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|Type / Tags|
- High-resolution FFT spectral engine
- Multiple vocoding modes
- Operation configurable from 4 to 1024 frequency bands
- Full-function dual-oscillator synthesizer with dynamic patch morphing, multiple filter modes, and FM
- Granular sampler with independent control of time and pitch
- Realtime frequency spectrum displays of input and output
- Advanced modulation section includes step sequencers, tempo-synced LFOs, envelope followers, and more.
- Additional spectral effects can be applied to the sound input
- Custom filter spectral curves with the breakpoint editor of the equalizer
- Gate and level compression of the input, frequency-domain compressor for the output
Reviewed By Ned Bouhalassa
May 13, 2003
At first, I thought the Osc Synth's choice pf waveforms was meagre, until I realised that you can modulate freely (not discretely) between the four choices, thereby creating a huge number of variations. This synth can create so many timbral colours, it's really a shame that it only offers an ADSR env - why not go breakpoint, like Absynth? Sweeping the harmonics in real-time, I get a sound that reminds me of a PPG.
The Wave Synth (WS) is perfect for creating textures. By modulating the Loop Start point with a Random LFO (also affecting pan), and the Loop Length with another LFO, I had the base for a dynamic, flowing texture. One thing that I wish was included in the WS is the bpm of given drum loop. For now, if you have a beat as your WS, and you want to combine it with other loops, you'll have to either use your ears or import the file into ReCycle or your sequencer, and figure it out. That said, Vokator's not a ReCycle-like plug-in, it's just an übervocoder on serious steroids! The audio files that come with Vokator are varied and very useful out of the box (I had no problems calling up new audio files while the plug-in was running).
The worst part? The manual. It's much closer to a specs sheet than a manual. For the life of me, I couldn't figure out how to turn off the Osc Synth's dedicated LFO (not the 4 independent ones), until I looked at the Info Window and saw that in the centre position, the LFO has no effect on pitch. It takes a while to get used to looking at the Info Window everytime you change a knob or slider setting. One thing that's high on my update wishlist is the ability for the user to input precise settings by keyboard. I wanted to double the tempo of a given audio file, but I could only choose 1.978 or 2.066...
Something else I noticed: if you want to use the WS alone to mangle an audio file, mute the other input (say Input A = Live, Input B = wave synth), or else you'll get an echo effect (Input A/Live is getting a feed from Input B), and you might waste some time making sure the delay and other effects are turned off!
In case you're wondering why I haven't mentioned the vocoding part, it's because it sounds wonderful and does exactly what you'd expect. It's the rest of Vokator that gets me excited!Read more