Experimental music defined

Chords, scales, harmony, melody, etc.
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Rottweiler wrote:is that a boy or girl? what kind of inbred people are these? :D
Genesis P-Orridge would chew you up and spit you out. metaphysically speaking of course.
Eins zwei drei vier funf sechs sieben acht

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dirty oscillators wrote:that's exactly my point. composing and producing is a different experience than listening. listening comes from a whole different perspective, almost a naive perspective. there's no knowledge of what experimenting went on.
Yes, you're absolutely correct, but listeners don't judge music on what they don't know, but on what they hear. If it sounds experimental in the wtf is that sense...well...that's all they need to know. :hihi:
sounds to me like you're just trying to make it a genre "because you say so."
Where did I say it was a genre. Oh, right, I didn't. I said that by being experimental, it wouldn't easily or even likely fit into existing genres. I suppose, in that respect, it could become a genre that's not any of the others. :) But I'm not saying it is. I really don't know. :shrug:
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey

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I think that this might have gotten overlooked, though perhaps not.

In any case, here it is again.

herodotus wrote:
eduardo_b wrote: I thought herodotus' remark very insightful:

And it is quite easy to imagine experimental music that would not be at all alienating to most people. For example, just design a randomizer of some sort (many vst instruments have randomizer functions, especially samplers) that is restricted to playing only the notes of a standard pentatonic scale using only eighth notes at 100 bpm in 4/4 time.

From this perspective, experimental music doesn't have to sound weird or distateful. At the same time, experimental music doesn't show up on the charts tracking what the culture considers the best music to be had at any given time.
Thanks.

And in the spirit of friendly experimentation, I have uploaded the makings of a musical experiment that everyone can partake in.

experimental music kit

This is something very like what I described, only not.

It is a bunch of loops and an sfz mapping of them.

Every key between d#3 and e6 plays a loop that is coordinated around a tempo of 260 (or 130) beats a minute. The loops are all in tune with each other. Some are untuned percussion, some are little bits of melody, some are kick drums playing relentlessly on '1', some are synth-pulse loops.

But the fun part is that each type of loop comes in 4 different time signatures: 3/8, 4/8, 5/8, and 7/8.

If you hit any two (or 3 or 12) keys at exactly the same time, they will be rhythmically and harmonically coordinated, and will stay rhythmically coordinated indefinately, as the samples are cut to sample accurate proportions. The number of possible polyrhythms that can pop up are many.

There are also a couple of 4 beat and 8 beat backward cymbal crash samples for those who might just want to 'shake it', and need a cliche to establish communal cycles of tension and release.

Just unzip the above download and load the sfz file called 'polyrandom' into any sfz player. It works best if you have a keyboard with a latch function.

:)
By the way, a few of the loops are sampled from Tim Conrady's Crystal patches.

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Rottweiler wrote:okay i found him on youtube. sounds like some guitarish stuff doh but noprob.

hey maan? wheres the beat?
here you go:

Eins zwei drei vier funf sechs sieben acht

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eduardo_b wrote:Where did I say it was a genre. Oh, right, I didn't.
eduardo_b wrote:I would say the same applies to "experimental" music.
oh right, you didn't...
Eins zwei drei vier funf sechs sieben acht

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dirty oscillators wrote:
eduardo_b wrote:Where did I say it was a genre. Oh, right, I didn't.
eduardo_b wrote:I would say the same applies to "experimental" music.
oh right, you didn't...
The same what... :roll:

Got anything of substance on the topic itself.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey

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i'm sorry, is that a question?
Eins zwei drei vier funf sechs sieben acht

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Like Abbott and Costello
Like Sonny and Cher
Like Martin and Lewis
They're a perfect pair.
Like Laurel and Hardy
Like Fontanne and Lunt
They're perfectly mismatched
They're Dirty and...

















eduardo_b! :lol:

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and from your original post:
eduardo_b wrote:So, do those who believe they are creating experimental music....
you keep talking about it as if it's a genre, and now you're saying you never said it was a genre?
Eins zwei drei vier funf sechs sieben acht

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justin3am wrote:Like Abbott and Costello
Like Sonny and Cher
Like Martin and Lewis
They're a perfect pair.
Like Laurel and Hardy
Like Fontanne and Lunt
They're perfectly mismatched
They're Dirty and... eduardo_b! :lol:
i don't get what the hell he's saying half the time, so it's probably just me. i read the shit that gets posted and it goes ON AND ON AND ON in circles...
Eins zwei drei vier funf sechs sieben acht

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whatever this is dumb... i have better things to do with my evening.
Eins zwei drei vier funf sechs sieben acht

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eduardo_b wrote: Got anything of substance on the topic itself.
do you have anything of substance to start a topic with?
:ud:

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dirty oscillators wrote:whatever this is dumb... i have better things to do with my evening.
liar.
:ud:

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dirty oscillators wrote:whatever this is dumb... i have better things to do with my evening.
:love:
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vurt wrote:
dirty oscillators wrote:whatever this is dumb... i have better things to do with my evening.
liar.
you're right... but if it wasn't for people like you and Justin (and maybe a dozen others) i don't think i would be lying.

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