Korobeiniki
Who knew I wasn't the first KVRian to do this? Probably a lot of you...I wasn't exactly going for originality though.

I think perhaps I should add myself to the Wikipedia list, huh?
Let me know what you think.


Well I do appreciate the response, thank youannode wrote:Well, Elfman, I think not.
Elfman always writes with those 'circus' type scales. Don't hear any in that.
You do have an adequate bounce to your rhythm, (ala Elfman), but the tempo is a bit slower then he usually used. (ala Oingo Boingo - "Little Girls" )
Can't say it did much for me. Maybe next time.
Hmmm...I'll need to take a look at that one. I didn't hear it before, but maybe I just missed it.seismic1 wrote:I quite enjoyed the tune, but I felt that there was a lot of HF interference between the percussion and the chip synth. Made it sound a little harsh.
Good work.
I'm actually surprised it's not the bass that is smeared, I over-exaggerated the hell out of the low end, but I did my best to make sure it was clean and not too over-baring.Programentalist wrote:Hmm, not quite doing it for me, sorry!
Sometimes the rhythm and melody seem disjointed, and overall it has kind of a "90s dance remix of popular tune" feel, where people more or less added a 4 to the floor beat to whatever song. A part of the 90s I'd rather forget
The sounds aren't bad and the mix is decent, although a little smeared in the top (I didn't perceive it as harsh per se, but I hear what seismic is saying). It's just the whole concept that doesn't appeal much to me.
You're comments are always the most welcomed! Not that anyone else's isn't, but something about Remmie makes me feel honoured when he specifically responds to my music.Emerald Tablet wrote:sweet 8bit.
The lovely thing with 8 bit is that it sounds so harsh and dirty and therefore is great to filter.
If you listen through the bittrashed sounds the composition itself is spot on!
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