweeping filters and emulations of classic delays it can be effectively applied to bass, vocals, drums as well. K... [more]

iZotope Vinyl is the ultimate lo-fi weapon, it uses 64 bit processing and advanced filtering, modeling and resampling to create authentic "vinyl" simulation, as if the audio was a record being played on a record player. You have complete control over the following parameters:Mechanical Noise: The amount of turntable motor rumble and noise. Electrical Noise: Internally generated electrical noise, such as 60 Hz grounding hum. Wear: Control how worn out the record is, from brand new to played a few thousand times. Dust: The amount of dust on the record. Scratch: The number and depth of scra... [more]