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Oddity
by GForce
54 members are watching Oddity for news
Product Oddity
Developer GForce
Primary Type Synth (Analogue / Subtractive)
Price (MSRP) €99
Plug-in Formats
Instrument(s)VSTAudio UnitRTAS
Operating System Availability
Operating
System
Latest
Version
Download Is it
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Windows 1.18 Demo / TrialReleased
Mac OS XMac OS X Universal Binary 1.2 Demo / TrialReleased
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Copy Protection Serial Number
Banks & Patches Download Banks
Average User Rating Average rating - 9.443
Fully Compatible
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Oddity

The Oddity is modelled on the classic ARP Odyssey synthesizer which was manufactured between 1971 & 1976 and was used by artists as diverse as Gary Numan, Herbie Hancock, Kraftwerk and Portishead. Its place in synth folklore is assured and deserved but due to the small numbers produced, the chances of finding one in good working order for less than a king's ransom is slim.

The Oddity takes all that was unique and great about this instrument and thanks to a painstaking emulative process brings these qualities into the 21st century. Now you can finally have those famous Odyssey tones and the exclusive ARP operational method married to reliable tuning, non-breakable sliders and, something only dreamed about in the 1970's, memories.

In fact the Oddity takes the ability to store memories one step further and allows you to morph between any of the saved patches within a bank. Simply pick a start patch, a morphtime and a destination patch, and the Oddity will output some amazing and inspirational sounds. Additionally the Oddity has a unique Flying Slider feature whereby you can grab one or more sliders and throw them, recording their movements if desired.

Of course, because The Oddity was created by Odyssey aficionados as much of what gave the original instrument its character and functionality was built-in too. For example, the way the ring modulator and duophonic mode interact to create sublime aggressive tones was carefully modelled, as was the effect the Lag Generator has on a keyboard triggered LFO.

Features:
  • Extremely realistic analog modeling of classic ARP Odyssey.
  • Two syncable oscillators.
  • Fully tunable across a 6-octave range.
  • Sawtooth, sine, square and variable pulse-width waveforms and sync.
  • White and pink noise.
  • Monophonic or duophonic modes.
  • Host syncable LFO.
  • Ring modulator.
  • Resonant 24dB/octave low-pass filter.
  • High-pass filter.
  • Sample and hold.
  • Portamento.
  • 2 envelope generators.
  • Flexible modulation routing.
  • Programmable including 384 presets.
  • Timed morphing between presets.
  • Flying Slider feature.

User Reviews by KVR Members for Oddity.

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By Modeler
On 7th April 2005
Version: 1.16

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Modeler


4 of 4 people found
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Over the last few years, my work has occasionally been criticised for sounding like “loading music” or like it was done on a cheap and nasty Casio keyboard. This did not bother me as that was essentially the sound I was after, as long as it didn’t sound thin or tinny. But how could I make my tracks sound vintage without them sounding so computer-like? Taking a look at my audio software collection I realised it was lacking something - a big VA.

It was time to splash out on a plug-in with some balls, but which one? I must have tried the demo for practically every decent subtractive synth and been suitably impressed (I still can’t believe what they can do with software nowadays) but none of them had made a lasting impression except one - Oddity. What’s more, it has recently dropped in price so it was a bit of a no-brainer. ImpOSCar and Minimonsta are both great, but I absolutely love the ARP sound and what we have here is effectively the ARP 2810.

The sounds this plug-in makes just grab you; unfeasibly thick basses and leads that send shivers down your spine. I try to use more powerful synths sparingly, but it’s not easy with this one. One thing’s for sure I will be using Oddity a lot, this thing is an absolute killer.

GUI
The interface is based on the classic vintage look of the Odyssey; a nice touch for an emulation and anyone who has used a real one will feel right at home. Moreover, the layout is clear and the inertia of the sliders somehow just feels right. It even has my name on it! Now I feel special.

Sound
I have never used a real ARP so I cannot comment on how precise the emulation is, although I have spent most of my life listening to tracks that have been made with one. It IS the ARP sound; exactly what I wanted - thick, earthy and organic. When I first tried the demo I wasn’t expecting it to sound vintage; I was absolutely blown away.

Features
It was its bass sounds that sold it to me, but I since have found Oddity particularly good for leads. The patch morphing and flying slider features are an added bonus and I can’t think of anything that would make it much more useful. Polyphony would have been nice, but it excels at being a monosynth so who cares?

Docs
The manual shipped with the boxed version came with it in PDF format. I had a quick gander at it and it’s worth a read, as a ‘tweaker’ I haven’t felt the need to go right through it yet.

Presets
4 banks of 64 presets plus the original Odyssey factory patches - brilliant. My only criticism is that they are not arranged by genre; it would have been ideal if there was a bank for bass, one for leads, one for FX etc. At least this way I’m more likely to try them all, what you choose isn’t always what you were looking for.

Support
After upgrading to v1.15 I encountered an envelope bug in FL Studio. GForce E-mailed me a fix the next working day; too bad this scale only goes up to ten.

