Yeah, I'm a dyke even. Males cumming big loads on pretty faces is hot too, but in music, faster faster humping oh god I'm coming... *IMO*, NOT SO MUCH. Beethoven et al and all this V - I, wait for it, that I CHORD IS ON THE WAY, I'm humping now... (or what Zappa likes to call the inevitable climax at the end of a certain kind of solo "I'm SQUIRTING!!") is tedious to me. For a similar perspective, cf. Feminine Endings by Susan McClary.Mac of BIOnighT wrote:To be quite frank, I frequent several forums on several topics, but I have never found any other where everybody seems to take everything everybody says so totally literally to the very last syllable and takes every single example not as - well - an example that is just there to give an idea of a concept instead of writing a super-exhaustive encyclopaedia on any silly subject, but as the one and only thing to elaborate on...
"Rocking steady and slow is mo sexy to me" from beginning to the very end? You're pretty peculiar... .
I'm sure you can't relate, guess what, it's mutual.
I gave a sort of disclaimer 'argumentative on purpose for entertainment purposes', but you gotta take exception in the same sort of specficity you object to in my post.
You made a sort of case for 'we haven't evolved really past primitive impulses in our musical response'; it's there in what you said. I say: speak for yourself.
As far as your conclusion regarding African music, you've played with how many Africans exactly? The guy I jam with, let's call him Africa Man, is straight out of the tradition in the field, but he also excels in thought about the object; we've had very specific conversations about the subdivision of the time after a jam. That concurs with some of my reading of African writers on the subject as well.
You wanna stick with these conclusions based pretty much on some unexamined premises, that's your prerogative. I find them to be bogus, and I won't apologize for expressing that.