Classic Auto-Filter is an analog modeled four-pole filter with resonance control. It can be used for creative effects like auto-wah-wah and filter sweeps, as well as a fixed filter for equalizing purposes. The filter is selectable between low-pass, high-pass, band-pass and band-reject (notch). The filter cut-off frequency can be modulated from the envelope follower and the LFO.Features:Modulated four pole filter with resonance.Syncable LFO with sine, random-hold and stereo spread.Envelope follower with adjustable attack and release.Presets.Very low CPU usage.Supports sampling rates on and abov... [more]

A great sounding and easy to use classical Chorus VST Plugin. Features: Smooth Chorus effects. Stereo spread. Presets. Ultra low CPU usage. Supports sampling rates up to 96kHz. Full VST automation. ... [more]

A classic analogue style VST Compressor Plugin with lots of warmth and punch. Specially designed to be used on individual instruments and vocals, but also very useable on final mixes.Features: Smooth Compression. Adjustable ratio up to limiting. Adjustable attack and release times. Adjustable knee (hard to soft). Gain reduction LED. Presets. Ultra low CPU usage. Supports all sampling rates. Full VST automation. ... [more]

Classic Delay emulates three of the most commonly used delays / echo sounds types: Tape, Analog, and Digital, but without the introduction of noise. A quality control is included where the sound of the echo machine can be adjusted to give the preferred amount of "imperfection". The delay can be synchronized to the host, and the feedback can be reversed to give a ping-pong effect. Features: Tape-, Analog- and Digital Delay sound. Ping-pong delay. Quality control. Tone control. Presets. Ultra low CPU usage. Supports sampling rates up to 96kHz. Full VST automation. ... [more]

Classic EQ is a 7 Band Stereo Equaliser with a warm analog sound, well suited to make non-surgical tonal corrections on all instruments, vocals and final mixes. The passive and additive structure, together with unique "Warm" and "Saturation" algorithms, produces warm and pleasant sound, just like some of the most expensive vintage gear. The left and right channels can be adjusted individually or linked together.Features: Seven band stereo equalization. Separate left and right channel adjustments. Warming and Saturation. Stereo Link. VU meter. Presets. Ultra low CPU usage. Supports all samplin... [more]

Classic Flanger will give you that subtle or massive swirling effect that is used mainly for guitar, but can be used for many other instruments as well.Features: Smooth Flanger effects. Stereo spread. Host Synchronization. Presets. Ultra low CPU usage. Supports sampling rates up to 96kHz. Full VST automation. ... [more]

The Classic Master Limiter VST plugin is specially designed to boost the overall level of your final mixes, but can also be used on very dynamic instruments.Features: Loudness maximizing. Brick wall limiting. Automatic makeup gain. VU meter. Presets. Very low CPU usage. Supports sampling rates up to 192kHz. Full VST automation. ... [more]

The Classic Phaser emulates analog phasers from the 70's and 80's. These vintage phasers got their characteristic sound from the analog phase shifting filters used, unlike the delay lines used in most modern digital phasers. To get a deeper and fatter phasing effect, more filter stages were cascaded. The Classic Phaser works just like an analog phaser, and with selectable filter stages from 4 to 12, it can resemble anything from phaser pedals to expensive studio phasers from that time period. Specification: Filter stages: 4 to 12. Phase shift area: 50Hz to 20kHz. Modulation Rate: 0.1 - 10 Hz.... [more]

Classic Reverb is a nice and smooth reverb that does a good job on almost any instrument. It can be adjusted to sound like most any acoustic space, ranging from a small shower to a large concert hall.Features: Smooth stereo reverb effect. Adjustable room size and damping. Low cut filter. Host Synchronization. Presets. Low CPU usage. Supports sampling rates up to 96kHz. Full VST automation. ... [more]

Golden Audio Channel | GAC-1 features two equalizers, two compressors, a noise-gate and a de-esser. The internal effects are interconnected with ten selectable routings, including normal instrument setups, dual band setups, and special setups like mid-side processing and compression based on side chain filtering. With the double EQ and Compressor architecture, the GAC-1 offers flexible sound possibilities that are not possible with single processing. Three versions are available: stereo, stereo with side chain, and mono with side chain. There is no latency, which makes this the ideal tool fo... [more]

