Ahh there ya go!Arglebargle wrote:Really great mix!!

You on the herb tonight too eh? ...eH??

Alex
I like it a lot! It's coool...adj wrote:Hey Tom -- glad you dig it matetomg wrote:Cooool man
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Excellent!
The synth part starting at 00:20 maybe should be a little less brittle and more muffled like a sax and maybe try the vocal 1-track, stark and plain against the backing.. maybe a touch of 1 repeat longish delay. I'd like it to be more Rod Sterling if you know what I mean? Or not.. It's fine as is..
It sounds like you double tracked the vocal and they don't really line up well. [edit] on closer listen I guess it's a short delay/chorus..?Not sure what you mean by "vocal 1-track". Do you mean mono or center-extracted perhaps?
My old Mags. They're really good!What did you listen through mate?
Twilight Zone? A normal guy in a weird place..Rod Sterling? Not really sure who that is -- sorry.
Right!tomg wrote:It sounds like you double tracked the vocal and they don't really line up well. [edit] on closer listen I guess it's a short delay/chorus..?adj wrote: Not sure what you mean by "vocal 1-track". Do you mean mono or center-extracted perhaps?
Check Meri Wilson's vocal on Telephone man.
Telephone man - Meri Wilson
Bwahahaha!!My old Mags. They're really good!What did you listen through mate?
Twilight Zone? A normal guy in a weird place..Rod Sterling? Not really sure who that is -- sorry.
Twilight Zone intro.
.
adj wrote:Bwahahaha!!You mean Rod Serling. (I should have made the connection)
That was probably the first guitar riff I ever learned on my 20 quid Hagström Glitter Guitar!
Someone did a song -- maybe it was the ventures -- called 'Outer Limits' which actually started off with the Twilight Zone riff circa '61 - '62?tomg wrote:adj wrote:Bwahahaha!!You mean Rod Serling. (I should have made the connection)
That was probably the first guitar riff I ever learned on my 20 quid Hagström Glitter Guitar!
Yeah me too Ventures style. That and Johnny Rivers' Secret agent man. I can still play a pretty mean Secret Agent.
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Anyway thanks again for the tune. It reminded me of the Twilight Zone theme for some reason.
Blumenstein Ultra-Fi custom Sonic Sentries speakers!Per Lichtman wrote:Listening on the Blumenstein Ultra-Fi custom Sonic Sentries speakers (running through some shitty amps while I wait for the custom amp to get done).
I listened to both the old master and the new one. I like the new one a lot better. The bass seems to be under control a lot better and everything sounds a lot clearer. The vocal also doesn't seem so boomy anymore either, fitting in better with the relaxed feel of the track.
It sounds like everything moved in the right direction but most of my other comments would be on the mix rather than the master.
I'd be honoured to sing on any of your songs my old friend -- you need but ask -- anytime!liqih wrote:ok I can stream the 128 Kbps but not the other one, <sigh>
but I like this! BTW would you sing one for my KVR Singers project?
Well, keep up the good work: mastering is tricky business, but that's why I count on Kilroy at Headroom Productions.adj wrote:Blumenstein Ultra-Fi custom Sonic Sentries speakers!Per Lichtman wrote:Listening on the Blumenstein Ultra-Fi custom Sonic Sentries speakers (running through some shitty amps while I wait for the custom amp to get done).
I listened to both the old master and the new one. I like the new one a lot better. The bass seems to be under control a lot better and everything sounds a lot clearer. The vocal also doesn't seem so boomy anymore either, fitting in better with the relaxed feel of the track.
It sounds like everything moved in the right direction but most of my other comments would be on the mix rather than the master.![]()
Thanks for taking the time to listen to both versions and technically compare!
You might understand how great it is to know you're making progress in mastering -- I have never really had the golden ear when it comes to mastering and no doubt the reason is live gigging in front of Marshall stacks for decades...
Recently I listened to two of my songs that were recorded and mastered (by me) about a month apart -- they were so totally different in quality I almost threw my DAW out the window...
So, last month I sat me down to try and see if I could achieve a better quality and learn to use some hearing compensation, and it's great to know I appear to be making some progress there.
Cheers & Thanks again mate,
Alex
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