+/-24dBbootsie wrote:Many people requested an input level dial or pad switch - so, what range should be covered if there would be one?
Maybe that sounds like too much but sometimes, when working with vocals, high boosts are needed.
Thanks.
+/-24dBbootsie wrote:Many people requested an input level dial or pad switch - so, what range should be covered if there would be one?
That should do it. What I wish to get is an automatic output compensation for this gain knob. Then the trim knob would still be a trim knob.Mercado_Negro wrote:+/-24dBbootsie wrote:Many people requested an input level dial or pad switch - so, what range should be covered if there would be one?
Maybe that sounds like too much but sometimes, when working with vocals, high boosts are needed.
Thanks.
Makes perfect senseshogger wrote:That should do it. What I wish to get is an automatic output compensation for this gain knob. Then the trim knob would still be a trim knob.Mercado_Negro wrote:+/-24dBbootsie wrote:Many people requested an input level dial or pad switch - so, what range should be covered if there would be one?
Maybe that sounds like too much but sometimes, when working with vocals, high boosts are needed.
Thanks.
Shogger
Does it fart?Polybius wrote:This tool doesn't only "tapify" my mix, it also does pleasant things to the dynamics of the bottom end. Great plugin!
it's so close... but no. 7 samples. which is enough to cause phase issues (i think) if I don't compensate. and if I do compensate, the way REAPER operates is it will double my system latency in order to enable PDC. it's not a huge deal though, I can still use the plugin during the later stages of a project (post-tracking). it would be nice to be able to throw it on inserts whenever and not have to worry about any of the above issues. this is pretty specific to REAPER though, so i'm not sure if other hosts would run into this.Nahkranoth wrote:It's already zero, no?futurefields wrote:would it be possible make zero latency version? possible if you take off th limiter?
Too much imho since it would be hard to fine tune. I'd frankly speaking prefer even +/-6 dB than +/-24.Mercado_Negro wrote: +/-24dB
Maybe that sounds like too much...
A solution could be an one more "+/-6,12,24 range" switch but having too many controls is also not so great.Mercado_Negro wrote:but sometimes, when working with vocals, high boosts are needed.
do yourself a favour FunkyFunkybot's Evil Twin wrote:If Bootsie's going to go +/-24db on the input stage then output compensation becomes a must IMO. The worst of it: I've been loving the FATSO so much I haven't actually checked this out yet.
Unfortunately not in real life. I should have tried this before posting that. When Ferric gets driven a LOT (like making it a distortion thingy, far from anything subtle) the amount of needed compensation on the output is way bigger that what it fed into the input.Mercado_Negro wrote:Makes perfect senseshogger wrote:automatic output compensation
Shogger
That's what the VST fine tune mode was invented for.justified wrote:Too much imho since it would be hard to fine tune. I'd frankly speaking prefer even +/-6 dB than +/-24.Mercado_Negro wrote: +/-24dB
Maybe that sounds like too much...
A solution could be an one more "+/-6,12,24 range" switch but having too many controls is also not so great.Mercado_Negro wrote:but sometimes, when working with vocals, high boosts are needed.
I would be interested to know how they compare!Funkybot's Evil Twin wrote:If Bootsie's going to go +/-24db on the input stage then output compensation becomes a must IMO. The worst of it: I've been loving the FATSO so much I haven't actually checked this out yet.
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