Alesso - Tomorrowland ID Stutter
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- KVRer
- 23 posts since 24 Apr, 2012
Hi!
Been into Alesso's stutter type sounds for a long time and finally sat down to try and figure out how he got the sound. I just can't seem to get how he does it!
Here are some links, the song is the so called ''Tomorrowland ID'':
0:00 - 0:27 (best quality)
0:47 - 1:16 (vocals over)
0:00 - 0:29 (low quality)
As always, any tips, presets or any guideline in general is much appreciated!
Cheers,Qwertywasd
Been into Alesso's stutter type sounds for a long time and finally sat down to try and figure out how he got the sound. I just can't seem to get how he does it!
Here are some links, the song is the so called ''Tomorrowland ID'':
0:00 - 0:27 (best quality)
0:47 - 1:16 (vocals over)
0:00 - 0:29 (low quality)
As always, any tips, presets or any guideline in general is much appreciated!
Cheers,Qwertywasd
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- KVRer
- Topic Starter
- 23 posts since 24 Apr, 2012
Great tip, but is there anyway you can go more in-depth? Is it Sylenth1 and how do I set the LFO filters as you said above e.t.c?Scitnamor wrote:Pretty easily done with a tremolo or lfo filter over a pad that opens up.
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- KVRian
- 724 posts since 31 Oct, 2011 from Sverige
try Xfer LFO Tool, it's just a straight note that is kind of gated in your own preference, and blend the dry/wet so it doesn't get completely cut outqwertywasd wrote:Great tip, but is there anyway you can go more in-depth? Is it Sylenth1 and how do I set the LFO filters as you said above e.t.c?Scitnamor wrote:Pretty easily done with a tremolo or lfo filter over a pad that opens up.
MacBook Pro 15" | 2 GHz Intel Core i7 4 GB 1333 MHz DDR3 | 240GB OCZ Vertex 3 SSD + 500GB Toshiba internal HDD | AMD RAdeon HD 6490M 256MB | Apogee Duet | Ableton Live 9 | MAC OSX Mountain Lion 10.8.3
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- KVRer
- Topic Starter
- 23 posts since 24 Apr, 2012
Right now I sadly can't get a hold of the plugin, is there any way the both Sylenth LFO's can create the same tasks?jontah wrote:try Xfer LFO Tool, it's just a straight note that is kind of gated in your own preference, and blend the dry/wet so it doesn't get completely cut outqwertywasd wrote:Great tip, but is there anyway you can go more in-depth? Is it Sylenth1 and how do I set the LFO filters as you said above e.t.c?Scitnamor wrote:Pretty easily done with a tremolo or lfo filter over a pad that opens up.
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- KVRist
- 313 posts since 11 Nov, 2005
The Gator effect on Traktor sounds exactly the same set on 16th's...
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- KVRist
- 257 posts since 9 May, 2012 from USA
Was messing around on my virus today, here's my attempt at the sound:
I didn't automate the cutoff, but I think he had a supersaw that had the cuttoff envelope on it, which made his sound really powerful when he brought the cutoff up
http://soundcloud.com/itsnano/alesso-tommorowland-pluck
Mostly, I made a pluck sound, with low sustain and no release and a 40% attack (so it's not just a pluck, but can breathe). I put the following effects on it: EQ (took out everything under 50 Hz), Chorus (analog @ 25% intensity), Bitcrusher distortion (20% intensity), delay (1/4th notes with 50% feedback), and reverb. It is a sine/saw wave that is arpeggiated at 1/16th notes, but the gate isn't very tight, which means the sound still has a "breathing" effect to it
let me know what you guys think! 
I didn't automate the cutoff, but I think he had a supersaw that had the cuttoff envelope on it, which made his sound really powerful when he brought the cutoff up
http://soundcloud.com/itsnano/alesso-tommorowland-pluck
Mostly, I made a pluck sound, with low sustain and no release and a 40% attack (so it's not just a pluck, but can breathe). I put the following effects on it: EQ (took out everything under 50 Hz), Chorus (analog @ 25% intensity), Bitcrusher distortion (20% intensity), delay (1/4th notes with 50% feedback), and reverb. It is a sine/saw wave that is arpeggiated at 1/16th notes, but the gate isn't very tight, which means the sound still has a "breathing" effect to it
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- KVRer
- Topic Starter
- 23 posts since 24 Apr, 2012
Sounds really nice man! As you said, the missing thing is the automation on the cutoff and maybe some small tweaks, after that it's pretty much set!
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- KVRer
- 29 posts since 15 May, 2012
Hey dude, that's some great stuff! But do you have a video of how to do it or something like that??itsNano wrote:Was messing around on my virus today, here's my attempt at the sound:
I didn't automate the cutoff, but I think he had a supersaw that had the cuttoff envelope on it, which made his sound really powerful when he brought the cutoff up
http://soundcloud.com/itsnano/alesso-tommorowland-pluck
Mostly, I made a pluck sound, with low sustain and no release and a 40% attack (so it's not just a pluck, but can breathe). I put the following effects on it: EQ (took out everything under 50 Hz), Chorus (analog @ 25% intensity), Bitcrusher distortion (20% intensity), delay (1/4th notes with 50% feedback), and reverb. It is a sine/saw wave that is arpeggiated at 1/16th notes, but the gate isn't very tight, which means the sound still has a "breathing" effect to itlet me know what you guys think!
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- KVRist
- 257 posts since 9 May, 2012 from USA
nope, but you can pretty much follow this tutorial (link below) if you have the virus ti and then put on a 1/16th arpeggiator with a light gate so that it doesn't completely swallow the sound up, and that should pretty much do the trick my dude 
tutorial link:
he doesn't put effects such as the chorus on the sound during the tutorial, so you can read the effects that I put on it if you want.
tutorial link:
he doesn't put effects such as the chorus on the sound during the tutorial, so you can read the effects that I put on it if you want.
- KVRAF
- 3471 posts since 19 Aug, 2008 from USA-lien In the 8th Dimention
Wow! Just had to say, thanks for posting this, I have not heard Alesso. I cant stop listening to his soundcloud page.