Kjaerhus Audio has announced Golden Audio Gate | GAG-1, a versatile gate / expander & ducking plug-in made for such applications as noise-gating, gated reverb, voice-over, de-breathing and many other practical and creative purposes. The side-chain can be fed with either internal or external audio, or controlled by a MIDI key. High-cut and low-cut filters are available in the side chain to narrow the frequency range in which the gate should respond. The envelope is controlled by attack, hold and decay parameters where the hold function has a soft release behavior contributing to the unique... [more]

The GCO-1 is a versatile quality compressor and expander plugin modeled after some of the best analog compressors. It has an open architecture with many means of adjustment, which ensures that almost any analog sound character can be obtained; from smooth and transparent, to warm and tubeish, or even pumping, if so preferred. It works well with all material for tracking, mixing and mastering. Features: High compression and expansion ratios. Five envelope types including Opto-coupled. Very short attack and release times. Program dependency to avoid pumping. Frequency dependent compression. A... [more]

GEQ-7 is a high quality five band parametric equalizer with a selectable shelf setting on the highest and lowest band. Additionally, Low Cut and High Cut Filters with selectable slopes are provided. Four different types of EQ styles can be selected to fit any task or tonal adjustment behavior preferred by the user. The equalizer is a fully matched emulation of equivalent analog hardware, with true analog behavior and sound. That also means no latency; it can be used real-time in the studio or on stage. The installation package includes three plugin variants; a variant with full stereo controls... [more]

The GMO-1 is a Professional Modulation VST-Plug-in designed to provide high quality Chorus, Flanger, Tremolo, Panning and other Frequency-, Delay- and Amplitude- Modulated effects. Features Delay, AM, FM and Panning effects. 45 Presets. Internal Limiter. 2 LFO's with 10 Waveforms. Filtered Feedback. Host Synchronization. 64 Bit Internal Processing. Up to 4 times oversampling. Supports 192 kHz sampling rate. No Latency Delay. ... [more]

The GPP-1 is a high quality soft-limiter / peak compressor designed for peak- taming / compression during real-time tracking, sub-tracking and mixing, live or in the studio. It can compress troublesome peaks, soften the sound, and bring out instruments that would have been buried in the final mix. It offers five different release types designed for different material and taste. Program dependent envelope times for increased loudness and minimum pumping are also included. Features: Feed forward compression and limiting. Five envelope types including Opto-coupled. Very short release times. Prog... [more]

Golden Uni-Pressor | GUP-1 is a general-purpose compressor made for tracking, mixing and mastering. It offers VCA and Opto models that can be run in a Warm or Smooth mode, and a Program Dependent Envelope (PDE) to decrease pumping and increase loudness. High and low cut filters in the side chain can be used to make frequency dependent compression. The compressed signal can be mixed with the uncompressed one, and that can be used to create upward compression. Three versions are available: stereo, stereo with side chain, and mono with side chain. There is no latency, which makes this the ideal ... [more]

MPL-1 Pro SE is a limiter plug-in made for mastering and other purposes where the highest accuracy and quality are demanded. MPL-1 Pro SE uses an over-sampled peak detecting algorithm to ensure that even high frequency peaks are accurately detected. This results in better high-frequency performance and it ensures that no overshoot or clipping occurs in the final D/A conversion. Look-ahead and a soft release-hold assist in keeping the compression smooth and transparent, even at high compression levels. The MPL-1 Pro SE uses a new stereo linking technique that allows peaks to be limited indiv... [more]

MPL-1 is a limiter plug-in made for mastering and other purposes where the highest accuracy and quality are demanded. MPL-1 uses an over-sampled peak detecting algorithm to ensure that even high frequency peaks are accurately detected. This results in better high-frequency performance and it ensures that no overshoot or clipping occurs in the final D/A conversion. Look-ahead and release-smoothing (soft release-hold) assist in keeping the compression smooth and transparent, even at high compression levels. MPL-1 uses a new stereo linking technique that allows peaks to be limited individually ... [more]

Spectra combines multistage additive synthesis with traditional subtractive synthesis giving you strong sound possibilities ranging from classic synthesizer sounds to re-synthesized instrument sounds and sound morphing. Key Features: Multistage additive and subtractive synthesis. 250 partials additive engine. 8 detune-able oscillators per voice. Harmony morphing with looping and time-stretch. Analog modeled filters. Polyphonic portamento. Audio Analyzer. 2 LFOs with 12 waveforms, sync and sample / hold. 5 multipoint envelopes with looping and time-stretch. Waveform presets. Full pedal impleme... [more]