no idea man.
Chase wrote:i dont know how it works. It explains so at the beginning of all their libraries (which i wouldnt know because i dont own any). Somehow they got the lisence to lisence it with all ther libraries?
Chase wrote:i dont know how it works. It explains so at the beginning of all their libraries (which i wouldnt know because i dont own any). Somehow they got the lisence to lisence it with all ther libraries?
good for them(and us) but I know FOR A FACT that one of the major sample CD companies does not have permission to use the breaks they use. I know because I used to work there.Chase wrote: Zero-G has the legal permission to distribute and lisence all their breaks which is what saved our asses. They are completely legal.
jungle warfare was emensely popular and is illegalsoulkraka wrote:good for them(and us) but I know FOR A FACT that one of the major sample CD companies does not have permission to use the breaks they use. I know because I used to work there.Chase wrote: Zero-G has the legal permission to distribute and lisence all their breaks which is what saved our asses. They are completely legal.
Who cares anyway...I know I dont give a flying f**k. Like Im gonna let some fat cat like harry fox dictate what I can and cant do artistically
dont get me wrong mate there has been a lot of GREAT dnb from the uk. I just dont like any of the modern stuff there.jdg wrote:still sounds the same.
first . ticka ticka ticka ticka
then . du kak du-kak
then . bwowowowo wrararar bwowowo wrararar
then . wooowowoowo RARARARARARAR wowowowowo
some really good dnb from the US is peter K. but that was 3yrs ago.
LOL... you can add a ...jdg wrote:still sounds the same.
first . ticka ticka ticka ticka
then . du kak du-kak
then . bwowowowo wrararar bwowowo wrararar
then . wooowowoowo RARARARARARAR wowowowowo
Which company?soulkraka wrote:good for them(and us) but I know FOR A FACT that one of the major sample CD companies does not have permission to use the breaks they use. I know because I used to work there.
yes i just watched that one and it was fantastic. it was better than the amen video because he did a lot of work in locating clips and stuff. of course one might argue that his view was kind of limited and in a box, but this sort of thing is meant to end up in museums. parts of it are really funny how "square" it is but it's really cool.Chase wrote: the tb-303 video on that site shows that but its even more interesting, imo
I loved it but 2 things bothered me:Mr. Tunes wrote:yes i just watched that one and it was fantastic. it was better than the amen video because he did a lot of work in locating clips and stuff. of course one might argue that his view was kind of limited and in a box, but this sort of thing is meant to end up in museums. parts of it are really funny how "square" it is but it's really cool.Chase wrote: the tb-303 video on that site shows that but its even more interesting, imo
interesting how when talking about Rebirth he shows more modern midi controllers(like evolution and behringer knob stations), none of which were around when Rebirth was. i think the Phat.Boy was one of the only ones out then.
Its funny because I read your comments here before watching and as he started expaining the 303 interface it was like this climax when he said "sine wave".....ssssssiiiiiiiinnnnneeeee wwwwwwaaaaaavvvveeeeChase wrote: I loved it but 2 things bothered me:
He said the TB303 offers a ramp wave and a sine wave, when its a ramp wave and a square wave.
Also, he didnt even mention moog and gave all the credit to the roland guy, as if the TB303 was the first single-osc synth with a hardware sequencer
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