One Synth Challenge #106: FB-3100/3200/3300 by Full Bucket Music (Jasinski Wins!)

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PRODUCTS FB-3100 FB-3200 FB-3300

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My submission:

The archangel Gabriel is tempted by the devil. I'm not a religious guy, I have no idea where this track came from! I've written a listening guide on the soundcloud page. I'm not sure if that is in the spirit of the osc, so feel free to disregard it, or use it as additional criteria to grade it on - it's up to you!

https://soundcloud.com/functionform/gabriels-fall

Synths: (all patches from init)
3200 x23
3300 x9
3100 x3

Production:
Reaper x64
Old Skool Verb
Oril River
IIEQ
ReaEQ
ReaXComp
Roth-AIR
Limiter No. 6
Blue Arp
DJMFilter
MSED
Bass Professor Mark II
Acon Digital Multiply
Last edited by functionform on Sat Dec 30, 2017 11:22 pm, edited 1 time in total.
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OSC#106 entry: ThePresent - System Knowledge

https://soundcloud.com/thepresentmusic/ ... -knowledge

Cubase 6.5.5

42 instances of FB3300

DR: 12,5
True Peak Level: -0,5

Mixing plugins:

Airwindows Purest Gain
Airwindows Iron Oxide Classic
Airwindows Distance
Airwindows EveryTrim
Melda MEqualizer
Melda MAutopan
Cubase mixer's eq
Cubase Gate
Cubase Soft Clipper
Cubase DaTube
Cubase GEQ-30
Cubase Studio EQ
Cubase Mono Delay
Cubase Roomworks SE
Cubase Reverence
Cubase Compressor
Cubase Envelope Shaper
Cubase Autopan
Cubase Tremolo
Cubase Limiter
George Yohng's W1 Limiter 2.0
HY MB Drive free
Sanford Delay
Sanford Reverb
TAL Filter-2
TAL Reverb-2
TDR VOS Slick EQ
U-he Protoverb
Voxengo Marvel GEQ

Mastering plugins:
Airwindows ToTape 5
Airwindows NotJustAnotherDither CD
George Yohng's W1 Limiter 2.0
TDR Kotelnikov
TDR Nova
Voxengo Marvel GEQ
Voxengo SPAN
Cubase MultiScope
Cubase SLM128 EBU meter
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My submission:

https://soundcloud.com/cricetus/cricetus-monkey-dance

DAW Ableton 9 Suite
8x FB-3300
3x Ableton Reverb
3x Ableton EQ Three
2x Ableton Compressor
1x Ableton EQ Eight
1x Ableton Limiter
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For anyone who's listened to my track, I've updated my track with a listening guide - feel free to ignore it or read it out of curiousity. It was the story that guided how I wrote it. I think this is a hold over from my orchestra days, where sometimes the conductor would explain to us the various parts of piece, with the intent of the composer. Enjoy!
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Here's my entry for this month. I got caught up in the pure, invigorating, elecronica sound-making potential of these nice old synths (especially that S/H circuit), but threw in a few more melodic sections. All sounds are original and I used all three versions of the synth. The song is a bit of a metaphor for a typical day in my life -- periods of discordant chaos alternating with more organized moments when I have to be around other people.

35 instances of FB3100, 3200, 3300
Logic Pro X EQ, Reverbs, Compressors, Stereo Imaging
Limiter No. 6
OTT (only on Kick)

https://soundcloud.com/ontrackp/modern-life-mix-1

Enjoy... and Happy New Year!
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Would just like to say thanks for running the OSC during the holiday months! Happy New Year's everyone!
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functionform wrote:Would just like to say thanks for running the OSC during the holiday months! Happy New Year's everyone!
We'll see how early on the 1st the new challenge is posted ;)
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generaldiomedes wrote: We'll see how early on the 1st the new challenge is posted ;)
I'm addicted to these now, I'll be refreshing the screen at midnight!
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Here's my submission to this contest, which uses the FB-3200:

