Programmed from the ground up to CM's own specifications, Dominator takes the venerable sound of classic analogue synths and beefs it up with modern routing, modulation and waveshaping options.

Features:

Triple Oscillators

• Three oscillators per voice with a choice of six waveforms (Saw, Pulse, Sine, Triangle, Sync Saw, Sync Pulse).
• Pulse width modulation per voice and coarse (4 octave range) and fine tuning adjustments.

Oscillator Control

• Dedicated LFO to control vibrato depth and pulse width modulation.
• Glide time setting and mod wheel vibrato depth control.
• Analog control for adding fat analogue-style detuning.

Voice Control

• Four voice modes (monophonic, polyphonic, unison and chord mode).
• Unison with 2, 6 or 12 voices.
• Chord mode with 5 user-definable intervals (plus root note) for building up complex chords to be triggered from a single key.
• 6 play modes for mono/unison/chord, for controlling when glide should be applied and when envelopes should be reset.
• Smart mode for handling successive presses of the same key, or Reset mode, where all envelopes and oscillators are reset for each note, for a punchier sound.

Mixer

• Independent levels for each oscillator.
• Noise and ring modulation (between oscillators B and C) can also be mixed in.
• An external input signal can be mixed in on the VST effect version (this is mixed into each voice).

Amplitude Envelope

• Classic ADSR envelope with velocity sensitivity.
• Optional 'Warm' VCA mode gives a non-linear analogue-style response.

FX

• Chorus modeled on the classic Roland Juno chorus, with depth and rate controls.

Dual Filters

• Two fat multimode Moog-style filters per voice, with 5 filter types (lowpass 12/24dB, bandpass 12/24dB and highpass 12dB).
• Filters can be overdriven and can be made to self-oscillate, just like true analogue filters.
• Keytrack, velocity and filter envelope can all be used to modulate the cutoff frequency.
• Optional 'Warm' mode drives filter harder to add more oomph and body.

Filter Envelope

• The classic ADSR envelope for modulating cutoff of the filters.

Waveshaping

• Optional waveshaper per voice with five different modes and drive control (goes up to 11).
• Transistor, diode, hard clip, sine and rectifier shaping modes.

Routing

• Waveshaper and the two filters can be configured in five different arrangements, including serial and parallel configurations, for flexibility.

LFO

• LFO with sine, triangle, square, positive-only square, sample and hold and noise shapes.
• Can modulate amplitude, oscillator pitch B, oscillator pitch C, filter A and filter B.

Modulation Envelope

• ADSR envelope to modulate filter B, pulse width modulation, vibrato depth, oscillator pitch B, oscillator pitch C and noise level.