ontrackp wrote:Personally, I put a lot of value of digging into a device and programming new sounds, so I want to be able to reward someone who does that well, even if their composition or production is not good or turns me off stylistically. Alternatively, if someone sends in a great song that is extremely well produced, but uses only presets, then they have not really learned much about using the synth, but they should be recognized for producing a great piece of music, as it's impossible to disconnect the inspiration that the sound plays in the creative process. They may also know things about production that everyone could benefit from by their sharing.
I don't understand why you suggest that voting on use of the synth and composition/production would be unfriendly -- one of the things that has impressed me the most about joining the competition (although I'm a newbie) is how open and friendly this community is. There are thousands of people sitting by themselves in their basements attempting to make great music, but in a bubble. This competition, and this whole community, gives us all a chance to share what we're doing, comment on it , share advice, have some fun and hopefully learn something in the process.
You are still free to give points to the entries that show good programming skills regardless of composition; you don't need to justify your vote. If you however still want to let that person know exactly why he/she got rated by you, feel free to use the comment system on Soundcloud, PMs on forum, etc. So IMO there's no real need for a more detailed voting system.
By complicating the voting system too much (again, IMO) we risk becoming some sort of a judging comitee instead of just friends working with the same instrument and sharing songs. Although I do get and like the competitive aspect of OSC, I don't think we should transform it into the Olympic Games (or something like that)
The way I see it OSC is about being creative and having fun - we can do that without a very detailed voting system.
PS: I give points only to those OSC entries that sound like nice coherent songs. While I do admire some folks' ability to pump up the sound and their superior use of effects, programming & production skills, I'm more interested in the actual song, not the sound. But that's just me