VFM
The new pricing structure means this little beauty is yours for €79.00, which is nothing considering how much work went into it. EDIT: Shortly after I purchased Oddity, both it and M-Tron went up by €20; points deducted accordingly. Oddity is still worth €99, but to reduce the price of a piece of software only to raise it again is unjust and unfair. EDIT: The price tag of €79 was an oversight; it is still well worth €99 of anyone's money.

Stability
Rock solid, no crashes and more importantly no speaker-destroying static bombs.

Overall
A beautiful piece of software. ARP fans should cherish it [sniff]. It makes me want to change my name to Jean-Michel Jarre.
 
Last edited by Danny Darko on 3rd March 2006    Report

By jamesb
On 27th September 2004
Version: 1

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1 of 2 people found
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I haven't bought many VSTi synths, but I'm sure glad I decided to splash out and get the Oddity. The range of sounds that can be squeezed out of this box is amazing. It’s great at spacey sound effects, edgy leads and booming basses. But I’m mostly loving the groovy funky type tones. I haven’t ever owned an Odyssey, but I have had a number of dusty analog synths, and I think the sound of the Oddity really captures the essence of that era.

It is a very playable synth. You can sit there for hours tweaking sliders and noodling away trying out different sound possibilities. There are a lot of features that other synths of the Odyssey’s era didn’t have, such as flexible sample and hold routing, ring modulation and pulse width modulation. The user interface and layout is easy to work with once you get used to it.

There are loads of presets to get you started. The patch morphing function is nice, but I have to admit, I haven’t put it to much practical use as yet. One annoying niggle I have with the synth is the patch selection system – you can’t change patches using MIDI program change messages and the patch selection on the GUI can be a bit painful to use if you’re trying to change between patches at the bottom of the list. But, it’s miles better than what the original Odyssey’s had in terms of patch selection!

As for customer support, these people are brilliant. They (Gmedia and Ohm Force) are very helpful and are obviously very committed to what they do. The Oddity is rock solid stable, and is very light on the CPU. Very recommended.
 
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By PugFace
On 12th March 2004
Version: 1

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1 of 3 people found
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When i first heard them demo of this. I realised that the software houses are doing a grand job emulating the hardware.

This is my bass machine as the sound is just warm enough and controllable better than a moog i think. The HPF is the key. An arpeg would have been nice in it. This is a 70's synth and you here all the era's sounds coming from it.

Pink Floyd
Genesis
Vangelis
Jean Michel Jarre

They all used this as a lead. The sound is amazingly fat because the low pass filter is doing something at the closed settings without resonance. (there must be distortion or something).

It sounds more natural soundng than the mini moog.

Nice GUI.

I can't get my head around the sample and hold.

This vsti is best for bass.

Real value for money.
 
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By multree
On 21st December 2003
Version: 1.10

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2 of 3 people found
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Everyone knows the Mini Moog, but what about the ARP Odyssey ? Well to be honest I haven't played both in reality but this virtual analogue model of ARP's Odyssey - the GMedia Oddity - sounds delicious. And it not only sounds delicious, it actually looks as if the knobs are meant to keep your breath fresh for a long time (while having only 2 calories each). This black beast with its tic-tac-knobs is a real beauty, and once you've seen the sliders morph from one preset to another (a nice function implemented by the Ohmforce team) you know that you're in love.

Well, back in the days (the Odyssey was built during 1972 - 1978) when people had to choose between the Mini Moog and the ARP Odyssey, some were claiming that the Odyssey was lacking the warm sound of its contender. But having tested this plug-in (and not the black-golden original model 2813) I only can say, that at least this vst monster isn't lacking anything. Still something like polyphony - though the original was mono-/duophonic, too - would have been a nice feature to add.

Although this baby comes with loads of presets (of which you'll get even more when you register) it's main advantage is the ease to program your own. One thing I like the most about the Oddity is the ability to draw some really funky sounds out of it. Now take this statement and the fact that you can actually throw the sliders (the flying sliders function is unique to the Oddity) around, be sure to get some excitement and fun out of playing with this bugger. But see for yourself, get the demo and simply fall in love.
 
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By warbug
On 16th November 2003
Version: 1.0

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2 of 6 people found
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ahh yes the good ol' oddessey. my friends actually had one of these and i was super surprised when i first played with it..

UI - was not a super huge fan of it on the hardware version..but its has been faithfully copied... so its not G medias fault.....its that crazy nasa EE...

Sound - yes the original did sound that crappy the HW version had alittle more noise in the output signal.. but once again it has been copied to a T.

Features - YES! i love the morph feature (ala nord lead style) and the flyer faders but those are bounuses. i have alwasys like the lfo gate section on the HW version.

Docs - yes they were good but i did not need them.,,

Presets - all 5 banks were carefully planned....over all some usefull sounds.

Customer support - dont think ill ever have to deal with them but it seems like they jump on a problem if one arises.

VFtM - yes it is more analogy than most of my synths..


Stabilty - have not experianced any problems pretty good on the ol CPU (p4 1.5 GHz)
 
Last edited by warbug on 17th November 2003    Report
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