https://soundcloud.com/jamesmunroe/spea ... s-beatdown

- Recorded in Ableton Live Suite, v. 9.7.3
- 11 instances of FB3200
Tracks, in order of appearance:
Bar 1:
- "BAS Simple" FB3200 preset, with "Backbone" reverb audio setting from Ableton Live Suite
Bar 5:
- "DRM: Base" FB3200 preset (no added FX)
- "DRM: Hi Hat" FB3200 preset, with "Medium Room" reverb audio setting from Ableton Live Suite
- "KEY: Organ" FB3200 preset, with "Backbone" reverb audio setting from Ableton Live Suite
Bar 13:
- "LED: Keith's Quints" FB3200 preset, with "Medium Room" reverb audio setting from Ableton Live Suite
Bar 17:
- "KEY: Jeremy the Sheriff" FB3200 preset, with "Medium Room" reverb audio setting from Ableton Live Suite
- "KEY: Not a 32000" FB3200 preset, with "Medium Room" reverb audio setting from Ableton Live Suite
Bar 57:
- "KEY: Wurli James" (this is a copy of "KEY: Wyrlytzyr" FB3200 preset with "VELO -> LP" and "VELO -> VCA" both turned all the way to the left), run through 2 copies of Ableton's "Ambience Medium" reverb setting
- "PAD: Starseed" FB3200 preset (no added FX)
- "BAS: LP4 Raizor" FB3200 preset, with "Full Range Spatial" Ping Pong Delay and "Ambience Medium" reverb audio settings from Ableton Live Suite
"I was never worried that synthesizers would replace musicians. First of all, you have to be a musician in order to make music with a synthesizer."
Robert Moog
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generaldiomedes wrote:
] Peter:H [ wrote:] Off:Topic [ - ] Up:coming Synths [ ?

Hi BJ and everybody,

stumbled across this little gem: Fathom Synth https://www.fathomsynth.com/
I do remember checking this synth out when it was first released, and while I was impressed with the UI and concept, I thought the actual sound was on the weak/thin side.
I've spent some hours now with the fresh of the press version 2.0 of Fathom. I love wavetable synths - this is another one and I was able to reuse some of the things I have prepared for Thorn - I bet an OSC with this thing would be tremendous fun.
Thought the version number indicates a certain level of maturity, there's still plenty of room for improvement and some minor bug fixes I'd say. Especially I'd say perfromance tuning could be a valuable activity for the developers. Only DrBob with his brand new gear would shrug off and say there's no such thing like a performance problem :D
But still I stick with my recommendation to give Fathom a try in one of the upcoming OSCs. May be not the next one, yet. I have suggested the Fathom guy to think about supporting OSC already as well. Let's see what he is saying and - most importand - what our mastermind BJ will say...
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Entry
https://soundcloud.com/hennessey/bh9090 ... -fb3200-28

39 instances of FB3200 only. (No other FBs - It's One Synth Challenge, not Three Synth Challenge :wink: )

Live 9 - EQ8, Saturator, Limiter, Delays, Compressor, Autopan, Overdrive
3rd Party - Tab Reverb 4, Freeverb3, Loudmax, Lifikus, OrilRiver Reverb
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My Entry for OSC106
https://soundcloud.com/zarf/zarf-robobop
fb3100 x4
fb3200 x12
fb3300 x5
Ableton: delays, reverbs, eqs, compressors, utilities
3rd party fx: toTape, OTT, LoudMax

Happy New Year folks :party:
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https://soundcloud.com/user-699042552/l ... -sleepflac
9 instances were used
1 Chopper reso pad
2 Cyborg pad
3 Warm stereo pad
4 Triangle grumpy
5 Rythmique
6 Electric spaces
7 Classic cutoff
8 Zithertrig
9 Press some keys

I used a 15 grafic eq to keep the tracks from maxing out the input and a compressor to bring the audio deciples back up while balancing the highs, mids, and lows, Thats it nothing else I then mixed down to flac. at 48000 hz and 24 bit processing I used mixcraft 7 professional studio edition as my daw.

Thank you and enjoy. And also Check out My lates release of a video game soundtrack for Agony
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My entry:

https://soundcloud.com/jasinski/106-fullbucket2-1

All sounds created using 58 instances of FB3X00 synths in Ableton Live. Effects included Live native Reverb, Simple Delay, Compressor, Saturation, EQ8, Limiter, Gate, and 3rd party effects: Neutrino, OTT, Rough Rider.
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What is the cutoff time for submissions?
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